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IMDb > The Bridge on the River Kwai (1957)
The Bridge on the River Kwai
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The Bridge on the River Kwai (1957)

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User Rating: 8.4/10 (44,678 votes)
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Overview

Director:
David Lean
Writer (WGA):
Pierre Boulle (novel)
(more)
Release Date:
2 October 1957 (UK) more view trailer
Genre:
Adventure | Drama | War more
Tagline:
It spans a whole new world of entertainment!
Plot:
After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it. full summary | full synopsis
Awards:
Won 7 Oscars. Another 23 wins & 5 nominations more
User Comments:
Far Ahead of Its Time more

Cast

  (in credits order) (verified as complete)

William Holden ... Cmdr. Shears
Jack Hawkins ... Maj. Warden

Alec Guinness ... Col. Nicholson
Sessue Hayakawa ... Col. Saito
James Donald ... Maj. Clipton
Geoffrey Horne ... Lt. Joyce
André Morell ... Col. Green (as Andre Morell)
Peter Williams ... Capt. Reeves
John Boxer ... Maj. Hughes
Percy Herbert ... Pvt. Grogan
Harold Goodwin ... Pvt. Baker, Sick List Volunteer
Ann Sears ... Nurse at Siamese hospital
Heihachiro Okawa ... Capt. Kanematsu (as Henry Okawa)
Keiichiro Katsumoto ... Lt. Miura
M.R.B. Chakrabandhu ... Yai (as M.R.B. Chakrabandhu {Col. Broome})
Vilaiwan Seeboonreaung ... Siamese girl
Ngamta Suphaphongs ... Siamese girl
Javanart Punynchoti ... Siamese girl
Kannikar Dowklee ... Siamese girl
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Directed by
David Lean 
 
Writing credits
(WGA)
Pierre Boulle (novel "Le pont de la rivière Kwai")

Michael Wilson (screenplay) originally uncredited and
Carl Foreman (screenplay) originally uncredited

Produced by
Sam Spiegel .... producer
 
Original Music by
Malcolm Arnold 
 
Cinematography by
Jack Hildyard (director of photography)
 
Art Direction by
Donald M. Ashton 
 
Makeup Department
Stuart Freeborn .... makeup artist
George Partleton .... makeup artist
 
Production Management
Cecil F. Ford .... production manager
 
Second Unit Director or Assistant Director
Gus Agosti .... assistant director
Ted Sturgis .... assistant director
 
Art Department
Geoffrey Drake .... assistant art director
Peter Dukelow .... construction manager
 
Sound Department
John Cox .... sound
Joel Fein .... sound mixer (restoration)
Don Hall .... sound editor: restoration
Gary Krivacek .... sound editor: restoration
Bob Minkler .... sound mixer (restoration)
John W. Mitchell .... sound (as John Mitchell)
Winston Ryder .... chief sound editor
B. Tennyson Sebastian III .... sound mixer: restoration (as Tennyson Sebastian)
Peter Davies .... post-synchronisation (uncredited)
 
Stunts
Nosher Powell .... stunts (uncredited)
 
Camera and Electrical Department
Archie Dansie .... chief electrician
Peter Newbrook .... camera operator
Ron Drinkwater .... clapper loader (uncredited)
Gerry Fisher .... additional camera operator (uncredited)
Gerry Fisher .... assistant camera (uncredited)
Robert Merry .... lighting technician (uncredited)
 
Costume and Wardrobe Department
John Wilson-Apperson .... wardrober (as John Apperson)
 
Editorial Department
Pam Bosworth .... additional editor (as Pamela Bosworth)
Eric Boyd-Perkins .... additional editor
Fred Burnley .... additional editor
Rusty Coppleman .... additional editor
Teddy Darvas .... additional editor
Janet Davidson .... additional editor
Norma Hawkes .... additional editor
Peter Miller .... additional editor
William Pine .... color timer (restoration) (as Bill Pine)
Peter Taylor .... chief editor
Sati Tooray .... colorist (uncredited)
 
Other crew
Angela Martelli .... continuity
Jim Painten .... producer of restoration
L.E.M. Perowne .... technical advisor (as Major-Gen. L.E.M. Perowne)
William Harrigan Jr. .... technical advisor (uncredited)
Robert Haslam .... consultant: explosives (uncredited)
Robert Haslam .... technical advisor (uncredited)
Maurice Landsberger .... production accountant (uncredited)
 
Crew verified as complete



Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
161 min
Country:
USA | UK
Language:
English | Japanese | Thai
Color:
Color (Technicolor)
Aspect Ratio:
2.55 : 1 more
Sound Mix:
70 mm 6-Track (70 mm prints) (RCA Sound System) | Dolby SR (re-release) | Mono (35 mm prints)
Filming Locations:
Ambepussa, Sri Lanka more
MOVIEmeter: ?
^ 5% since last week why?

Fun Stuff

Trivia:
Producer 'Sam Spiegel (I)' - in his efforts for securing rights, casting, locations, etc. - flew around the world 4 times in the 3 years it took to get the film from page to screen. more
Goofs:
Continuity: At the very end of the movie the bridge is blown and the entire train falls into the shallow river Kwai but no engine or cars are visible under the bridge as the movie ends. more
Quotes:
Colonel Saito: All work and no play make Jack a dull boy. more
Movie Connections:
Featured in Zhivago: Behind the Camera with David Lean (1965) more
Soundtrack:
God Save the King more

FAQ

What Does Warden (Jack Hawkins) Mean By "I Had To Do It"?
How much sex, violence, and profanity are in this movie
A NOTE REGARDING SPOILERS
more
42 out of 61 people found the following comment useful:-
Far Ahead of Its Time, 14 August 1998
9/10
Author: Sickfrog from Norfolk, VA

First off, what is so amazing about this film is that, for the time that it was made, how modern it looks. David Lean certainly had the eye of any modern director and managed to direct a visual masterpiece at a time when many films were still being shot in black and white.

William Holden gives one of his finest performances as a cynic of warfare , citing for us the insanity and absurdity that the combatants often convey. And he hates the war, but he cannot avoid been thrown back into it again and again. We wish he could stay on the beach with his nurse lover, but he is a man destined for a tragic doom for his country, whether he wants to or not.

Alec Guiness also delivers a fine performance as a bold general whose own pride is, at the same time, his most noble quality as well as his greatest fault. He is uncompromising, yet when the Japanese submit to his demands, he begins overseeing the construction of the bridge with great esteem. Eventually, for him, the bridge becomes a manifestation of his belief of the superiority of the British Army, which he follows like a religion. And in putting all his pride into this bridge, he loses sight of even the British's own true agenda. Truly, his sense of overwhelming honor is, at the same time, his downfall in a descent to a loss of morality, and a sense of good and evil.

And yes, by the end of this film, we learn a great lesson of the horrors of war. Not only does it take the lives of many good men, but the utter failure and despair that accompany it make it an unbearable existence. And this message has only recently been re-evaluated with the also-brilliant masterpiece "Saving Private Ryan." But, keep in mind that it took forty years to regain the power that this film inspired so long ago.

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Message Boards

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Recent Posts (updated daily)User
Terribly weak durg1
Bad colonel, good colonel tinyteeth
Nicholson = Moron bothpartiessuck
Whistling... granddemon
2 things I didn't understand. Johnny____
Lawrence of Arabia vs. Bridge on the River Kwai oacmgm
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