Gigi (1958)

User Rating:

7.0/10   

Director:

Vincente Minnelli

Writers:

Alan Jay Lerner (screenplay)
Colette (novel)

Release Date:

4 August 1958 (Brazil)

Genre:

Comedy | Musical | Romance

Tagline:

The First Lerner-Loewe Musical Since "My Fair Lady"

Plot:

Weary of the conventions of Parisian society, a rich playboy and a youthful courtesan-in-training enjoy a platonic friendship, but it may not stay platonic for long.

Plot Keywords:

Playboy | Grandmother | 1900s | Aunt | One Word Title

Awards:

Won 9 Oscars. Another 15 wins & 5 nominations

Cast

Leslie Caron	...	Gigi
Maurice Chevalier	...	Honoré Lachaille
Louis Jourdan	...	Gaston Lachaille
Hermione Gingold	...	Madame Alvarez
Eva Gabor	...	Liane d'Exelmans
Jacques Bergerac	...	Sandomir
Isabel Jeans	...	Aunt Alicia
John Abbott	...	Manuel

Also Known As:

The Parisians (USA) (working title)

Runtime:

116 min

Country:

USA

Language:

English

Color:

Color (Metrocolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

4-Track Stereo (Westrex Recording System) | Perspecta Stereo | Mono

Certification:

Finland:K-3 (new rating: 2001) | Finland:K-7/5 (new rating: 1982) | New Zealand:PG | USA:Approved (certificate #18763) (original rating) | Canada:PG (video rating) | Argentina:Atp | Australia:G | Chile:TE | Finland:K-16 | Germany:16 | Peru:PT | Sweden:15 | UK:PG | USA:G (re-rating) (1975)

Filming Locations:

Auberge de la Moutière - 14 Rue Moutière, Montfort-l'Amaury, Yvelines, France

Company:

Metro-Goldwyn-Mayer (MGM)

Trivia:

Colette, the author of the 1944 novel "Gigi" on which this film was based, recommended Audrey Hepburn for the title role. Alan Jay Lerner himself felt that Hepburn, who had acted in the stage adaptation of "Gigi" in 1952, would be perfect for the role. Unfortunately (and ironically), Hepburn declined acting in the film adaptation of "Gigi" as she was busy with other films and could not commit.

Goofs:

Audio/visual unsynchronized: As Gigi enters Maxim's, the patrons are all mouthing the lyrics to a song that is not heard (due to editing changes).

Quotes:

[first lines]
[Honore walks through Paris and greets the viewer]
Honore Lachaille: Good afternoon! As you see, this lovely city all around us is Paris, and this lovely park is of course the Bois de Boulogne. Who am I? Well, allow me to introduce myself: I am Honore Lachaille. Born: Paris. When...
[laughs]
Honore Lachaille: ...not lately. This is 1900, so let's just say not in this century. Circumstances: comfortable. Profession: lover, and collector of beautiful things. Not antiques mind you, younger things.
[an elderly woman passes by]
Honore Lachaille: Yes, definitely younger. Married: what for? Now please don't misunderstand. Like everywhere else, most people in Paris get married, but not all. There are some who will not marry, and some who do not marry. But in Paris, those who will not marry are usually men, and those who do not marry are usually women.

Movie Connections:

Referenced in "Magnum, P.I.: Thank Heaven for Little Girls and Big Ones Too (#1.4)" (1980)

Soundtrack:

I'm Glad I'm Not Young Anymore

Simply delightful

Directed by Vincente Minnelli and starring Leslie Caron as the title character, "Gigi" (1958) is nothing short of sweet and delightful. Gigi is a coltish teen in 1900's Paris who lives with her grandmother Madame Alvarez (Hermione Gingold) and who loves to hang out with family friend Gaston Lachaille (Louis Jourdan), an international jet-setter and playboy whose every relationship is documented in the papers. The pseudo-narrator of the film is Henri Lachaille (Maurice Chevalier), Gaston's uncle and a notorious playboy in his own right, who loves to give his nephew relationship advice, solicited or not. Gigi is being bred by her grandmother and aunt to become a refined woman so she can become a mistress for rich and powerful men, so it comes as both a surprise and delight to the women to discover that Gaston may be a suitable candidate. However, Gigi's innocence may not allow this to happen, as she struggles with making the transition between carefree girl to a refined lady with social responsibilities.

Musicals are a rare genre on my "films I adore" list, but "Gigi" has long been a favorite film of mine, despite its sappy moments and sometimes corny jokes. What makes "Gigi" such a good film is its unmitigated Charm with a capital "C"; one can't help but grin a little when Chevalier sings "Thank Heaven for Little Girls" because he doesn't stop flashing that high voltage smile himself. And I cannot get through the scene between Chevalier and Gingold when they sing "I Remember it Well" by the seaside without tearing up because it is just so damn cute. Sure, the revelations and epiphanies are pretty easy and kind of out of nowhere, but considering it is an MGM musical from the 1950's, I would be surprised if there weren't these kinds of things. Everyone in the film looks like they are having a good time (particularly Chevalier), and the great Lerner-Loewe music against the Parisian backdrop is enough to sell me.

"Gigi", while being a 10-time Oscar winner (including Best Picture) has unfortunately been marginalized by some as a typical MGM fluff piece, could be a hard sell, particularly to the jaded Generation Y - and - younger audience. However, since I myself am probably one of the most cynical film-viewers I personally know of, take my word for it – "Gigi" is a lot of fun, and a good way to spend two hours. 8/10 --Shelly