Et Dieu... créa la femme (1956)

Director:

Roger Vadim

Writers:

Roger Vadim (writer) and
Raoul Lévy (writer)

Release Date:

21 October 1957 (USA)

Genre:

Drama

Tagline:

...but the devil invented Brigitte Bardot!

Plot:

In sunny St. Tropez, a young sexpot loves one brother but marries the other.

Plot Keywords:

Rabbit | Orphan | Marriage Proposal | Riviera | Adolescence

Cast

Brigitte Bardot	...	Juliete Hardy
Curd Jürgens	...	Eric Carradine (as Curd Jurgens)
Jean-Louis Trintignant	...	Michel Tardieu
Jane Marken	...	Madame Morin (as Jeanne Marken)
Jean Tissier	...	M. Vigier-Lefranc
Isabelle Corey	...	Lucienne
Jacqueline Ventura	...	Mme Vigier-Lefranc
Jacques Ciron	...	Le secrétaire d'Eric
Paul Faivre	...	M. Morin
Jany Mourey	...	Le déléguée de l'évêché
Philippe Grenier	...	Perri
Jean Lefebvre	...	L'homme qui veut danser (as Jean Lefèvre)
Leopoldo Francés	...	Le danseur (as Leopoldo Frances)
Jean Toscano	...	Rene (as Toscano)
Marie Glory	...	Mme. Tardieu (as Mary Glory)

Also Known As:

...And God Created Woman (USA)
And Woman... Was Created (UK)
E Dio creò la donna (Italy)
Piace a troppi (Italy)

Runtime:

95 min | USA:90 min

Country:

France | Italy

Language:

French | English

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1

Sound Mix:

Mono

Certification:

UK:PG (video release) | UK:X (original rating) | Germany:12 (TV re-rating) | West Germany:18 (original rating) (1957) | Finland:K-16 | Hong Kong:IIA | Sweden:15 | USA:PG (1978)

Filming Locations:

2 Rue de Cepoun Louis Sanmartin, Saint-Tropez, Var, France

Company:

Cocinor

Trivia:

Was condemned by the Catholic Church's Legion of Decency within months after the Baby Doll (1956) boycott and caused a huge uproar in the United States for its sexual content.

Quotes:

Mme Vigier-Lefranc: Eric, I'm worried about you.
Eric Carradine: Worried?
Mme Vigier-Lefranc: You are at the point of falling for her.
Eric Carradine: What makes you say that?
Mme Vigier-Lefranc: Whenever you look at her, you appear less intelligent.

Movie Connections:

Featured in "20 to 1: Adults Only 20 to 01: Hottest Stars on the Planet (#8.7)" (2009)

Soundtrack:

Mon coeur éclate

Brigitte Bardot explodes

"Et Dieu... crea la femme" is Brigitte Bardot's breakout film. She explodes on the screen, overwhelming the audience (the male audience by sure). I bet that women, as well, are shocked by the thought that such a rival-bomb can exist.

The movie itself have always been underrated. It was a scandal at the epoch and we can easily see why. Actually, the erotic atmosphere created by BB in "Et Dieu... crea la femme" is amazing even for today standards (immensely superior to that of current movies, in my personal opinion). At any rate, the scandal made the movie be automatically considered bad (needless to say, people went crazy to see it). Curiously enough, a dozen of years later several ugly movies were automatically considered good by the critics because of the scandal they raised!

Now that our modern eyes no longer see the scandal, we may judge "Et Dieu... crea la femme" a nice film, made VERY special by Brigitte Bardot's presence. The stunning locations of a still tourism-free Cote d'Azur are beautifully photographed. The story is interesting and entertaining. Melodrama is systematically avoided. The script contains a good deal of typical French wit: sharp, cynical, but with a melancholic subtext. A couple of instances. The mature gentleman Eric Carradine, trying to justify Juliete's bad behavior "I am the only one to be guilty of that" and the old woman "Don't delude yourself, sir...". Again Carradine "I fell in love with a young girl and I gave money for her to marry another man. How do you call it?" and a friend "I call it wisdom".

Bardot brilliantly plays Juliete, a remarkably interesting character. Probably, more than her free and mindless attitude toward love affairs, Juliete's true personality may be described as anarchist selfishness. She doesn't give a damn for others. She just does everything she wants, not caring people's opinions, prejudices or feelings. She loves animals, though. A further point of interest is that, according to her own autobiography, BB's personality has some in common with that of Juliete's. I don't comment Brigitte's sex-appeal. Words are not enough, just look at her and enjoy. The life at the village on the sea and the various other characters are described with accuracy. Jurgens, Trintignant and the remainder of the cast work well.

The cult-scene of the movie is Juliete's Mambo dance. Here we understand what Europeans of the 1950s thought to be a torrid scene. We also see that they were right!

Seeing the movie, many are displeased that (seemingly) a dose of heavy slaps turns the wild Juliete into a devoted spouse. That looks machist ideology. Well, to begin with, to beat guilty women is just a realistic and predictable behavior in the low class environment of a village of fishermen in the 1950s. But, above all, do you think Juliete-Brigitte tamed by few hits? Come on! She accepts the slaps only because in that very moment she has thought it good to take them. But who knows the future? Believe me, Juliete is far from being tamed, and the end of the film by no means coincides with the end of the story...

In spite of possible criticism, I like "Et Dieu... crea la femme". Right or wrong, this film has a relevant place in the history of cinema.