Written on the Wind (1956)

User Rating:

7.5/10   

Director:

Douglas Sirk

Writers:

Robert Wilder (novel)
George Zuckerman (writer)

Release Date:

December 1956 (USA)

Genre:

Drama | Romance

Tagline:

This woman in his arms was now the wife of the man he called his best friend!

Plot:

Alcoholic playboy Kyle Hadley marries the woman secretly loved by his poor but hard-working best friend, who in turn is pursued by Kyle's nymphomaniac sister.

Plot Keywords:

Drinking | Oil | Alcoholic | Drink | Oil Tycoon

Awards:

Won Oscar. Another 3 nominations

Cast

Rock Hudson	...	Mitch Wayne
Lauren Bacall	...	Lucy Moore Hadley
Robert Stack	...	Kyle Hadley
Dorothy Malone	...	Marylee Hadley
Robert Keith	...	Jasper Hadley
Grant Williams	...	Biff Miley (service station attendant)
Robert J. Wilke	...	Dan Willis (proprietor, The Cove)
Edward Platt	...	Dr. Paul Cochrane (as Edward C. Platt)
Harry Shannon	...	Hoak Wayne
John Larch	...	Roy Carter (with Marylee at The Cove)
Joseph Granby	...	R.J. Courtney (County Solicitor at inquest)
Roy Glenn	...	Sam (butler)
Maidie Norman	...	Bertha (maid)
William Schallert	...	Jack Williams (reporter)
Joanne Jordan	...	Brunette

Runtime:

99 min | UK:100 min (re-release)

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.00 : 1

Sound Mix:

Mono (Westrex Recording System)

Certification:

Finland:K-12 (1989) | Finland:K-16 (1956) | USA:Approved (PCA #17932) | Australia:PG | New Zealand:R16 | Sweden:15 | UK:PG | West Germany:6

Company:

Universal International Pictures (UI)

Trivia:

Humphrey Bogart was unimpressed by the film and advised his wife Lauren Bacall not to make another like it.

Goofs:

Crew or equipment visible: In a few shots over the shoulders of Jasper and Lucy Hadley in Jasper's office we can see out the windows the little smudge pots making the smoke in the "oilfields" outside.

Quotes:

Mitch Wayne: Are you looking for laughs? Or are you soul-searching?

Movie Connections:

Featured in Wonder Boys (2000)

Soundtrack:

WRITTEN ON THE WIND

Shown today on A.M.C. (i.e., "Always Multitudes of Commercials"!)

Channel-surfing earlier today I was passing the A.M.C. site and there was "Written on the Wind" already underway. I'd seen it during its first-run theatrical release (and not since) and was mildly surprised to observe how vividly I recalled its unfolding.

I rarely submit to watching anything on A.M.C. these days because this once watchable venue has deteriorated into nothing more than a merciless marketplace. Strings of commercials endlessly interrupt every broadcast; virtually all films are shown "formatted" to fill non-widescreen TVs (A.M.C. frequently showed widescreen films in letterboxed broadcasts in the past but not anymore, with the recent exception, I noticed, of a Bruce Lee martial arts festival, of all things!); and then there are A.M.C.'s promotions for its upcoming schedule which are usually outrageously, stupidly silly (and boringly repeated ad nauseum). That said... (once more, I might add...)

This luridly Technicolored "triumph of trash" (not photographed in CinemaScope at a time when that process was Hollywood's way of luring us from our home black-and-white boob tubes) again grabbed me with the same stupefied amazement that fascinated me as a comparatively sheltered young teenager. Douglas Sirk's subversively manipulative direction, Russell Metty's opulent cinematography, the eye-filling and fairly luxurious art direction, and the turgidly expressive musical score all add up to what "over the top" really means. And the cast, assembled with an eye to populating this fantasy with near-godlike creatures (even the African American servants at the Hadley mansion are played by handsome and elegantly capable actors) was a cut above those assigned to most of the Universal-International product of that era.

It was surely Dorothy Malone's finest hour and her supporting actress Oscar was a popular choice among her peers and with the audiences of the day. Robert Stack, before he became such an ossified stiff in the years that followed, deservedly earned his own supporting actor Academy Award nomination. Rock Hudson hadn't yet managed to show his mettle as an actor of some range, though his performance in "Giant" released about the same time gave him a better opportunity to escape the oft-repeated complaint that he was "wooden" and nothing more than a slab of beef(cake). Lauren Bacall, though, was credible as an object of desire for two rivals and her soigne presence was a nice counterpoint to Malone's well-heeled tramp.

All in all this kind of moviemaking is rarely attempted today and the presumed tastes of today's audiences would, were a story like this mounted with a suitable budget and an equivalent cast, most likely be swamped with a degree of tastelessness that would be much less palatable than this example of Sirk's mastery of melodrama was when it was released. It's the cinema equivalent of those new calorie-laden ice cream treats that the dietary watchdogs are so assiduously warning us about now, but I doubt that it's as deleterious for our mental and emotional health. Sure hope not, 'cause I savored every frame!