| Photos (see all 7 | slideshow) |
| Boris Karloff | ... | James Rankin | |
| Jean Kent | ... | Cora Seth | |
| Elizabeth Allan | ... | Barbara Rankin | |
| Anthony Dawson | ... | Supt. Burk | |
| Vera Day | ... | Pearl | |
| Tim Turner | ... | Dr. Kenneth McColl | |
| Diane Aubrey | ... | Lily Rankin | |
| Max Brimmell | ... | Newgate Prison Turnkey | |
| Leslie Perrins | ... | Newgate Prison Governor | |
| Jessica Cairns | ... | Asylum Maid | |
| Dorothy Gordon | ... | Hannah | |
| Desmond Roberts | ... | Dr. Johnson | |
| Roy Russell | ... | Medical Superintendent | |
| Derek Birch | ... | Guyse Hospital Superintendent | |
| Peggy Ann Clifford | ... | Kate | |
| John Fabian | ... | Young Blood | |
| Joan Elvin | ... | Can-Can Girl | |
| rest of cast listed alphabetically: | |||
| Michael Atkinson | ... | Edward Styles (uncredited) | |
| Yvonne Buckingham | ... | Whore (uncredited) | |
| Robert Day | ... | (uncredited) | |
| Marie Devereux | ... | Bit part (uncredited) | |
| John G. Heller | ... | Male Nurse (uncredited) | |
| George Hirste | ... | Lost Property Man (uncredited) | |
| Arthur Mullard | ... | Male Nurse (uncredited) | |
| George Spence | ... | Hangman (uncredited) | |
| Jeremy Young | ... | Asylum Guard (uncredited) | |
Directed by | |||
| Robert Day | |||
Writing credits(in alphabetical order) | ||
| John Croydon | writer (as John C. Cooper) | |
| Jan Read | screenplay | |
| Jan Read | story "Stranglehold" | |
Produced by | |||
| John Croydon | .... | producer | |
| Richard Gordon | .... | executive producer (uncredited) | |
Original Music by | |||
| Buxton Orr | |||
Cinematography by | |||
| Lionel Banes | |||
Film Editing by | |||
| Peter Mayhew | |||
Production Design by | |||
| John Elphick | |||
Makeup Department | |||
| Barbara Barnard | .... | hair stylist | |
| Jim Hydes | .... | makeup artist | |
Production Management | |||
| Ronald Kinnoch | .... | production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Douglas Hickox | .... | assistant director | |
Sound Department | |||
| H.C. Pearson | .... | sound | |
| Terry Poulton | .... | dubbing editor | |
Special Effects by | |||
| Les Bowie | .... | special effects | |
Camera and Electrical Department | |||
| Leo Rogers | .... | camera operator | |
Costume and Wardrobe Department | |||
| Anna Duse | .... | wardrobe supervisor | |
Music Department | |||
| Frederick Lewis | .... | conductor | |
Other crew | |||
| Hazel Swift | .... | continuity | |
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| The Spider Returns | The Black Doll | Shadow of a Doubt | The Night Strangler | Prime Suspect |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
I am still kicking myself in the buttocks repeatedly for having missed the double feature of Boris Karloff's "The Haunted Strangler" (1958) and "Targets" (1968) at NYC's Film Forum a little while back. Thus, seeing a nice, crisp-looking DVD version of "Strangler" the other day came as a very nice consolation prize for me. In this one, Karloff plays a writer and social reformer living in London in 1880. He is investigating what he believes to be the wrongful execution of a man 20 years earlier; a man who had been accused of being the notorious Haymarket Strangler. Unfortunately, as Boris proceeds with this Victorian "cold case," all leads come back to...himself, and before long, he begins to act just a wee bit homicidal. As his Hyde-like nature emerges, Boris bites his underlip, sticks his teeth out, closes one eye and sweats a lot; still, it's a fairly impressive-looking transformation. Karloff was 71 when he essayed this role, but he still manages to exude a great deal of energy and enthusiasm (just watch him try to rip himself out of that straitjacket!). Perhaps being back in England again to make a film was somewhat responsible for this boost. And speaking of energy boosts, I must say that a neat surprise concerning Boris' character comes halfway through that really does shake things up. "The Haunted Strangler" also offers some interesting supporting characters, including cancan dancer Vera Day (who, with her bullet bra, made such a double impression on me in the following year's "Womaneater") and Scotland Yard agent Anthony Dawson (who, come to think of it, attempted a bit of strangulation himself in 1954's "Dial M For Murder"). Bottom line: This Karloff pic really ain't half bad!