| Toshirô Mifune | ... | Taketori Washizu | |
| Isuzu Yamada | ... | Lady Asaji Washizu | |
| Takashi Shimura | ... | Noriyasu Odagura | |
| Akira Kubo | ... | Yoshiteru Miki | |
| Hiroshi Tachikawa | ... | Kunimaru Tsuzuki (as Yoichi Tachikawa) | |
| Minoru Chiaki | ... | Yoshiaki Miki | |
| Takamaru Sasaki | ... | Kuniharu Tsuzuki | |
| Kokuten Kodo | ... | Military Commander | |
| Kichijiro Ueda | ... | Washizu's workman | |
| Eiko Miyoshi | ... | Old Woman at castle | |
| Chieko Naniwa | ... | Old Ghost Woman | |
| Nakajiro Tomita | ... | Second Military Commander | |
| Yû Fujiki | ... | Washizu samurai | |
| Sachio Sakai | ... | Washizu samurai | |
| Shin Otomo | ... | Washizu samurai | |
| Yoshio Tsuchiya | ... | Washizu samurai | |
| Senkichi Ômura | ... | Washizu samurai | |
| Yoshio Inaba | ... | Third Military Commander | |
| Takeo Obugawa | ... | Miki party member | |
| Akira Tani | ... | Washizu soldier | |
| Ikio Sawamura | ... | Washizu soldier | |
| Yutaka Sada | ... | Washizu samurai | |
| Seijiro Onda | ... | Second Miki party member | |
| Shinpei Takagi | ... | Commander | |
| Masao Masuda | ... | Commander | |
| Akifumi Inoue | ... | Servant | |
| Kyoro Sakurai | ... | Servant | |
| Kaneyuki Tsubono | ... | Servant | |
| Takeshi Katô | ... | Guard killed by Washizu | |
| Hitoshi Takagi | ... | Tsuzuki guard (as Kin Takagi) | |
| Higuchi | ... | Tsuki guard | |
| Shirô Tsuchiya | ... | Commander | |
| Takaeo Matsushita | ... | Commander | |
| Jun Ôtomo | ... | Commander | |
| Fuminori Ohashi | ... | Samurai | |
| Seiji Miyaguchi | ... | Phantom samurai | |
| Nobuo Nakamura | ... | Phantom samurai | |
| Gen Shimizu | |||
| rest of cast listed alphabetically: | |||
| Isao Kimura | ... | Phantom samurai (uncredited) | |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Shinobu Hashimoto | writer | |
| Ryûzô Kikushima | writer | |
| Akira Kurosawa | writer | |
| Hideo Oguni | writer | |
| William Shakespeare | play "Macbeth" | |
Produced by | |||
| Akira Kurosawa | .... | producer | |
| Sôjirô Motoki | .... | producer | |
Original Music by | |||
| Masaru Satô | |||
Cinematography by | |||
| Asakazu Nakai | |||
Film Editing by | |||
| Akira Kurosawa | |||
Production Design by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Yoshirô Muraki | |||
Makeup Department | |||
| Yoshiko Matsumoto | .... | hair stylist | |
| Junjiro Yamada | .... | hair stylist | |
Production Management | |||
| Hiroshi Nezu | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Yoshimitsu Banno | .... | assistant director (as Yoshimitsu Sakano) | |
| Hiromichi Horikawa | .... | chief assistant director | |
| Mimachi Norase | .... | chief assistant director | |
| Ken Sano | .... | assistant director | |
| Shoya Shimizu | .... | assistant director | |
| Yasuyoshi Tajitsu | .... | assistant director | |
| Michio Yamamoto | .... | assistant director | |
Art Department | |||
| Kôhei Ezaki | .... | art supervisor | |
| Koichi Hamamura | .... | property master | |
| Yoshifumi Honda | .... | assistant art director | |
Sound Department | |||
| Ichirô Minawa | .... | sound effects editor | |
| Masanao Uehara | .... | assistant sound | |
| Fumio Yanoguchi | .... | sound recordist | |
Special Effects by | |||
| Eiji Tsuburaya | .... | special effects (uncredited) | |
Camera and Electrical Department | |||
| Masao Fukuda | .... | still photographer | |
| Shozo Hada | .... | assistant lighting technician | |
| Kuichiro Kishida | .... | lighting director | |
| Takao Saitô | .... | assistant camera | |
Costume and Wardrobe Department | |||
| Taiki Mori | .... | costumer | |
Editorial Department | |||
| Chozo Obata | .... | negative cutter | |
Other crew | |||
| Shigeru Endo | .... | horseback riding instructor | |
| Ikemichi Hashimoto | .... | accountant | |
| Ienori Kaneko | .... | horseback riding instructor | |
| Teruyo Nogami | .... | script supervisor | |
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| Ran | Kaidan | Shichinin no samurai | The Tragedy of Macbeth | Rashômon |
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| News articles | IMDb Action section | IMDb Japan section |
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As most people know, this is Shakespeare's Macbeth rendered by Kurosawa into Noh format for cinema. Not for nothing is Akira Kurosawa regarded as Japan's greatest director, for this is the best cinematic version of any Shakespeare play (and also one of Kurosawa's best films). Kurosawa had the advantage of working in a different language (Japanese), so he didn't have to agonize over the usual dilemma - whether to use Shakespeare's rotund oratory and blank verse (which is glorious, but goes badly on screen). Kurosawa essentially translates Shakespeare's poetry into visual images, while keeping dialogue to a minimum. He also had the good fortune of accessing two great cultures - European literature and Japanese visual art (he was originally a painter before entering cinema as a set-designer). There are many painterly images reminiscent of Ukiyo-e (e.g. Washizu full of arrows).
The Noh style of acting (like Kabuki, but more refined) seems stilted and exaggerated for the first few minutes; then you realize that is ideally suited to a story like this - more natural acting would seem out of place, as other Macbeth-movies go to prove.
The Japanese title of this film translates as "Cobweb Castle" (or Spider City) and this really should have been the title in English. The film is full of the notion of spiders spinning webs (and plots) in secret. It is worth noting that the witch (or "monster") is first seen with a ghostly spinning-wheel. This symbolizes the thread of fate, but also reflects the cobweb theme.
The story is sometimes slow-moving, but you have to realize that this is a story of insidious slow rot (hence the references to spiders and cobwebs). The decay is punctured by occasional bursts of violent action, as befits the story. The black-and-white picture adds to the creepiness, and the atmosphere is so thick that the movie works more effectively than "Ran" (Kurosawa's more polished Shakespeare-adaptation).
Macbeth is the great-granddaddy of the entire horror genre, and Kurosawa is a worthy descendant.