IMDb > The Tarnished Angels (1958)

The Tarnished Angels (1958) More at IMDbPro »

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Overview

User Rating:
7.3/10   828 votes
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Director:
Writers:
Contact:
View company contact information for The Tarnished Angels on IMDbPro.
Release Date:
11 January 1958 (USA) more
Genre:
Plot:
Story of a friendship between an eccentric journalist and a daredevil barnstorming pilot. full summary | add synopsis
Plot Keywords:
NewsDesk:
Actor Robert Stack Dies at 84
 (From WENN. 15 May 2003)

User Comments:
Tarnished Angels is a great film more (18 total)

Cast

  (Cast overview, first billed only)

Rock Hudson ... Burke Devlin

Robert Stack ... Roger Shumann
Dorothy Malone ... LaVerne Shumann

Jack Carson ... Jiggs
Robert Middleton ... Matt Ord
Alan Reed ... Colonel T. J. Fineman
Alexander Lockwood ... Sam Hagood
Christopher Olsen ... Jack Shumann (as Chris Olsen)

Robert J. Wilke ... Hank

Troy Donahue ... Frank Burnham
William Schallert ... Ted Baker
Betty Utey ... Dancing girl
Phil Harvey ... Telegraph editor
Steve Drexel ... Young Man
Eugene Borden ... Claude Mollet
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Additional Details

Also Known As:
Pylon (USA) (working title)
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Runtime:
91 min
Country:
Language:
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono (Westrex Recording System)
Filming Locations:

Fun Stuff

Trivia:
Rock Hudson insisted that Troy Donohue should be cast in the movie. more
Goofs:
Anachronisms: Despite the fact that the story is taking place in the early 1930s, all of Dorothy Malone's clothing, hairstyles and make-up are strictly 1957, the year the picture was filmed. more
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FAQ

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12 out of 15 people found the following comment useful.
Tarnished Angels is a great film, 20 September 2005
Author: taguanutivory from United States

I was fortunate enough to attend a screening of "The Tarnished Angels," on a wide screen with a fresh print, at the Museum of Modern Art in New York City back in 1980, with no less than Douglas Sirk himself invited by MOMA as a special guest. The film blew everybody away emotionally; Hudson, Stack, and Malone all give performances that are equally tough and vulnerable, but the grandeur of Sirk's mise-en-scene, which really has to be seen in a theater on a wide screen to be fully appreciated, is a textbook example of the art of telling a story in film terms with both force and grace. Don't mind the other reviewer; Faulkner himself, according to Sirk, said it was the best adaptation of his work he had seen in films.

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