Carousel (1956)

User Rating:

7.1/10   

Director:

Henry King

Writers:

Phoebe Ephron (screenplay)
Henry Ephron (screenplay)

Release Date:

16 February 1956 (USA)

Genre:

Musical | Romance

Tagline:

20th-Century Fox proudly presents [Rodgers and Hammerstein's CAROUSEL]

Plot:

Billy Bigelow asks for permission to be sent down "from above" for one day to try and make amends for mistakes he made in life...

Plot Keywords:

Carousel | Barker | Carnival | Impatience | Afterlife

Awards:

2 nominations

Cast

Gordon MacRae	...	Billy Bigelow
Shirley Jones	...	Julie Jordan
Cameron Mitchell	...	Jigger Craigin
Barbara Ruick	...	Carrie Pipperidge
Claramae Turner	...	Cousin Nettie
Robert Rounseville	...	Mr. Enoch Snow
Gene Lockhart	...	Starkeeper / Dr. Selden
Audrey Christie	...	Mrs. Mullin
Susan Luckey	...	Louise Bigelow
William LeMassena	...	Heavenly Friend
John Dehner	...	Mr. Bascombe
Jacques d'Amboise	...	Louise's 'Starlight Carnival' Dancing Partner

Also Known As:

Rodgers and Hammerstein's Carousel (USA) (complete title)

Runtime:

128 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.55 : 1

Sound Mix:

4-Track Stereo (35 mm magnetic prints) | 6-Track Stereo (premiere only) | 4-Track Stereo (Westrex Recording System)

Certification:

West Germany:12 (f) | USA:Approved (PCA #17724) | Australia:G (original rating) | Australia:PG (cable rating) | Canada:G | Finland:K-8 | Sweden:15 | UK:U

Filming Locations:

Augusta, Maine, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

Frank Sinatra was cast as Billy, but backed out because each scene had to be shot twice (once in 35mm, once in 55mm). Three weeks after he left, they found a way to film the scene once on 55mm, then transfer it onto 35mm.

Goofs:

Anachronisms: As everyone leaves for the clambake in sailboats, we can see, for a full fifteen seconds or so, several men in one of the boats wearing very modern-looking caps and sunglasses.

Quotes:

[first lines]
Heavenly Friend: Bigelow...
Billy Bigelow: [impatiently] Well, what'd I do now?
Heavenly Friend: Nothing. I just thought you'd wanna know - there's trouble.
Billy Bigelow: Huh! Thought you said I didn't do nothin'.

Movie Connections:

Featured in My Favorite Things: Julie Andrews Remembers (2005) (V)

Soundtrack:

What's the Use of Wondrin'

This ranks as my favorite Rodgers and Hammerstein

For years, I searched for this film on TV, plus the old Magnetic video copy released during the late 1970's. However, other than the occasional pay channel, it was never on. Local channels would play all of the other Rodgers and Hammerstein films, but this one was not one of them for some reason. I had heard the score before. It was perhaps Rodgers and Hammerstein's most RECORDED score. There were two major Broadway cast albums, both starring John Raitt, as well as a variety of studio-recorded albums. It was even done for TV in the 1960's with Robert Goulet, a version I hope eventually will be released. The score is one of the most beautiful to listen to, and the lyrics are inspiring. The movie leads, Gordon MacRae and Shirley Jones, are perfectly cast, and their singing voices beautifully fill the roles. They are even better in this than they were in "Oklahoma!". As Julie's best friend, Carrie, Barbara Ruick is a perfect contrast to Jones' innocent Julie. She is unintentionally flirtatious, yet not "easy" like Gloria Grahame's Ado Annie in "Oklahoma!". Those two roles are very similar in the sense that they are both the second leads with a comic twist, but I found Ruick's Carrie more developed character wise. As her leading man, Robert Rouseville's Mr. Snow can seem a bit stuffy, but his character is a product of his times: quietly macho, not in the romantic sense, but that a girl like Carrie simply wanting a home and family would be perfect for him. Cameron Mitchell's Jigger Crane, the "Jud Fry" of the story, comes on as a some-what light-hearted villain; it is his actions which will ultimately affect the destinies of our lovers Julie and Billy. As the pricklish Mrs. Mullins, owner of the carousel, delightful Audrey Christie was perfectly shrewish. Finally, as the sweet and wise Aunt Nettie, Claramae Turner was wonderful as the musical's voice of reason, a role often scene in Rodgers and Hammerstein musicals. Her rendition of "You'll Never Walk Alone" is unforgettable.

It is totally believable that Julie and Billy would fall for each other. They are both attractive young adults. Yes, he did beat her, and she stayed with him in spite of this. This was the 1870's, and women did stay with the men they loved in spite of things like this. One of the reasons things like this are important to be seen today is to show how far women have come. In the man-dominated New England of that time, women were secondary citizens, so it is realistic to portray Julie in this light. Sad yes, but a part of history.

The New England sets are breath-taking, particularly during the "June is Bustin' Out All Over" number, and in the climactic clambake. They are beautifully photographed, making the film mesmerizing to look at. Between the sumptuous singing of MacRae and Jones and the wonderful cinemascope technicolor, the film is simply outstanding. I find it hard to find any faults with this film, and could simply watch it over and over.