William Shakespeare (play) and
Colley Cibber (textual alterations)
(more)
11 March 1956 (USA) more
Shakespeare's powerful tale of the wicked deformed king and his conquests, both on the battlefield and in the boudoir. full summary | full synopsis
Nominated for Oscar. Another 7 wins more
News: Movie Legend In 2009 Specials?
(From Kasterborous. 29 April 2009, 3:10 PM, PDT)
Seven Scores: Michael J. Lewis - Upon This Rock
(From Daily Film Music Blog. 4 February 2009, 8:31 AM, PST)
The best Shakespearean film ever! Unparalleled! more (32 total)
Directed by | |||
| Laurence Olivier | |||
Writing credits | ||
| William Shakespeare | (play) | |
| Colley Cibber | textual alterations | |
| David Garrick | textual alterations for his production of the play | |
| Laurence Olivier | uncredited | |
Produced by | |||
| Laurence Olivier | .... | producer | |
| Alexander Korda | .... | producer (uncredited) | |
Original Music by | |||
| William Walton | (as Sir William Walton) | ||
Cinematography by | |||
| Otto Heller | |||
Film Editing by | |||
| Helga Cranston | |||
Production Design by | |||
| Roger K. Furse | (as Roger Furse) | ||
Art Direction by | |||
| Carmen Dillon | |||
Makeup Department | |||
| Gladys Atkinson | .... | hair stylist | |
| Tony Sforzini | .... | makeup artist | |
| Gordon Bond | .... | hair stylist (uncredited) | |
| Trevor Crole-Rees | .... | makeup artist (uncredited) | |
| George Partleton | .... | makeup artist (uncredited) | |
Production Management | |||
| John W. Gossage | .... | production supervisor (as John Gossage) | |
| Jack Martin | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Gerry O'Hara | .... | assistant director | |
| René Dupont | .... | second assistant director (uncredited) | |
| Jack N. Green | .... | third assistant director (uncredited) | |
| Bert Pearl | .... | second assistant director (uncredited) | |
Art Department | |||
| Roger Ramsdell | .... | set dresser | |
| Robert White | .... | scenic artist | |
| William Hutchinson | .... | draughtsman (uncredited) | |
| Arthur Lawson | .... | assistant art director (uncredited) | |
| Terence Morgan | .... | assistant designer (uncredited) | |
| James Sawyer | .... | draughtsman (uncredited) | |
| Frank Willson | .... | draughtsman (uncredited) | |
Sound Department | |||
| Red Law | .... | sound recordist | |
| Bert Rule | .... | sound editor | |
| George Stephenson | .... | sound recordist | |
| Norman Daines | .... | dubbing crew (uncredited) | |
| Jack Davies | .... | boom operator (uncredited) | |
| Bob Jones | .... | dubbing crew (uncredited) | |
Special Effects by | |||
| Wally Veevers | .... | special effects | |
Visual Effects by | |||
| Bob Cuff | .... | matte painter (uncredited) | |
Camera and Electrical Department | |||
| Denys N. Coop | .... | camera operator (as Denys Coop) | |
| Frank Howard | .... | camera grip | |
| Jack Sullivan | .... | chief electrician | |
| John Cabrera | .... | focus puller: second unit (uncredited) | |
| Norman Hargood | .... | still photographer (uncredited) | |
| Alex Thomson | .... | clapper loader (uncredited) | |
Costume and Wardrobe Department | |||
| John McCorry | .... | wardrobe master (uncredited) | |
Editorial Department | |||
| John Poyner | .... | second assistant editor (uncredited) | |
Music Department | |||
| Muir Mathieson | .... | conductor | |
Other crew | |||
| Joan Bridge | .... | technicolor color consultant | |
| Anthony Bushell | .... | associate director | |
| Jack Curran | .... | horse master | |
| Pamela Davies | .... | continuity | |
| Alan Dent | .... | text advisor | |
| John Greenwood | .... | sword play | |
| Bernard Hepton | .... | sword play | |
| Laurence Olivier | .... | presenter | |
| Roger Ramsdell | .... | titler | |
| Luis Roberts | .... | location associate | |
| Roberto Roberts | .... | location associate | |
| Jeremy Taylor | .... | horse master | |
| Catherine O'Brien | .... | unit publicist (uncredited) | |
| Tadeo Villalba | .... | production assistant (uncredited) | |
161 min
Color (Technicolor)
1.66 : 1 more
Mono (Western Electric Recording)
The first film to have its U.S. premiere in theaters and on TV simultaneously. This occurred on the afternoon of 11 March 1956, when NBC-TV broadcast the film on the same day it had its U.S. premiere in New York. (It had already had its world premiere and first run in London in 1955.) The telecast was the longest single presentation of a film or play (three hours counting the commercials) ever shown on TV up to that time. Classic British films presented by J. Arthur Rank, such as Caesar and Cleopatra (1945), had already made their network TV debuts on an ABC-TV program titled "Famous Film Festival", but many of these were either drastically cut to fit a ninety-minute time slot or shown in two parts. Walt Disney had already begun, on his "Disneyland" (1954) TV program, to telecast some of his theatrical films, but these were shown in two or more one-hour segments, one segment per week, or edited down to one hour, as in the case of Alice in Wonderland (1951) . It was not until CBS showed The Wizard of Oz (1939) in 1956, that an uncut, full-length theatrical film was shown on network TV during prime time in one evening. more
Continuity: For one shot at the end during the battle scene, right around the famous "My kingdom for a horse!" line, Richard's left hand has all five fingers. During the rest of the movie, Richard only has three fingers on his left hand as part of the character's deformities. more
Richard III:
Darest thou resolve to kill a friend of mine?
Tyrell:
Please you, but I'd rather kill two enemies.
more
Referenced in "Neues aus der Anstalt: (#1.1)" (2007) more
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| Richard III | Henry V | Hamlet | The Chronicle History of King Henry the Fift with His Battell Fought at Agincourt in France | The Tragedy of Macbeth |
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| News articles | IMDb Drama section | IMDb UK section |
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I just can't find words to describe how I like this film. It is the most magnificent film I've ever seen. And it is certainly the best work of Laurence Olivier. I came to learn about this film quite accidentally. I was watching on TV some program about Shakespeare's plays and their adaptations. There were a number of fragments from different films and from this one too It was the moment where Richard is offered a crown, he refuses at first and then accepts. I was stunned when Buckingham approached Richard to congratulate and Richard suddenly made him kneel down and kiss his hand. The gesture was so majestic, imperative and full of evil triumph. I understood at once that it was a great film. I've bought VHS tape as soon as I've found it and I've already seen it about dozen times. It's superb. Everything is splendid screenplay, costumes, scenery and acting. I like John Gielgud as noble Clarence and Ralf Richardson as cunning Buckingham, and especially Claire Bloom as gentle and unhappy Lady Anne. However I still admire Laurence Olivier more than anybody else. I just can't forget his terrific voice and acting at the scene of first Richard's monologue that reveals malicious ambitious, mercilessness and devilish ingenuity of the Duke of Gloucester. Another scene I adore is his wooing Lady Anne. Both actors are great. Olivier is so convincing and moving that I believe any woman could surrender. Olivier maintains high standards of these impressive scenes through the whole film until the final battle. Richard is desperate and courageous at the end, he is killed but his spirit is not broken (he can be afraid of ghosts, not real enemies). Shakespearean play is brilliant and the film is worthy of the original. It's the most glorious historical movie of all times. I recommend everyone to see it.