| Photos (see all 13 | slideshow) |
| Tyrone Power | ... | Leonard Vole | |
| Marlene Dietrich | ... | Christine Vole | |
| Charles Laughton | ... | Sir Wilfrid Robarts | |
| Elsa Lanchester | ... | Miss Plimsoll | |
| John Williams | ... | Brogan-Moore | |
| Henry Daniell | ... | Mayhew | |
| Ian Wolfe | ... | Carter | |
| Torin Thatcher | ... | Mr. Myers | |
| Norma Varden | ... | Emily Jane French | |
| Una O'Connor | ... | Janet McKenzie | |
| Francis Compton | ... | Judge | |
| Philip Tonge | ... | Inspector Hearne | |
| Ruta Lee | ... | Diana | |
| rest of cast listed alphabetically: | |||
| Marjorie Eaton | ... | Miss O'Brien (uncredited) | |
| Franklyn Farnum | ... | Barrister (uncredited) | |
| Bess Flowers | ... | Courtroom Spectator (uncredited) | |
| Colin Kenny | ... | Juror (uncredited) | |
| Ottola Nesmith | ... | Miss Johnson (uncredited) | |
| William H. O'Brien | ... | Barrister (uncredited) | |
| J. Pat O'Malley | ... | Shorts salesman (uncredited) | |
| George Pelling | ... | Bit part (uncredited) | |
| Jack Raine | ... | Doctor (uncredited) | |
| Molly Roden | ... | Miss McHugh (uncredited) | |
| Jeffrey Sayre | ... | Clerk at Old Bailey (uncredited) | |
| Norbert Schiller | ... | Spotlight operator in German cafe (uncredited) | |
| Bert Stevens | ... | Courtroom Spectator (uncredited) | |
| Ben Wright | ... | Barrister Reading Charges (uncredited) | |
Directed by | |||
| Billy Wilder | |||
Writing credits | ||
| Agatha Christie | (play) | |
| Larry Marcus | (adaptation) | |
| Billy Wilder | (screenplay) and | |
| Harry Kurnitz | (screenplay) | |
Produced by | |||
| Arthur Hornblow Jr. | .... | producer | |
| Edward Small | .... | executive producer (uncredited) | |
Original Music by | |||
| Matty Malneck | (musical score by) | ||
Cinematography by | |||
| Russell Harlan | (director of photography) | ||
Film Editing by | |||
| Daniel Mandell | |||
Art Direction by | |||
| Alexandre Trauner | |||
Set Decoration by | |||
| Howard Bristol | |||
Makeup Department | |||
| Nellie Manley | .... | hair stylist | |
| Gustaf Norin | .... | makeup artist | |
| Helene Parrish | .... | hair stylist | |
| Harry Ray | .... | makeup artist | |
| Ray Sebastian | .... | makeup artist | |
| Wally Westmore | .... | makeup artist: Marlene Dietrich (uncredited) | |
Production Management | |||
| Ben Hersh | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Emmett Emerson | .... | assistant director | |
Art Department | |||
| Stanley Detlie | .... | property master | |
Sound Department | |||
| Fred Lau | .... | sound | |
Costume and Wardrobe Department | |||
| Edith Head | .... | costumes: Miss Dietrich | |
| Joe King | .... | costumer (as Joseph King) | |
Music Department | |||
| Ernest Gold | .... | conductor | |
| Leonid Raab | .... | music arranger | |
Other crew | |||
| John Franco | .... | script supervisor | |
| Doane Harrison | .... | production associate | |
| Edward Small | .... | presenter | |
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| Call Northside 777 | A Night of Adventure | Gone with the Wind | The Letter | Strangers on a Train |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb top 250 movies | IMDb Crime section |
| IMDb USA section | Add this title to MyMovies |
WARNING: SPOILERS AHEAD!
I'm not sure I have the ability to adequately praise this film. The original short story(rather unremarkable, actually)has been expanded into a magnificent example of Hollywood entertainment at its best. In addition to perhaps the finest line-up of character actors ever assembled(next to Cukor's David Copperfield, that is), we get Laughton and Dietrich at the top of their form. The person who criticised Lanchester's performance as "annoying" missed the point entirely. Miss Plimsoll is meant to be annoying! Also, what's with all the bad-mouthing of Tyrone Power? "Hammy"; "terrible"; "worst performance ever". These are the perceptive IMDb reviews? Only one of you got it right: it's hammy because Leonard Vole is the one acting, not Power! For 95% of the film, the character is dissembling, only showing his true colors at the end. Of course it looks hammy: Vole isn't a born actor like his wife. And to all those know-it-alls who called this film mediocre and predictable, I look forward to your upcoming film projects which I'm sure will be paragons of excellence and worthy to be set alongside classics of the golden age.