IMDb > El ataúd del Vampiro (1958)

El ataúd del Vampiro (1958) More at IMDbPro »

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Overview

User Rating:
5.7/10   114 votes
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Director:
Fernando Méndez
Writers:
Ramón Obón (adaptation)
Raúl Zenteno (story)
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Contact:
View company contact information for El ataúd del Vampiro on IMDbPro.
Release Date:
1958 (USA) more
Tagline:
From the depths of Evil comes a diabolical killer of beautiful women!
Plot:
Graverobbers stumble upon the tomb of a vampire, who turns them into zombies to do his bidding, which is to stalk and capture beautiful women. | full synopsis
Plot Keywords:
User Comments:
Don't hide in the medieval torture device, duh! more (8 total)

Cast

  (in credits order)
Abel Salazar ... Dr. Enrique Saldívar
Ariadna Welter ... Marta González
Germán Robles ... Count Karol de Lavud
Yerye Beirute ... Baraza (as Yeire Beirute)
Alicia Montoya ... María Teresa
Guillermo Orea
Carlos Ancira ... Dr. Marion
Antonio Raxel
rest of cast listed alphabetically:
Alicia Rodríguez ... (uncredited)
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Directed by
Fernando Méndez 
 
Writing credits
(in alphabetical order)
Ramón Obón  adaptation
Alfredo Salazar  uncredited
Raúl Zenteno  story

Produced by
Abel Salazar .... producer
 
Original Music by
Gustavo César Carrión  (as Gustavo C. Carrion)
 
Cinematography by
Víctor Herrera 
 
Film Editing by
Alfredo Rosas Priego 
 
Production Design by
Gunther Gerszo 
 
Makeup Department
Ana Guerrero .... makeup artist
Juanita Lepe .... hair stylist (as Juana Lepe)
 
Production Management
Manuel Alcayde .... production chief
Fernando Méndez Jr. .... production manager
 
Second Unit Director or Assistant Director
Jaime Contreras .... assistant director (as Jaime L. Contreras)
 
Sound Department
James L. Fields .... sound supervisor
Javier Mateos .... dialogue recordist
 
Special Effects by
Juan Muñoz Ravelo .... special effects
 
Music Department
Galdino R. Samperio .... music recordist (as Galdino Samperio 'Crucy')
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
The Vampire's Coffin
more
Country:
Mexico
Language:
Spanish
Sound Mix:
Mono
Filming Locations:
Mexico

Fun Stuff

Trivia:
There is a smiling skull-and-crossbones insignia on the posters and lobby cards, with the words "Recommended by Young America Horror Club". There was no such organization; it was an invention of producer K. Gordon Murray to boost ticket sales. more
Movie Connections:
Featured in Shiver & Shudder Show (2002) (V) more

FAQ

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2 out of 3 people found the following comment useful.
Don't hide in the medieval torture device, duh!, 9 February 2007
4/10
Author: Coventry from the Draconian Swamp of Unholy Souls

Imagine yourself trapped inside a museum of the dark middle Ages and a resurrected vampire and his maniacal sidekick are chasing you. Where is the absolute last place you want to hide? I'd say inside the uncanny Virgin of Nuremberg torture device, because there's a good risk you'll get brutally spiked to death. And yet, the elderly lady in this film stupidly runs into her spiked coffin. "The Vampire's Coffin" is a rather disappointing sequel, as director Fernando Méndez doesn't re-create the Gothic atmosphere of the 1957-original but puts the emphasis on comical situations and dialogs. No more ominous castles with eerie cobwebs and dark vaults, but confused doctors and clumsy assistants that provoke laughs instead of frights. The story opens inside Count de Lavud's final resting place, where an eminent doctor and a hired assistant steal the coffin in order to examine the corpse at a private clinic. Naturally the wooden stake gets removed from his heart, and the vampire count comes to live again, immediately enslaving the petty thief to do his dirty work. The vampire has his eye on a beautiful female patient at the clinic, and it's up to Dr. Enrique Saldívar to rescue her soul and to destroy the bloodsucker. "The Vampire's Coffin" uses a limited amount of locations and there's very little action. The whole film would actually be pretty boring if it weren't for a handful of memorable sequences and decent acting performances. The photography is amazing, though, with the sublime use of shadows and darkness. This is most notably during the scene in which Count de Lavud stalks a young woman through the deserted streets of little town at night. It's the only truly worthwhile scene of the whole film, the rest is fairly mediocre and déjà-vu.

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