| Photos (see all 7 | slideshow) | Videos |
| Jeff Morrow | ... | Dr. William Barton | |
| Rex Reason | ... | Dr. Thomas Morgan | |
| Leigh Snowden | ... | Marcia Barton | |
| Gregg Palmer | ... | Jed Grant | |
| Maurice Manson | ... | Dr. Borg | |
| James Rawley | ... | Dr. Johnson | |
| David McMahon | ... | Capt. Stanley | |
| Paul Fierro | ... | Morteno | |
| Lillian Molieri | ... | Mrs. Morteno | |
| Larry Hudson | ... | State trooper | |
| Frank Chase | ... | Steward | |
| rest of cast listed alphabetically: | |||
| Ricou Browning | ... | The Gill Man (in water) (uncredited) | |
| Don Megowan | ... | The Gill Man (on land) (uncredited) | |
Directed by | |||
| John Sherwood | |||
Writing credits(in alphabetical order) | ||
| Arthur A. Ross | writer | |
Produced by | |||
| William Alland | .... | producer | |
Original Music by | |||
| Irving Gertz | (uncredited) | ||
| Henry Mancini | (uncredited) | ||
| Heinz Roemheld | (uncredited) | ||
| Hans J. Salter | (uncredited) | ||
| Herman Stein | (uncredited) | ||
Cinematography by | |||
| Maury Gertsman | |||
Film Editing by | |||
| Edward Curtiss | |||
Art Direction by | |||
| Alexander Golitzen | |||
| Robert Emmet Smith | (as Robert E. Smith) | ||
Set Decoration by | |||
| John P. Austin | |||
| Russell A. Gausman | |||
Makeup Department | |||
| Joan St. Oegger | .... | hair stylist | |
| Bud Westmore | .... | makeup supervisor | |
| Vincent Romaine | .... | makeup artist (uncredited) | |
Production Management | |||
| Lew Leary | .... | unit manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Joseph E. Kenney | .... | assistant director | |
Art Department | |||
| Julius Rosenkrantz | .... | props (uncredited) | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Robert Pritchard | .... | sound | |
Stunts | |||
| James Jackson Jr. | .... | stunt double: Gregg Palmer (uncredited) | |
| Al Wyatt Sr. | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Clifford Stine | .... | special photography | |
| Russ Franks | .... | key grip (uncredited) | |
| Max Nippell | .... | gaffer (uncredited) | |
| Eddie Pyle | .... | camera operator (uncredited) | |
| Lew Schwartz | .... | assistant camera (uncredited) | |
| William Walling | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Jay A. Morley Jr. | .... | gown supervisor | |
| Roger J. Weinberg | .... | wardrobe (uncredited) | |
Music Department | |||
| Joseph Gershenson | .... | music supervisor | |
Other crew | |||
| Jack Kevan | .... | creature design | |
| Adele Cannon | .... | script supervisor (uncredited) | |
| Leon Charles | .... | dialogue director (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb USA section | Add this title to MyMovies |
Similar to the under-appreciated "Alien 3"(1992), this dramatic thriller has so many ideas that to disregard it would be a waste. The Creature is sought by scientists on an expedition to the Florida Everglades, where the second film ("Revenge of the Creature") ended. Joining in the expedition is the wife (Leigh Snowden) of a disturbed scientist (Jeff Morrow), who hasn't much to do but be admired by the men around her, including a good scientist (Rex Reason) and a lecherous guide (Gregg Palmer). The Creature is subdued, but only after being burned in a ghastly fire. The head scientist (Morrow) discovers lung tissue in the Creature, and he is transformed to an air-breathing animal. Cruelly pent-up back home in a Californian sea-side stockade, he longs to return to the water. The racial undertones of his new appearance are undeniable, and we feel sympathy for him. The last scene is breathtaking, since we know he can not survive a return to the sea. The music has been updated and is haunting, and the misty underwater photography in the first half is stunning. The whole film is beautifully directed by John Sherwood, with lights, shadows, contrast in exquisite black and white. All the actors are terrific, reciting mature dialog. The Creature does not get the curvaceous girl in this one: appropriately, since he's got all these plastic-surgery troubles. In many ways, this is an improvement over the second film, which basically re-hashed the first classic. Catch this one!