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| Gordon MacRae | ... | Billy Bigelow | |
| Shirley Jones | ... | Julie Jordan | |
| Cameron Mitchell | ... | Jigger Craigin | |
| Barbara Ruick | ... | Carrie Pipperidge | |
| Claramae Turner | ... | Cousin Nettie | |
| Robert Rounseville | ... | Mr. Enoch Snow | |
| Gene Lockhart | ... | Starkeeper / Dr. Selden | |
| Audrey Christie | ... | Mrs. Mullin | |
| Susan Luckey | ... | Louise Bigelow | |
| William LeMassena | ... | Heavenly Friend | |
| John Dehner | ... | Mr. Bascombe | |
| Jacques d'Amboise | ... | Louise's 'Starlight Carnival' Dancing Partner | |
| rest of cast listed alphabetically: | |||
| Robert Banas | ... | Ruffian in Louise's ballet (uncredited) | |
| Harry Carter | ... | Third Policeman (uncredited) | |
| Richard Deacon | ... | First Policeman (uncredited) | |
| Marion Dempsey | ... | Sword Swallower (uncredited) | |
| Robert Foulk | ... | Second Policeman (uncredited) | |
| Lili Gentle | ... | Young Girl #1 (uncredited) | |
| Marie Greene | ... | Louise Bigelow (singing voice) (uncredited) | |
| Cheryl Holdridge | ... | Young Girl #2 (uncredited) | |
| Harry Johnson | ... | Juggler (uncredited) | |
| Tor Johnson | ... | Strong Man (uncredited) | |
| Edward Mundy | ... | Fire Eater (uncredited) | |
| Mary Orozco | ... | Fat Woman (uncredited) | |
| Dee Pollock | ... | Enoch Snow, Jr. (uncredited) | |
| Angelo Rossitto | ... | Midget (uncredited) | |
| Sylvia Stanton | ... | Contortionist (uncredited) | |
| Frank Tweddell | ... | Capt. Watson (uncredited) | |
Directed by | |||
| Henry King | |||
Writing credits | ||
| Phoebe Ephron | (screenplay) | |
| Henry Ephron | (screenplay) | |
| Oscar Hammerstein II | (book of stage musical) | |
| Ferenc Molnár | (play "Liliom") | |
| Benjamin Glazer | (English translation and adaptation of Liliom) (as Benjamin F. Glazer) | |
Produced by | |||
| Henry Ephron | .... | producer | |
Cinematography by | |||
| Charles G. Clarke | |||
Film Editing by | |||
| William Reynolds | |||
Art Direction by | |||
| Jack Martin Smith | |||
| Lyle R. Wheeler | |||
Set Decoration by | |||
| Chester L. Bayhi | (as Chester Bayhi) | ||
| Walter M. Scott | |||
Costume Design by | |||
| Mary Wills | |||
Makeup Department | |||
| Ben Nye | .... | makeup artist | |
| Helen Turpin | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| Stanley Hough | .... | assistant director | |
Sound Department | |||
| Bernard Freericks | .... | sound | |
| Harry M. Leonard | .... | sound | |
Special Effects by | |||
| Ray Kellogg | .... | special photographic effects | |
Camera and Electrical Department | |||
| Bob Rose | .... | additional grip (uncredited) | |
Costume and Wardrobe Department | |||
| Charles Le Maire | .... | wardrobe (as Charle Le Maire) | |
| Sam Benson | .... | wardrobe (uncredited) | |
Editorial Department | |||
| Leonard Doss | .... | color consultant | |
Music Department | |||
| Ken Darby | .... | vocal supervisor | |
| Earle Hagen | .... | orchestrator | |
| Gus Levene | .... | orchestrator | |
| Bernard Mayers | .... | orchestrator | |
| Alfred Newman | .... | conductor | |
| Alfred Newman | .... | music supervisor | |
| Edward B. Powell | .... | orchestrator | |
| Nelson Riddle | .... | orchestrator | |
| Herbert W. Spencer | .... | orchestrator (as Herbert Spencer) | |
Other crew | |||
| Rod Alexander | .... | choreographer | |
| Agnes de Mille | .... | choreographer: original Louise's Ballet | |
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| Liliom | Grease | The Sound of Music | Oklahoma! | Slightly French |
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| Full cast and crew | Company credits | External reviews |
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The film of this classic musical is a joy to watch and listen to.
The music is undoubtedly the finest Rodgers and Hammerstein
score.
Of the many fine moments in the film two astounding highlights
must be Billy's Soliloquy and the Shirley Jones' and Gordon
MacRae's lover's duet "If I loved you".
To this is added two great ballet sequences "June is Bustin' out all
Over" and Louise's ballet.
The film is Rogers and Hammerstein at their most dark and
introspective, which may account for the film's relatively lacklustre
reception at the time of its initial release but the at the same time
explains the ongoing appeal of this truly timeless classic film.
It is a fine memorial to both composer and lyricist and to the
artistry of Gordon MacRae whose performance of the soliloquy is
the benchmark against which all performances are judged.
The film was produced in Cinemascope 55 a large film fomat
which overcame many of the problems that were inherent in early
Cinemascope films (even though the film was actually released
only in standard 35mm form ..a bit like a 35mm print of a 70mm
film this still results in a far better image) and gives the film its
immaculate look.
The Fox DVD is crisp and the sound, though very clearly a 1950s
recording is clean and well balanced.
I just wish I could see this film in a cinema on the biggest of
screens... it would be an even more special experience!