| Ekkehard Schall | ... | Dieter | |
| Ilse Pagé | ... | Angela | |
| Ernst-Georg Schwill | ... | Kohle | |
| Harry Engel | ... | Karl-Heinz Erdmann | |
| Raimund Schelcher | ... | VP-Kommissar | |
| Helga Göring | ... | Angelas Mutter | |
| Erika Dunkelmann | ... | Kohles Mutter | |
| Maximilian Larsen | ... | Kohles Stiefvater | |
| Ingeborg Beeske | ... | Karl-Heinz' Mutter | |
| Siegfried Weiß | ... | Karl-Heinz' Vater | |
| Manfred Borges | ... | Bruder von Dieter | |
| Hartmut Reck | ... | FDJler | |
| rest of cast listed alphabetically: | |||
| Hans Beck | ... | Zeitungsverkäufer | |
| Rolf Beuckert | ... | Jüngerer Arbeitskollege | |
| Grete Carlsohn | |||
| Rudolf Christoph | ... | Kriminalkommissar | |
| Liesl Eckardt | ... | Alte Frau | |
| Horst Friedrich | ... | Korpulenter Mann | |
| Kurt Getke | ... | Älterer Mann | |
| Gert Heinrich | |||
| Gerd Michael Henneberg | ... | Amerikaner | |
| Jürgen Holtz | ... | Geldwechsler | |
| Hella Jansen | ... | Sekretärin | |
| Ursula Kessler | |||
| Peter Kiwitt | ... | Lagerleiter | |
| Carlo Kluge | ... | Passant | |
| Paul Knopf | |||
| Willi Korrik | ... | Ober | |
| Walter Lendrich | ... | Baggerführer | |
| Rudolf Meurer | ... | LKW-Beifahrer | |
| Ursula Mundt | ... | Sekretärin | |
| Arthur W. Neubert | |||
| Gerhard Rachold | ... | Schläger | |
| Brigitte Rauchfleisch | ... | Mädchen von Karl-Heinz | |
| Rolf Ripperger | ... | Chef des Funkwagens | |
| Heinz Schröder | ... | Lagerleiter | |
| Hilde Sonntag | ... | Älteres Fräulein | |
| Gerhard Soor | ... | Geldwechsler | |
| Paul Streckfuß | ... | Älterer Arbeitskollege | |
| Brigitte Stroh | ... | Kohles Schwester | |
| Dorothea Thiesing | ... | Dieters Zimmerwirtin | |
| Adi Tischmeier | |||
| Albert Zahn | ... | Arbeiter | |
| Barbara Berg | ... | (uncredited) | |
| Jean Brahn | ... | Mann auf dem Bahnhof (uncredited) | |
| Anselm Glücksmann | ... | Freund von Angelas Mutter (uncredited) | |
| Gertrud von Bastineller | ... | (uncredited) | |
Directed by | |||
| Gerhard Klein | |||
Writing credits(in alphabetical order) | ||
| Gerhard Klein | writer | |
| Wolfgang Kohlhaase | writer | |
Original Music by | |||
| Günter Klück | |||
Cinematography by | |||
| Wolf Göthe | |||
Film Editing by | |||
| Evelyn Carow | |||
Art Direction by | |||
| Oskar Pietsch | |||
Costume Design by | |||
| Lydia Fiege | |||
Makeup Department | |||
| Bernhard Kalisch | .... | makeup artist | |
| Inge Roloff | .... | makeup artist | |
Production Management | |||
| Erich Albrecht | .... | production manager | |
| Horst Dau | .... | unit manager | |
| Heinz Walter | .... | unit manager | |
Second Unit Director or Assistant Director | |||
| Otto Roland | .... | assistant director | |
Art Department | |||
| Fritz Stemmer | .... | property master: outdoor | |
Sound Department | |||
| Erich Schmidt | .... | sound | |
Special Effects by | |||
| Ernst Kunstmann | .... | optical effects | |
Camera and Electrical Department | |||
| Manfred Damm | .... | assistant camera | |
| Hans Helmstedt | .... | gaffer | |
| Siegmar Holstein | .... | still photographer | |
| Hannes Schneider | .... | still photographer | |
Other crew | |||
| Gerhard Hartwig | .... | dramaturgist | |
| O.K. Thomas | .... | chief subtitler: English (1999 version) | |
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| Die Stille nach dem Schuß | Das Leben der Anderen | Spur der Steine | Solo Sunny | Ich war neunzehn |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb East Germany section | Add this title to MyMovies |
Berlin - Ecke Schönhauser depicts the youth of 1950s East Berlin as an aimless bunch, lacking goals, with no motivation to better themselves or to look beyond the thrill of the next dance or meaningless act of delinquency. Here the youth of the DDR have much in common with their American counterparts in films like Rebel Without a Cause. Unlike the spoiled LA kids choking on Eisenhower-era consumption, however, Berlin teenagers Dieter, Kohle, Karl-Heinz, Angelika and their friends live in poverty amid the ruins of WW II. Parents are missing, killed in the war. As the city rebuilds, piles of rubble disgorge live bombs. While the East struggles to repair the damage of the last war West Germany rearms, this time with nuclear weapons. The kids are all right, but they survive in a pretty grim environment. To the youths, adults belong to an alien race who cling to hypocritical bourgeois values. There are exceptions a sympathetic police officer takes an interest in the plight of the young people, promising apprenticeships to the out-of-work kids.
But Karl-Heinz has other plans: pre-Berlin Wall travel between the city's Capitalist and Communist zones is easy, and Karl-Heinz exchanges East Marks for West and sells stolen IDs, eager to make enough money to enable flight to the West. One of his crimes goes suddenly wrong, and Karl-Heinz is on the run. Kohle and Dieter try to call in a debt, tragedy ensues, and the two flee West, leaving behind Angelika, pregnant with Dieter's child.
Kohle and Dieter find West Germans suspicious, interested in espionage and not exactly welcoming. To gain asylum the young men must claim they suffered political persecution, a charge the film shows is patently false. The two friends decide to part ways, Kohle excited about heading to a new life farther west while Dieter is drawn back to the DDR life he knows.
As the film closes some important lessons have been learned: The BRD is a locus for crime of all sorts, and it draws criminals out of the East, a statement made explicit in the film's closing lines. Socialism faces challenges; it is not perfect, but it wears the human face of loving well-intentioned men and women.