IMDb > The Gunfight at Dodge City (1959)

The Gunfight at Dodge City (1959) More at IMDbPro »

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Overview

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6.0/10   167 votes
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Director:
Writers:
Martin Goldsmith (screenplay)
Daniel B. Ullman (idea and screenplay)
Contact:
View company contact information for The Gunfight at Dodge City on IMDbPro.
Release Date:
May 1959 (USA) more
Genre:
Tagline:
All The Thundering Might Of The Most Famed Gunfight Of Them All! more
User Reviews:
Nice and moody more (7 total)

Cast

  (Complete credited cast)
Joel McCrea ... Bat Masterson
Julie Adams ... Pauline Howard
John McIntire ... Doc Sam Tremaine
Nancy Gates ... Lily, Lady Gay Saloon Owner

Richard Anderson ... Dave Rudabaugh
James Westerfield ... Rev. Howard
Walter Coy ... Ben Townsend
Don Haggerty ... Sheriff Jim Regan, Dodge City
Wright King ... Billy Townsend
Harry Lauter ... City Marshal Ed Masterson
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Additional Details

Also Known As:
The Bat Masterson Story (USA) (working title)
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Runtime:
81 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono (Westrex Recording System)
Certification:

Fun Stuff

Trivia:
Despite the title, the climactic gunfight takes place in a different (and real) Kansas cattle town, Hays City. more
Quotes:
Doc Sam Tremaine: They say you deal blackjack with three fingers... thumb, index, and trigger. more

FAQ

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13 out of 14 people found the following review useful.
Nice and moody, 9 March 2007
7/10
Author: Patricia Hammond from London

I enjoyed this. It provides everything one expects from a Western: good plot, revenge, love, conflict between law and personal conscience, plenty of gun-play, and mood. And a few excellent quotes. Try: "The distance between here and that street is the distance between a rabbit and a man." The beginning is refreshing too. Before the title and opening credits, a world-weary McCrea is telling a simple teenage boy who admires his prowess with a gun what it really is like. How scared one is, how little it has to do with heroics, and how awfully wretched one feels afterwards. In this film, the gunfights are fast, and mostly in the dark. That's probably more accurate than so many more overblown sequences in other films. The performances on everyone's part, even the baddies', are in many ways unexpectedly subtle. Take Regan, the bad Sheriff. Look at his strange, tormented eyes. None of it's overplayed. If it's raining outside, get out the popcorn and curl up with this.

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Good movie. KingFritzLang
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