Paths of Glory (1957)

Director:

Stanley Kubrick

Writers:

Stanley Kubrick (screenplay) &
Calder Willingham (screenplay) ...
(more)

Release Date:

25 October 1957 (West Germany)

Genre:

Crime | Drama | War

Tagline:

Never has the screen thrust so deeply into the guts of war!

Plot:

When soldiers in WW1 refuse to continue with an impossible attack, their superiors decide to make an example of them.

Plot Keywords:

General | Soldier | French Army | French | WWI

Awards:

Nominated for BAFTA Film Award. Another 3 wins & 2 nominations

Cast

Kirk Douglas	...	Col. Dax
Ralph Meeker	...	Cpl. Philippe Paris
Adolphe Menjou	...	Gen. George Broulard
George Macready	...	Gen. Paul Mireau
Wayne Morris	...	Lt. Roget / Singing man
Richard Anderson	...	Maj. Saint-Auban
Joe Turkel	...	Pvt. Pierre Arnaud (as Joseph Turkel)
Christiane Kubrick	...	German singer (as Susanne Christian)
Jerry Hausner	...	Proprietor of cafe
Peter Capell	...	Narrator of opening sequence / Judge (colonel) of court-martial
Emile Meyer	...	Father Dupree
Bert Freed	...	Sgt. Boulanger
Kem Dibbs	...	Pvt. Lejeune
Timothy Carey	...	Pvt. Maurice Ferol
Fred Bell	...	Shell-shock victim
John Stein	...	Capt. Rousseau (Battery Commander)
Harold Benedict	...	Capt. Nichols (artillery spotter)
rest of cast listed alphabetically:
Paul Bös	...	Maj. Gouderc (uncredited)
Leon Briggs	...	Capt. Sancy (uncredited)
Wally Friedrichs	...	Col. De Guerville (uncredited)
Halder Hanson	...	Doctor (uncredited)
James B. Harris	...	Private in the attack (uncredited)
Rolf Kralovitz	...	K.P. (uncredited)
Ira Moore	...	Capt. Renouart (uncredited)
Marshall Rainer	...	Pvt. Duval (uncredited)
Roger Vagnoid	...	Cafe owner (uncredited)

Directed by
Stanley Kubrick

Writing credits
Stanley Kubrick		(screenplay) &
Calder Willingham		(screenplay) and
Jim Thompson		(screenplay)
Humphrey Cobb		(novel "Paths of Glory")

Produced by
James B. Harris	....	producer
Kirk Douglas	....	producer (uncredited)
Stanley Kubrick	....	producer (uncredited)

Original Music by
Gerald Fried

Cinematography by
Georg Krause		(photographed by) (as George Krause)

Film Editing by
Eva Kroll

Art Direction by
Ludwig Reiber

Costume Design by
Ilse Dubois

Makeup Department
Arthur Schramm	....	makeup artist

Production Management
John Pommer	....	production manager: America
Helmut Ringelmann	....	unit manager
George von Block	....	production manager: Germany

Second Unit Director or Assistant Director
Dixie Sensburg	....	assistant director (as D. Sensburg)
Franz-Josef Spieker	....	assistant director (as F. Spieker)
Hans Stumpf	....	assistant director (as H. Stumpf)

Sound Department
Martin Müller	....	sound
Al Gramaglia	....	sound re-recording mixer (uncredited)

Special Effects by
Erwin Lange	....	special effects

Camera and Electrical Department
Hans Elsinger	....	camera grip
Hannes Staudinger	....	camera operator
Stanley Kubrick	....	additional cinematographer (uncredited)
Lars Looschen	....	still photographer (uncredited)

Editorial Department
Helene Fischer	....	assistant editor

Other crew
Trudy von Trotha	....	script clerk
Baron von Waldenfels	....	military advisor (as Baron v. Waldenfels)

Production Companies

• Bryna Productions (present)
• Harris-Kubrick Productions (uncredited)

Distributors

• United Artists (1957) (USA) (theatrical)
• United Artists (1957) (West Germany) (theatrical)
• MGM/UA Home Entertainment (1990) (USA) (VHS)
• Warner Home Video (1999) (Netherlands) (VHS)
• MGM/UA Home Entertainment (2002) (USA) (DVD)
• Park Circus (2005) (UK) (theatrical) (re-release)
• MGM Home Entertainment (2007) (USA) (DVD)
• Twentieth Century Fox Home Entertainment (2007) (Netherlands) (DVD)
• Chapel Distribution (1997) (Australia) (theatrical) (new 35mm print re-issue)
• American Broadcasting Company (ABC) (1968) (USA) (TV)
• Cinemagia (Brazil) (DVD)
• Criterion Collection, The (19??) (USA) (video) (laserdisc)
• Warner Home Vídeo (Brazil) (VHS)

Runtime:

87 min

Country:

USA

Language:

English | German

Color:

Black and White

Aspect Ratio:

1.33 : 1

Sound Mix:

Mono

Certification:

Spain:T | Iceland:L | Spain:(Banned) (1957-1986) | West Germany:12 (f) | South Korea:15 | Brazil:14 | Argentina:Atp (re-rating) | Netherlands:12 (2007) (DVD) | Argentina:13 (original rating) | Australia:PG | Canada:14 (Nova Scotia) | Canada:G (Quebec) | Canada:PG (Manitoba/Ontario) | Finland:K-16 | France:(Banned) (original rating) | France:U (re-release) | Ireland:12 | Norway:16 | Sweden:15 | UK:A (original rating) (cut) | UK:PG (video rating) (1987) (uncut) | USA:Unrated

Filming Locations:

Munich, Bavaria, Germany

Company:

Bryna Productions

Trivia:

Stanley Kubrick, widely known as a perfectionist, shot 68 takes of the doomed men's "last meal" scene. Because the details of the scene required that the actors appear to be engaged in the act of eating, a new roast duck had to be prepared for almost every take.

Goofs:

Revealing mistakes: As Colonel Dax is running through the trenches after General Mireau gives his order, a supposedly-dead soldier blinks.

Quotes:

General Broulard: There are few things more fundamentally encouraging and stimulating than seeing someone else die.

Movie Connections:

Referenced in "Tales from the Crypt: Yellow (#3.14)" (1991)

Soundtrack:

Der Treue Husar

KUBRICK'S GENUINE CLASSIC MASTERPIECE

What to say that hasn't already been said. This astonishing cinematic work of art (no kidding) unquestionably is the GREATEST FILM EVER - bar none. I deeply and passionately LOVE this brilliant early Kubrick production. Congratulations to expert screenwriters (and unique pulp writers of the 5O's) Calder Willingham (who also penned his own excellent adaptation of "The Strange One"; highly recommended) and Jim Thompson ("The Grifters" "The Killer Inside Me"; which strongly influenced Tarantino), who both present a superbly incisive script with powerfully effective dialogue that really rings more than true. If only we had more real writers and scripts like this remarkable achievement, we'd be writing far more favorable reviews. "Paths of Glory", alone, would serve as anyone's lifetime achievement award.

I don't care how much you HATE B&W films - put this one on your MUST-SEE. Compelling cinema-verite photography creates astounding visuals from a varity of incisive angles; like the famous mobile wide-angle tracking shot of Dax (probably Kirk Douglas's most stirring and important performance) moving through the squalid and horrifying trenches as the battle begins with explosions breaking out all over. The suspense and tension is frightening, but almost beautifully eerie in the most compelling ways as Kubrick takes us through the deadly limbo of no-man's land - the 'paths of glory' which finally leads to the grave. The action, skillfully combined with powerful moral and existential themes are amazingly conveyed through the bleak yet articulately stunning visuals. THIS IS A FILMMAKER'S FILM!

The moral outrage of the sadistic injustice of the military courtmartial never fails to make my blood fully boil. The hypocrisy and corruption is degradingly infuriating. If anything will make a cynic out of you, it's this appropriately pessimistic and depressing cinema chronical based on a true stupid incident in WWI. What's even worse is how POG, in many perceptive ways, serves as an allegory for all the B.S. in real life: Pig-headed leadership in the parasitic hands of the superior greed freaks, two-faced deceptive manipulations, double-standards, backstabbings, social bigotry, arm-chair warriors, egotism, corrupt politics, the militaries's abuse of too much power - and it's destructive desire at satisfying it's lust for vainglory (sounds a little like Hollywood) - Did I leave anything out? You name it, POG has it - and I'm not being sarcastic.

The entire ensemble cast is superb with special mention to George Macready as the utterly pompous power-mad glory-seeking "soldier", General Mireuo (who thinks nothing about ordering his troops to open fire on his own men for not charging out of the trenches and dying for his "country"; which smells a bit like ME ME ME). Don't worry, you'll throughly hate his guts. It truly is true method acting. Again, kudos to Macready, a fine actor who was always too good at playing highly unethical villians. (Incidently, this was a favorite film of a young 195O's Marlon Brando and old salty Winston Churchill, who praised Kubrick's incisive authenticity in the exciting battle scene, which does resemble news footage).

Timothy Carey (also ultra-offbeat-cool in Kubrick's other exceptional early flick, "The Killing") is morbidly humorous and gut-wrenching as one of the poor fools coldly picked to be executed; all in the ruthless 'patriotic' name (and amoral game) of 'glory'. ARE ANY OF OUR LEADERS LISTENING? Too bad that Carey's memorable talents were so underused by Hollywood, but that always seems to be the unfortunate norm. A little like what ironically happens to him in this intriguing but downbeat story.

Ralph Meeker (who was also memorable as the brutal and ruthless Mike Hammer in the 5O's cult gem "Kiss Me Deadly" - a complete opposite role that shows a true range of his acting abilities) delivers another wretching performance as the true brave soldier unjustly sentenced for "Cowardice in the Face of the Enemy". (Maybe he should have turned 'about face', but it would have still been 'damned if he did and damned if he didn't' - another grim moral theme here). His breakdown scene right before he is to be taken out and shot is terribly heartbreaking, for I felt so wanting, but helplessly unable, to come to his help.

Take my word for it, everyone else is awesome; a true actor's dramatic show with dark satirical overtones. POG goes beyond the mere preaching anti-war diatribe (though it does convey that almost naturally, like going without having to say). It's a great classic morality play that will really make you stop (many, many times) and truly make you think (many many times). Airheads not allowed. Moreover, this haunting and disturbing masterpiece is top entertainment, something too many art films aren't. >

It will really make you question things about our troubled, convoluted world and how things are to often immorally and inhumanly run all in the sick name of greed and destructive power. Not too lovely, for the director pulls no punches. This film really has grown more profound (and currently pertinent) since its initial release. Also the editing is taut and concise; there isn't a single wasted moment. Count the number of films on one hand that has accomplished that miraculous feat; that most critics and user commentators are always rightfully harking on. I'll shut up now. Go see this one-of-a-kind film, then see it again - and again, etc. >