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IMDb > Et Dieu... créa la femme (1956)
Et Dieu... créa la femme
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Et Dieu... créa la femme (1956) More at IMDbPro »

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Overview

User Rating:
6.1/10   1,904 votes
MOVIEmeter: ?
Down 3% in popularity this week. See rank & trends on IMDbPro.
Director:
Roger Vadim
Writers:
Roger Vadim (writer) and
Raoul Lévy (writer)
Contact:
View company contact information for ...And God Created Woman on IMDbPro.
Release Date:
21 October 1957 (USA) more
Genre:
Drama more
Tagline:
...but the devil invented Brigitte Bardot!
Plot:
In sunny St. Tropez, a young sexpot loves one brother but marries the other. full summary | add synopsis
NewsDesk:
(3 articles)
Bardot Defamation Case Thrown Out of Court
 (From WENN. 20 October 2004)

Bardot Auction To Mark Her 70th Birthday
 (From WENN. 30 September 2004)

User Comments:
And aren't we all glad He did? more

Cast

  (Cast overview, first billed only)

Brigitte Bardot ... Juliete Hardy
Curd Jürgens ... Eric Carradine (as Curd Jurgens)
Jean-Louis Trintignant ... Michel Tardieu
Jane Marken ... Madame Morin (as Jeanne Marken)
Jean Tissier ... M. Vigier-Lefranc
Isabelle Corey ... Lucienne
Jacqueline Ventura ... Mme Vigier-Lefranc
Jacques Ciron ... Le secrétaire d'Eric
Paul Faivre ... M. Morin
Jany Mourey ... Le déléguée de l'évêché
Philippe Grenier ... Perri
Jean Lefebvre ... L'homme qui veut danser (as Jean Lefèvre)
Leopoldo Francés ... Le danseur (as Leopoldo Frances)
Jean Toscano ... Rene (as Toscano)
Marie Glory ... Mme. Tardieu (as Mary Glory)
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Additional Details

Also Known As:
...And God Created Woman (USA)
And Woman... Was Created (UK)
E Dio creò la donna (Italy)
Piace a troppi (Italy)
more
Runtime:
95 min | USA:90 min
Country:
France | Italy
Language:
French | English
Color:
Color (Eastmancolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Mono
Certification:
UK:PG (video release) | UK:X (original rating) | Germany:12 (TV re-rating) | West Germany:18 (original rating) (1957) | Finland:K-16 | Hong Kong:IIA | Sweden:15 | USA:PG (1978)
Company:
Cocinor more

Fun Stuff

Trivia:
This film is generally credited with making St. Tropez a fashionable resort. more
Quotes:
Juliete Hardy: That's my favorite song!
Antoine Tardieu: It's the first time I ever heard it.
Juliete Hardy: Me too.
more
Movie Connections:
Referenced in Shadows (1959) more
Soundtrack:
Dis-moi quelque chose de gentil more

FAQ

This FAQ is empty. Add the first question.
13 out of 19 people found the following comment useful:-
And aren't we all glad He did?, 15 September 2000
6/10
Author: shrine-2

Pouty Brigitte Bardot in the movie that made her an international star. Is it me or does her nubile orphan Juliette bear the basic "accoutrements" of those legendary tragediennes of 19th century English literature like Tess of the D'Urbervilles or Eustacia Wye? It might explain Juliette's last name: Hardy. Except "And God Created Woman" is set in St. Tropez and is not a tragedy. Flat out, it's a middle-aged Frenchman's chic, paternalistic vision of the irrepressible nymphet. By paternalistic, I mean we know more about what the men in her life think about her than what she thinks about them or herself. Curt Jurgens' character (who, I think, stands in for director Roger Vadim) sizes her up quickly, and in the end, blows town with Christian Marquand who plays Antoine, the man she really wants. He's got her number; to him, she's the type who refuses to be tamed, who uses her obvious "gifts" to get what she wants, who's easily bored and distracted, and a slave to her whims. To Antoine, she is an incorrigible wanton; he has no faith that she'll change. But Antoine has his way with her (He figures it's what she wants, and it is), abuses her, and tries to wise up his younger brother (Jean-Louis Trintignant) who had married her. By chic, I mean Vadim always knew how to cast attractive people in his movies. Bardot isn't the only "hotty" here; Marquand matches her heat, watt for watt, and with less effort. There's a jazzy hipness to their look for which few directors besides Vadim had a talent. Still, when Juliette is rejected and runs back to her trusting husband, the movie fades from memory, and the last shot in the picture (of the street where she lives) recalls the landscapes Cezanne abstracted into modern art oblivion.

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