| Photos (see all 2 | slideshow) |
| Dean Martin | ... | Steve Wiley | |
| Jerry Lewis | ... | Malcolm Smith | |
| Pat Crowley | ... | Terry Roberts | |
| Max 'Slapsie Maxie' Rosenbloom | ... | Bookie Benny (as Maxie Rosenbloom) | |
| Anita Ekberg | ... | Actress Anita | |
| rest of cast listed alphabetically: | |||
| Valerie Allen | ... | Bit Role (uncredited) | |
| Adelle August | ... | Dancer (uncredited) | |
| Drew Cahill | ... | Photographer (uncredited) | |
| Kathryn Card | ... | Old Lady (uncredited) | |
| Minta Durfee | ... | Miss Pettywood (uncredited) | |
| Joe Gray | ... | Gambler (uncredited) | |
| Sam Harris | ... | Hotel Extra (uncredited) | |
| Gretchen Houser | ... | Specialty Dancer (uncredited) | |
| Richard Karlan | ... | Sammy Ross (uncredited) | |
| Claudia Martin | ... | 11 Year Old Girl (uncredited) | |
| Deana Martin | ... | 7 Year Old Girl (uncredited) | |
| Gail Martin | ... | 9 Year Old Girl (uncredited) | |
| Jack McElroy | ... | Stupid Sam (uncredited) | |
| Del Moore | ... | Photographer (uncredited) | |
| Wendell Niles | ... | Himself - the Emcee (uncredited) | |
| Ralph Peters | ... | Truck driver who yells "Sunday Driver!' (uncredited) | |
| Suzanne Ridgeway | ... | Extra at Craps Table (uncredited) | |
| Tracey Roberts | ... | Redhead (uncredited) | |
| Michael Ross | ... | Paramount Studio Gate Guard (uncredited) | |
| Jeffrey Sayre | ... | Crap Table Stickman (uncredited) | |
| Willard Waterman | ... | Manager Neville (uncredited) | |
| Ben Welden | ... | Boss (uncredited) | |
| Ross Westlake | ... | Sheep-haired woman in balcony (uncredited) | |
| Sandra White | ... | Dancer (uncredited) | |
| Frank Wilcox | ... | Director (uncredited) | |
| Chief Yowlachie | ... | Chief Running Water (uncredited) | |
Directed by | |||
| Frank Tashlin | |||
Writing credits(in alphabetical order) | ||
| Erna Lazarus | writer | |
Produced by | |||
| Paul Nathan | .... | associate producer | |
| Hal B. Wallis | .... | producer | |
Cinematography by | |||
| Daniel L. Fapp | (as Daniel Fapp) | ||
Film Editing by | |||
| Howard A. Smith | (as Howard Smith) | ||
Art Direction by | |||
| Henry Bumstead | |||
| Hal Pereira | |||
Set Decoration by | |||
| Fay Babcock | (as Faye Babcock) | ||
| Sam Comer | |||
Costume Design by | |||
| Edith Head | |||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
Second Unit Director or Assistant Director | |||
| James A. Rosenberger | .... | assistant director (as James Rosenberger) | |
| William Watson | .... | second unit director | |
| Gary Nelson | .... | second assistant director (uncredited) | |
Sound Department | |||
| Gene Garvin | .... | sound recordist | |
| Hugo Grenzbach | .... | sound recordist | |
Special Effects by | |||
| Farciot Edouart | .... | process photography | |
| John P. Fulton | .... | special photographic effects | |
Camera and Electrical Department | |||
| W. Wallace Kelley | .... | photographer: second unit (as Wallace Kelley) | |
| Murray Young | .... | key grip (uncredited) | |
Editorial Department | |||
| Richard Mueller | .... | color consultant: Technicolor | |
Music Department | |||
| Norman Luboff | .... | music arranger: vocals, "It Looks Like Love", "A Day in the Country", "Let's Be Friendly", "The Wild and Wooly West" and "Hollywood or Bust" (songs titles uncredted) | |
| Charles O'Curran | .... | musical numbers creator and stager | |
| Walter Scharf | .... | conductor | |
| Walter Scharf | .... | music arranger | |
Other crew | |||
| Rudy Makoul | .... | dialogue coach | |
| Recent Posts (updated daily) | User |
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| what was the car? | captmarkie |
| The French title | claude-rouyer |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section | Add this title to MyMovies |
Oh, poor little film, only three user comments! I'll scribble something for self-amusement, so, uh... You might as well skip this.
The film is indeed highly enjoyable.
Some of the bits are stupid, borderline-infantile in fact, but that matters not.
The movie buff element could've been emphasized more.
I need to see more Tashlin. Nice cartooniness again, though the look of "Artists and Models" is even sweller. In fact, it's better overall.
The songs, in something of a surprise, are great!
The dialogue sparkles at times, which I appreciate much.
What, that's it?