The Ten Commandments (1956)

User Rating:

7.9/10   

Director:

Cecil B. DeMille

Writers:

J.H. Ingraham (novel) and
A.E. Southon (novel) ...

Release Date:

5 October 1956 (USA)

Genre:

Adventure | Drama

Tagline:

The Greatest Event in Motion Picture History

Plot:

The Egyptian Prince, Moses, learns of his true heritage as a Hebrew and his divine mission as the deliverer of his people.

Plot Keywords:

Pharaoh | Egypt | Hebrew | God | Desert

Awards:

Won Oscar. Another 3 wins & 7 nominations

Cast

Charlton Heston	...	Moses
Yul Brynner	...	Rameses
Anne Baxter	...	Nefretiri
Edward G. Robinson	...	Dathan
Yvonne De Carlo	...	Sephora
Debra Paget	...	Lilia
John Derek	...	Joshua
Cedric Hardwicke	...	Sethi (as Sir Cedric Hardwicke)
Nina Foch	...	Bithiah
Martha Scott	...	Yochabel
Judith Anderson	...	Memnet
Vincent Price	...	Baka
John Carradine	...	Aaron
Olive Deering	...	Miriam
Douglass Dumbrille	...	Jannes

Runtime:

220 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

70 mm 6-Track (Westrex Recording System) (70 mm prints) | Dolby Digital (1998 re-release) | Dolby (1989 re-release) | Mono (35 mm prints)

Certification:

Iceland:16 | South Korea:All | Brazil:Livre | USA:Approved (Certificate #18021) (original rating) | Argentina:13 | Australia:G | Belgium:KT | Chile:14 | Finland:S | Netherlands:AL | Norway:12 | Sweden:15 | UK:U | USA:G (1972) | West Germany:16 | Canada:PG | Spain:T

Filming Locations:

Abu Rudeis, Egypt

Company:

Motion Picture Associates

Trivia:

The orgy sequence took 3 weeks to film.

Goofs:

Continuity: When the chariots are riding out of the city, the shots alternate between a clear blue sky and a sky with clouds.

Quotes:

[Moses and Aaron go into Pharoah's throne and order freedom, the rod becomes a serpent. Which frightened Rameses' son]
Rameses' son: Mother! Mommy! He turned his staff into a cobra!
Nefretiri: Nothing of his, will harm you my son.
Rameses: The power of your god is a cheap magicians trick. Jannes.
[then Jannes' rods become cobras, but are quickly swallowed by Moses rod]
Rameses: [after the cobras combat, Pharoah's son kicked Moses' shin, as revenge of being scared]

Movie Connections:

Featured in This Is Your Life: 30th Anniversary Special (1981) (TV)

"Moses, Take What Spoils You Will From Egypt And Go"

When I was 10 years old I saw The Ten Commandments in the the theater which is the only place it really should be seen. At the time I thought it was the greatest film ever. All that splashy color cinematogaphy and eye filling spectacle. The guy that put this together is some kind of special genius. Then I grew up.

Today in a lot of quarters this and other DeMille sound films are viewed as pretty high camp. Especially those that touch on a religious theme. It's that dialog and The Ten Commandments longer than any other of his films has more of it. People talking some of that high falutin' nonsense, together with a good mixture of sex.

What a lot of people fail to remember is that before Cecil B. DeMille came to Hollywood he was an actor and playwright on Broadway. He learned his trade at the feet of David Belasco, the premier Broadway producer/playwright of his day. In that Victorian/Edwardian era, ALL the actors, in Belasco plays especially spouted that stuff. I recall Anne Baxter saying that Moses spurned her like a strumpet. How many people do you know who use the word strumpet in their every day conversation? Or Yvonne DeCarlo saying to Charlton Heston that he Moses is God's torch to light the way to freedom and that by the way she loves him?

DeMille made one great casting decision in getting the only actor who could play Moses and make it believable. This indeed was Charlton Heston's career role and as he said in his autobiography if you can't make a career out of the lead in two DeMille pictures it ain't happening.

One other member of the cast Edward G. Robinson as Dathan loved this picture. Robinson had been dropping in star status since the late Forties and was now doing mostly B films. DeMille, whose rightwing politics Robinson despised, gave him this part and Robinson's career got a big shot in the arm. Robinson was grateful and gave him full credit in his unfinished memoirs. Most of the last half of The Ten Commandments is a running verbal battle between Heston and Robinson who is trying to keep some kind of control. Robinson is almost like the leader of a company union with the Hebrew slaves as members and Robinson sure enjoys the perks of office.

The first half of the film is the sex part, hovering over all the biblical jargon. DeMille used an old gambit of his, two men in a rivalry over a woman. It worked in previous films like Northwest Mounted Police, Reap the Wild Wind, Unconquered and now here. Anne Baxter is a royal princess promised to the next Pharoah designate. But who will Sir Cedric Hardwicke designate. Charlton Heston his nephew or Yul Brynner his son? Anne Baxter has Nefretiri has both these guys hormones in overdrive. She favors Moses, but then Moses gets a higher calling.

Though he was no director of actors and his sense of drama was generations old, DeMille was a firm believer in two things, fill the screen and make the films move. 50 years later the parting of the Red Sea will still make one gasp. It's not just publicity hype when The Ten Commandments is advertised with a cast of thousands, that is thousands you're seeing on that screen.

Elmer Bernstein wrote the musical score for The Ten Commandments one of his first. He credited DeMille with teaching him how to write musical scores for film that underscore movement. This score brought him his first real notice as a film composer and he certainly became one of the best.

Given the computer technology available today, one can only imagine what Cecil B. DeMille could create today. Of course he'd insist on some of the same writing, but then again without it, it wouldn't be a DeMille picture.