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The Tarnished Angels (1958)
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Overview
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Release Date:
11 January 1958 (USA)
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Plot:
Story of a friendship between an eccentric journalist and a daredevil barnstorming pilot. full summary | add synopsis
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Tarnished Angels is a great film
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Cast
(Cast overview, first billed only)| Rock Hudson | ... | Burke Devlin | |
| Robert Stack | ... | Roger Shumann | |
| Dorothy Malone | ... | LaVerne Shumann | |
| Jack Carson | ... | Jiggs | |
| Robert Middleton | ... | Matt Ord | |
| Alan Reed | ... | Colonel T. J. Fineman | |
| Alexander Lockwood | ... | Sam Hagood | |
| Christopher Olsen | ... | Jack Shumann (as Chris Olsen) | |
| Robert J. Wilke | ... | Hank | |
| Troy Donahue | ... | Frank Burnham | |
| William Schallert | ... | Ted Baker | |
| Betty Utey | ... | Dancing girl | |
| Phil Harvey | ... | Telegraph editor | |
| Steve Drexel | ... | Young Man | |
| Eugene Borden | ... | Claude Mollet |
Additional Details
Also Known As:
Pylon (USA) (working title)
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Parents Guide:
Runtime:
91 min
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Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono (Westrex Recording System)
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Filming Locations:
Fun Stuff
Trivia:
Goofs:
Anachronisms: Despite the fact that the story is taking place in the early 1930s, all of Dorothy Malone's clothing, hairstyles and make-up are strictly 1957, the year the picture was filmed.
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Movie Connections:
Referenced in "M Squad: The Star Witness (#2.21)" (1958)
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I was fortunate enough to attend a screening of "The Tarnished Angels," on a wide screen with a fresh print, at the Museum of Modern Art in New York City back in 1980, with no less than Douglas Sirk himself invited by MOMA as a special guest. The film blew everybody away emotionally; Hudson, Stack, and Malone all give performances that are equally tough and vulnerable, but the grandeur of Sirk's mise-en-scene, which really has to be seen in a theater on a wide screen to be fully appreciated, is a textbook example of the art of telling a story in film terms with both force and grace. Don't mind the other reviewer; Faulkner himself, according to Sirk, said it was the best adaptation of his work he had seen in films.