The Long, Hot Summer (1958)

Director:

Martin Ritt

Writers:

William Faulkner (stories) (novel "The Hamlet")
Irving Ravetch (screenplay) ...

Release Date:

18 May 1958 (West Germany)

Genre:

Drama

Tagline:

Not since "Peyton Place" has a story been told so boldly!

Plot:

Ben Quick arrives in Frenchman's Bend, MS after being kicked out of another town for allegedly burning a barn for revenge...

Plot Keywords:

Farmer | Battle Of The Sexes | Marriage | Southern Gothic | Southerner

Awards:

1 win & 3 nominations

Cast

Paul Newman	...	Ben Quick
Joanne Woodward	...	Clara Varner
Anthony Franciosa	...	Jody Varner
Orson Welles	...	Will Varner
Lee Remick	...	Eula Varner
Angela Lansbury	...	Minnie Littlejohn
Richard Anderson	...	Alan Stewart
Sarah Marshall	...	Agnes Stewart
Mabel Albertson	...	Mrs. Stewart
J. Pat O'Malley	...	Ratliff
Bill Walker	...	Lucius (as William Walker)

Runtime:

115 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.35 : 1

Sound Mix:

4-Track Stereo (35 mm magnetic prints) (Westrex Recording System) | Mono (35 mm optical prints)

Certification:

Iceland:L | Canada:PG (video rating) | USA:Approved (certificate #18811) | Argentina:13 | Australia:PG | Chile:14 | Finland:S | Sweden:15

Filming Locations:

Asphodel Plantation - 4626 Highway 68, Jackson, Louisiana, USA

Company:

Jerry Wald Productions

Trivia:

Orson Welles always wore a fake nose when he worked, so when he would sweat on this film, his fake nose would slip. Make-up people had to keep applying material to keep the fake nose from falling.

Quotes:

Ben: Life's very long and full of salesmanship, Miss Clara. You might buy something yet.

Movie Connections:

Referenced in Important c'est d'aimer, L' (1975)

Soundtrack:

The Long, Hot Summer

enjoyable soaper

I saw this film again last night at an old-time movie palace, in an audience of about 2,000 people. The film, which I had seen before, was even more enjoyable then the previous times I had seen it on TV. For one thing, it has some very lovely and well executed uses of the CinemaScope frame. It shows both the dry openness of the landscape, as well as the lush extravagance of the plantation estate which belongs to Orson Welles' character. I'm not too familiar with Faulkner's stories, but the plot elements of this film flow together rather nicely, and there isn't really a dull moment in the whole picture. The only part which is still difficult for me to take, is the resolution of the conflict between Welles' and Franciosa's characters. That scene builds up to something in a matter of minutes, and then suddenly it's over. I could hear disappointment in some audience members in the theater as well, including one person who shouted "What the heck was that about?". This aside, it's still a worthwhile film to see, and the acting of Newman, Woodward, and Welles are standouts. There are also plenty of (probably unintentional) laughs to be had as well. One of the better soap opera-type films to come out of the late 1950s.