| Photos (see all 45 | slideshow) | Videos (see all 5) |
| Cary Grant | ... | John Robie | |
| Grace Kelly | ... | Frances Stevens | |
| Jessie Royce Landis | ... | Jessie Stevens | |
| John Williams | ... | H. H. Hughson | |
| Charles Vanel | ... | Bertani | |
| Brigitte Auber | ... | Danielle Foussard | |
| Jean Martinelli | ... | Foussard | |
| Georgette Anys | ... | Germaine | |
| rest of cast listed alphabetically: | |||
| George Adrian | ... | Detective (uncredited) | |
| John Alderson | ... | Detective at the costume ball (uncredited) | |
| Martha Bamattre | ... | Bit part (uncredited) | |
| René Blancard | ... | Insp. Lepic (uncredited) | |
| Eugene Borden | ... | French waiter (uncredited) | |
| Nina Borget | ... | Frenchwoman (uncredited) | |
| Margaret Brewster | ... | Cold-cream woman (uncredited) | |
| Lewis Charles | ... | Man with milk in kitchen (uncredited) | |
| Frank Chelland | ... | Chef (uncredited) | |
| William 'Wee Willie' Davis | ... | Big man in kitchen (uncredited) | |
| Dominique Davray | ... | Antoinette (uncredited) | |
| Guy De Vestel | ... | Detective (uncredited) | |
| Bess Flowers | ... | Woman at Costume Ball (uncredited) | |
| Russell Gaige | ... | Mr. Sanford (uncredited) | |
| Steven Geray | ... | Desk clerk (uncredited) | |
| Michael Hadlow | ... | Monaco policeman (uncredited) | |
| Jean Hébey | ... | Police inspector Mercier (uncredited) | |
| Alfred Hitchcock | ... | Man sitting next to John Robie on bus (uncredited) | |
| Gladys Holland | ... | Elegant French woman (uncredited) | |
| Bela Kovacs | ... | Detective (uncredited) | |
| Jeanne Lafayette | ... | Frenchwoman (uncredited) | |
| Donald Lawton | ... | Bit part (uncredited) | |
| Eddie Le Baron | ... | Frenchman (uncredited) | |
| Roland Lesaffre | ... | Claude (uncredited) | |
| Edward Manouk | ... | Kitchen help (uncredited) | |
| Don Megowan | ... | Detective at Costume Ball (uncredited) | |
| Louis Mercier | ... | Croupier (uncredited) | |
| Alberto Morin | ... | Detective (uncredited) | |
| George Nardelli | ... | Croupier (uncredited) | |
| Paul Newlan | ... | Vegetable man (uncredited) | |
| Barry Norton | ... | Frenchman (uncredited) | |
| George Paris | ... | Croupier (uncredited) | |
| Manuel París | ... | Croupier (uncredited) | |
| Leonard Penn | ... | Monaco policeman (uncredited) | |
| Albert Pollet | ... | Croupier (uncredited) | |
| Loulette Sablon | ... | Frenchwoman (uncredited) | |
| Cosmo Sardo | ... | Bit part (uncredited) | |
| Otto F. Schulze | ... | Chef (uncredited) | |
| Adele St. Mauer | ... | Woman with birdcage on bus (uncredited) | |
| Marie Stoddard | ... | Mrs. Sanford (uncredited) | |
| Aimee Torriani | ... | Woman in kitchen (uncredited) | |
| Philip Van Zandt | ... | Jewelry clerk (uncredited) | |
Directed by | |||
| Alfred Hitchcock | |||
Writing credits | ||
| David Dodge | (novel) | |
| John Michael Hayes | (screenplay) | |
Produced by | |||
| Alfred Hitchcock | .... | producer (uncredited) | |
Original Music by | |||
| Lyn Murray | (music scored by) | ||
Cinematography by | |||
| Robert Burks | (director of photography) | ||
Film Editing by | |||
| George Tomasini | |||
Art Direction by | |||
| J. McMillan Johnson | (as Joseph MacMillan Johnson) | ||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Arthur Krams | |||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
| Bud Bashaw Jr. | .... | makeup artist (uncredited) | |
| Harry Ray | .... | makeup artist (uncredited) | |
Production Management | |||
| William Davidson | .... | assistant production manager (uncredited) | |
| C.O. Erickson | .... | assistant production manager (uncredited) | |
| C.O. Erickson | .... | unit production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Herbert Coleman | .... | second unit director | |
| Daniel McCauley | .... | assistant director | |
Art Department | |||
| Dorothea Holt | .... | illustrator (uncredited) | |
Sound Department | |||
| John Cope | .... | sound recordist | |
| Harold Lewis | .... | sound recordist | |
| Bill Wistrom | .... | sound editor (uncredited) | |
Special Effects by | |||
| Farciot Edouart | .... | process photography | |
| John P. Fulton | .... | special photographic effects | |
Camera and Electrical Department | |||
| W. Wallace Kelley | .... | photographer: second unit (as Wallace Kelley) | |
| Bill Avery | .... | still photographer (uncredited) | |
| George Gall | .... | assistant camera (uncredited) | |
| James Grant | .... | assistant camera (uncredited) | |
| Vic Jones | .... | gaffer (uncredited) | |
| Gene Liggett | .... | second assistant camera (uncredited) | |
| William Schurr | .... | camera operator (uncredited) | |
| Leonard J. South | .... | camera operator (uncredited) | |
| Darrell Turnmire | .... | key grip (uncredited) | |
Costume and Wardrobe Department | |||
| Ed Fitzharris | .... | wardrobe: men (uncredited) | |
| Grace Harris | .... | wardrobe: women (uncredited) | |
Editorial Department | |||
| Richard Mueller | .... | color consultant: Technicolor | |
Other crew | |||
| Elsie Foulstone | .... | dialogue coach | |
| Sylvette Baudrot | .... | script supervisor: France (uncredited) | |
| Claire Behnke | .... | script supervisor (uncredited) | |
| Vincent McEveety | .... | technical advisor (uncredited) | |
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| Big Fish | Young and Innocent | Vertigo | The Night of the Hunter | Spellbound |
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A bit of a departure for Alfred Hitchcock, somewhat lighter and with less of the trademark suspense. Thoroughly enjoyable, though. Cary Grant was playing Cary Grant by this time, and no one could do it better. And Grace Kelly, what eye-candy! The snappy dialog with the sexual innuendo was done perfectly. And huge kudos to Brigitte Auber, who was gorgeous and very good. An interesting aside was that Grant's character, while pretending to be someone else, claimed to have been an American circus acrobat, which Grant sort of was early in life (albeit English, not American.) Grant (with his accent) could really never be mistaken for an American, even though he usually played one. Also it was a little eerie to see Grace Kelly driving so fast on those French Riviera cliffside roads, in light of what happened to her later. (Of course, she obviously wasn't doing so, they were using back-projection) Anyway, this film is a must for fans of Hitchcock, Kelly or Grant. Grade: A