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Hollywood or Bust (1956) More at IMDbPro »
6 out of 6 people found the following comment useful :-

Good swan song, 3 June 2000
Author: DJBC from New Jersey
It's hard to believe that this was Martin and Lewis' last film. It was reported that they could barely stand each other to make this film--this is hardly evident when you watch it. There are some great laughs in the film, such as the beginning when Jerry spills popcorn in the lady's hair.
Some great comedic stuff is provided by the dog, Mr. Bascom. There is an especially cute segment where he meets and "falls in love" with Anita Eckberg's dog. Oops....don't want to give too much of it away.
All in all this is a very funny movie, and well worth buying or renting.
3 out of 3 people found the following comment useful :-

The last picture with Martin and Lewis, 22 August 2005
Author: Petri Pelkonen (petri_pelkonen@hotmail.com) from Finland
Dean Martin plays Steve Wiley, a gambler with bad debts and Jerry Lewis is Malcolm Smith, a huge movie lover who wants to go to Hollywood to meet Anita Ekberg.And then there is a car raffle where Steve wins a car with a fake ticket and Malcolm wins it with a real one.So they're both off to Hollywood with Malcolm's dog Great Dane and Terry Roberts (Pat Crowley), a girl they meet along the way.A very pretty lady, if I may add.By the way, Dean Martin's daughters Claudia, Deana and Gail can be seen in the movie.Frank Tashlin's Hollywood or Bust (1956) is a good and funny comedy which offers you some good laughs.One good and funny scene is where Jerry sings the song of the dog food commercial and then there's of course the one where the dog goes for a ride with the car.A dog behind the wheel is always funny.This was the last movie Dean Martin and Jerry Lewis did together.There were personal conflicts that ended the relationship.They were such a hilarious duo and they did lots of great films together.But as you know,nothing lasts forever.Luckily they didn't stay as enemies forever.In 1976 Frank Sinatra reunited them on stage and they stayed as friends till Dean's death in 1995.While making this film there was lots of anger between them but you can hardly see it.This isn't all time best of Martin and Lewis but it's very enjoyable anyway.Jerry Lewis has said he hasn't seen Hollywood or Bust because it's much too painful for him to watch.Good movie, bad memories.
2 out of 2 people found the following comment useful :-

The boys sign off with unbridled joy., 23 June 2009
Author: JohnRouseMerriottChard from United Kingdom
Malcolm Smith loves the movies and especially Anita Ekberg. Getting one of his lucky feelings, Malcolm buys a ream of raffle tickets to win a car. Sure enough he wins, but so does gigolo gambler Steve Wiley, who not unsurprisingly has won by less than honourable means. Refusing to give out two cars, the promotion merely tells the men that they will have to share the car. Much to Steve's annoyance as he has debts to pay. So deviously he agrees to drive with Malcolm to Hollywood, planning to ditch him at the first chance he gets. Only he hadn't figured on Mr Bascom, Malcolm's Great Dane who's along for the ride, and an encounter with the pretty Terry Roberts. Yep, it's safe to say this is not going to be an ordinary road trip.
With their relationship deeply fractured at this time {this was their last film together}, it's something of a surprise to find that Hollywood Or Bust is one of the finest films that Dean Martin {Steve} and Jerry Lewis {Malcolm} made. Everything that made the duo so massively popular is in here, even into the bargain daring to cast a satirical slant to the whiles and trials of Hollywood itself. A lot of the credit has to go to director Frank Tashlin. Tashlin, who was also at the helm for arguably the boys career high point Artists & Models, keeps the whole thing zippy, steering the duo in a direction to which they simply could not fail.
Sure enough the humour is almost juvenile at times, and yes Dean of course croons and tries to bed the girl {a spiky Pat Crowley as Terry}, but it's got such a sense of joy to it, the kind of joy that much like Artists & Models, can really lift the blues. Stand out songs from the Sammy Fain and Paul Francis Webster score are "A Day in the Country" and "It Looks Like Love", whilst it will be tough not to giggle at some of the antics of Mr Bascom and the irrepressible Lewis, particularly with one particular movie parody. Anita Ekberg comes and joins in the fun later in the piece, just in time for the riotous carnage that you know is around the corner.
If the sight of a Great Dane driving a car is not funny to you? well chances are you should avoid this film completely. But that would be a shame for it's a delightful film, brisk and cheeky, it's most definitely one that's in desperate need of reappraisal from the grumpy brigade. 8/10
1 out of 1 people found the following comment useful :-

A Couple Of Traveling Guys And Their Great Dane, 16 October 2008
Author: bkoganbing from Buffalo, New York
Though according to the Nick Tosches biography of Dean Martin, both Martin and Lewis were barely speaking to each other off camera, the two of them did go out on a good note in Hollywood Or Bust.
In fact the antagonism between them probably helped in a way. The plot calls for Martin to be a gambler into a bookie big time. But he's got a scheme whereby he cheats a lottery and wins a new car. The problem is that Lewis, playing his usual schnook, also has a winning ticket, the real one. Car dealer Willard Waterman gives joint ownership of the car to them.
Martin takes the offer thinking he can dump Lewis and still sell the car to cover his losses. But Lewis wants the car to meet his dream girl Anita Ekberg playing herself.
Two other passengers come along on this New York to Hollywood trip, aspiring showgirl Pat Crowley and Lewis's great Dane, Mr. Bascomb. The gags involving the dog were taken straight from the WC Fields classic, Six of a Kind. That's certainly in keeping with the Paramount tradition of having Martin and Lewis remake some of their classics. The great Dane foiled Dino's schemes and caused quite the ruckus.
A very hot song writing team of the period, Sammy Fain and Paul Francis Webster, wrote the score for Hollywood Or Bust. They won two Oscars in the Fifties for Secret Love and Love Is A Many Splendored Thing. One of Dino's best ballads comes from this score, It Looks Like Love. His Capitol Record is a classic.
Because of the antagonism the two were feeling in real life, the scenes were sharp between Dean and Jerry. Lewis in fact told one and all this would be the team's last joint effort.
And in Hollywood, they did indeed bust, but they busted with style.
3 out of 5 people found the following comment useful :-
A very funny satire on Hollywood by Frank Tashlin, 26 December 2002
Author: Kalaman from Ottawa
"Hollywood or Bust" was the last Jerry Lewis and Dean Martin musical comedies and a very good one. Although it is not as bracingly innovative and riotous as Tashlin's "Artists and Models", I kept laughing throughout.
Some hilarious and enjoyable scenes come to mind: The opening moments in the movie theater where Lewis is ruining a woman's hair with popcorn; the rousing musical number "A Day in the Country" (Martin and Lewis in a car) which is Tashlin's homage to the "Beyond the Blue Horizon" number in Lubitsch's 1930 musical "Monte Carlo"; and there is Lewis' imitation of Rudolph Valentino's "Blood and the Sand".
Sure it can be silly and puerile at times, but it's a lot of fun.
Worth seeing.
Wonderful Final Outing for Dean and Jerry, 9 May 2009

Author: Madison Bridge from Australia
*** This comment may contain spoilers ***
I really enjoyed this film and thought it was both thoroughly entertaining and brilliantly satirical. Dean Martin and Jerry Lewis are so great in this film that I almost wish that they could've made more films together. And yet, I think ultimately it's better that they ended on such a high note.
As user comments have already pointed out, there are quite a few great comedy moments in this film. I'll mention one of my favourites, which occurs in the car while a famished Dean, who is also driving, is unaware that Jerry is giving Mr. Bascom (and himself) bites of his hamburger. Then Dean mentions that he can smell hamburger and not long after that he finds his hand in Mr. Bascom's mouth. I could be alone on this one, but I felt that was a very funny sequence and very original in its delivery.
Kudos has to go to Frank Tashlin, who I believe was a great director of satire. I love all the little references to movies in this film and in particular the billboard for 'Dean Martin and Jerry Lewis' that our main characters see while driving through Las Vegas.
Overall, this is a great final film for Dean and Jerry whose off-screen tension during filming never really shows on screen. They continue that great brotherly rapport that they had established in their previous films. This is definitely a film worth watching.
1 out of 4 people found the following comment useful :-

If you own a Great Dane, you must see this movie!, 7 December 2000
Author: cougfan from Maine
A very enjoyable film, though my view may be a bit prejudiced due to I have a Dane. Kudos to director Tashlin for giving Mr. Bascomb a distinct personality and some very funny moments! This movie is a testament to both Martin and Lewis as they had basically ended their partnership while HOB was being made, yet still seem to be enjoying themselves.
4 out of 11 people found the following comment useful :-
Hear Dino bark! See Jerry eat popcorn! See a dog!, 14 August 2005
Author: Brevity from Finland
Oh, poor little film, only three user comments! I'll scribble something for self-amusement, so, uh... You might as well skip this.
The film is indeed highly enjoyable.
Some of the bits are stupid, borderline-infantile in fact, but that matters not.
The movie buff element could've been emphasized more.
I need to see more Tashlin. Nice cartooniness again, though the look of "Artists and Models" is even sweller. In fact, it's better overall.
The songs, in something of a surprise, are great!
The dialogue sparkles at times, which I appreciate much.
What, that's it?
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