| Photos (see all 15 | slideshow) |
| Marlon Brando | ... | Sakini | |
| Glenn Ford | ... | Capt. Fisby | |
| Machiko Kyô | ... | Lotus Blossom (as Machiko Kyo) | |
| Eddie Albert | ... | Capt. McLean | |
| Paul Ford | ... | Col. Wainwright Purdy III | |
| Jun Negami | ... | Mr. Seiko | |
| Nijiko Kiyokawa | ... | Miss Higa Jiga | |
| Mitsuko Sawamura | ... | Little Girl | |
| Harry Morgan | ... | Sgt. Gregovich (as Henry {Harry} Morgan) | |
| rest of cast listed alphabetically: | |||
| Carlo Fiore | ... | Soldier (uncredited) | |
| John Grayson | ... | Soldier (uncredited) | |
| Harry Harvey Jr. | ... | Soldier (uncredited) | |
| Miyoshi Jingu | ... | Old Woman on Jeep (uncredited) | |
| Roger McGee | ... | Soldier (uncredited) | |
| Dansho Miyazaki | ... | Sumata's Father (uncredited) | |
| Minoru Nishida | ... | Mr. Sumata (uncredited) | |
| Aya Oyama | ... | Daughter on Jeep (uncredited) | |
| Kichizaemon Sarumaru | ... | Mr. Hokaida (uncredited) | |
| Shichizo Takeda | ... | Ancient Man (uncredited) | |
| Frank Tokunaga | ... | Mr. Omura (uncredited) | |
| Raynum K. Tsukamoto | ... | Mr. Oshira (uncredited) | |
| Yosan Tsuruta | ... | Judge (uncredited) | |
Directed by | |||
| Daniel Mann | |||
Writing credits | ||
| John Patrick | (screenplay) | |
| Vern J. Sneider | (book) | |
| John Patrick | (play) | |
Produced by | |||
| Jack Cummings | .... | producer | |
Cinematography by | |||
| John Alton | (director of photography) | ||
Film Editing by | |||
| Harold F. Kress | |||
Art Direction by | |||
| William A. Horning | |||
| Eddie Imazu | |||
Set Decoration by | |||
| Hugh Hunt | |||
| Edwin B. Willis | |||
Makeup Department | |||
| William Tuttle | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Al Jennings | .... | assistant director | |
| William Shanks | .... | assistant director | |
| Hank Moonjean | .... | assistant director (uncredited) | |
| Robert E. Relyea | .... | second assistant director (uncredited) | |
Sound Department | |||
| Wesley C. Miller | .... | recording supervisor (as Dr. Wesley C. Miller) | |
| Van Allen James | .... | sound editor (uncredited) | |
Special Effects by | |||
| Warren Newcombe | .... | special effects | |
Music Department | |||
| Saul Chaplin | .... | music supervisor | |
| Kikuko Kanai | .... | composer: Okinawan songs | |
| Kikuko Kanai | .... | music arranger: Okinawan songs | |
Other crew | |||
| Maurice Evans | .... | stage presenter | |
| Masaya Fujima | .... | choreographer | |
Thanks | |||
| Masaichi Nagata | .... | grateful acknowledgment (as Mr. Masaichi Nagata) | |
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I have spent many years on Okinawa and am always amazed at Brando's ability to create a character (Sakini) that is true to the Okinawan character. I have watched it many times over and enjoy it every time. When I'm asked why I visit Okinawa so often, I usually loan them my copy of "Teahouse" and wait for a response. It is a story of a resilient and happy people who have retained their culture, through many invasions. Brando's monologue at the beginning and end of the film masterfully explains it all. The kids will like it and adults should get a laugh while watching the arrogant victors being steered to the Okinawan's needs in a hilarious manner. It's not quite history and it's not quite fantasy, but it's all good fun.