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Overview
User Rating:
Director:
Writers:
Richard Brooks (writer)
Milton Lott (novel)
Release Date:
31 August 1956 (West Germany) more
Tagline:
See the Stampede of 3000 Angry Buffalo!!! more
Plot:
Set in the early 1880s, this is the story of one of the last buffalo hunts in the Northwest. Sandy McKinzie is tired of hunting buffalo... more | add synopsis
User Comments:
A mature, realistic view of the bitter end of the 'Old West.' more (23 total)
Cast
(Complete credited cast)| Robert Taylor | ... | Charlie Gilson | |
| Stewart Granger | ... | Sandy McKenzie | |
| Lloyd Nolan | ... | Woodfoot | |
| Debra Paget | ... | Indian girl | |
| Russ Tamblyn | ... | Jimmy O'Brien | |
| Constance Ford | ... | Peg | |
| Joe De Santis | ... | Ed Black | |
| Ainslie Pryor | ... | Buffalo hunter #1 | |
| Ralph Moody | ... | Indian agent | |
| Fred Graham | ... | Bartender | |
| Ed Lonehill | ... | Spotted Hand |
Additional Details
Parents Guide:
Runtime:
108 min | Germany:99 min | 104 min (TCM print)
Country:
Language:
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Certification:
Filming Locations:
Company:
Fun Stuff
Trivia:
US government marksmen actually shot and killed buffalo during production as part of a scheduled herd-thinning. more
Quotes:
Jimmy:
Mr. Woodfoot, how come Charley hates Indians so much?
Woodfoot:
Now that's a good question, my boy. It's kinda funny, you know? Charley beats his horse, just like an Indian. Charley's free with his women, just like an Indian. Charley even blows his nose on his fingers, just like an Indian. I just don't get it.
more
FAQ
This FAQ is empty. Add the first question.more (23 total)
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Have no illusions, this IS a morality story. Granger is the troubled ex-buffalo hunter, tempted back to the plains one more time by kill-crazed Taylor. Granger can see the end is near, and feels deeply for the cost of the hunt-on the herds, the Indians and the land itself. Taylor, on the other hand admittedly equates killing buffalo, or Indians to 'being with a woman.' While Granger's role of the tortured hunter is superb, it's Taylor who steals the show, as the demented, immoral 'everyman' out for the fast buck and the goodtimes. There's not a lot of bang-bang here, but the story moves along quickly, and we are treated to a fine character performance by Nolan. The theme of this story is just as poignant today, as in the 1800s-man's relationship to the land and what's on it, and racism. Considering when this was made, the Censors must have been wringing their hankies during the scenes in the 'bawdy house', Taylor's relationship with the squaw, and much of the dialogue. Although downbeat, this is truly a great western picture.