Higanbana (1958)

User Rating:

8.0/10   

Director:

Yasujiro Ozu

Writers:

Kôgo Noda (writer)
Yasujiro Ozu (writer)
(more)

Release Date:

June 1977 (USA)

Genre:

Comedy | Drama

Plot:

A businessman clashes with his elder daughter over her choice of a husband.

Plot Keywords:

Marriage | Daughter | Generation Gap | Post War Japan | Japan

Awards:

2 wins

Cast

Shin Saburi	...	Wataru Hirayama
Kinuyo Tanaka	...	Kiyoko Hirayama
Ineko Arima	...	Setsuko Hirayama
Yoshiko Kuga	...	Fumiko Mikami
Keiji Sada	...	Masahiko Taniguchi
Teiji Takahashi	...	Shotaru Kondo
Miyuki Kuwano	...	Hisako Hirayama
Chishu Ryu	...	Shukichi Mikami
Chieko Naniwa	...	Hatsu Sasaki
rest of cast listed alphabetically:
Ryuji Kita	...	Heinosuke Horie
Nobuo Nakamura	...	Toshihiko Kawai
Mutsuko Sakura	...	Akemi
Toyo Takahashi	...	Wakamatsu's owner
Fumio Watanabe	...	Ichiro Nagamura
Fujiko Yamamoto

Directed by
Yasujiro Ozu

Writing credits (in alphabetical order)
Kôgo Noda		writer
Yasujiro Ozu		writer
Ton Santoni		novel

Original Music by
Kojun Saitô

Cinematography by
Yuuharu Atsuta

Film Editing by
Yoshiyasu Hamamura

Art Direction by
Tatsuo Hamada

Sound Department
Yoshisaburo Seno	....	sound recordist

Production Companies

• Shochiku Kinema Kenkyû-jo

Distributors

• Criterion Collection, The (2007) (USA) (DVD) (English subtitles) (as Eclipse from the Criterion Collection)
• New Yorker Films (1977) (USA) (subtitled)

Also Known As:

Equinox Flower

Runtime:

118 min

Country:

Japan

Language:

Japanese

Color:

Color

Sound Mix:

Mono

Certification:

Brazil:18 | Portugal:M/12 | UK:U (2007)

Company:

Shochiku Kinema Kenkyû-jo

Trivia:

This was Yasujiro Ozu's first film in color.

Movie Connections:

Referenced in Ikite wa mita keredo - Ozu Yasujirô den (1983)

Life as Arranged

Ozu is such a pleasure, a quiet one, meditative.

The story here is about lives, whether they are arranged and what agency we have in arranging them. Many viewers will suppose that the topic was chosen because of some desire to make a comment about Japanese society.

No, its because the filmmaker had turned introspective in his later years. His films are characterized by the way the shots are composed. Each one is a matter of absolute perfection. The perfection is so complete, you have to stop and study. You have to rerun certain scenes to see how amazingly the components arrange. He is the ultimate classical Japanese composer. Sometimes you see that the sets must have been especially built for one setup. Pure geometries and symmetries dominate. The camera is always static.

The effect is that what you see has nature. Its natural, human. It flows in much the same languid, undramatic way that life does around us. But what we see is that flow in a highly composed context. Every element in that context naturally occurs but seems to have found its own harmony to please the eye of the viewer. Its the cinematic Japanese garden.

There's a subtle thing here. Ordered nature presented so that the human composition seems so in tune with nature that we love it. But it is arranged. It is pure and unnatural too, sort of abstractly sublime.

This viewer is a Westerner who works with Japanese concepts of ideal, natural harmony. Watching this makes me cry with a pleasure that avoids being joy.

Ted's Evaluation -- 3 of 3: Worth watching.