To Catch a Thief (1955)

Director:

Alfred Hitchcock

Writers:

John Michael Hayes (screenplay)
David Dodge (novel)

Release Date:

September 1955 (USA)

Genre:

Crime | Mystery | Romance | Thriller

Tagline:

WANTED by the police in all the luxury-spots of Europe!... A catch for any woman!

Plot:

When a reformed jewel thief is suspected of returning to his former occupation, he must ferret out the real thief in order to prove his innocence.

Plot Keywords:

Thief | Cat | Riviera | Burglar | Robbery

Awards:

Won Oscar. Another 4 nominations

US TV Schedule:

Thur. Nov. 26

8:00 PM

TCM

Cast

Cary Grant	...	John Robie
Grace Kelly	...	Frances Stevens
Jessie Royce Landis	...	Jessie Stevens
John Williams	...	H.H. Hughson
Charles Vanel	...	Bertani
Brigitte Auber	...	Danielle Foussard
Jean Martinelli	...	Foussard
Georgette Anys	...	Germaine

Also Known As:

Alfred Hitchcock's To Catch a Thief (USA) (complete title)

Runtime:

106 min

Country:

USA

Language:

English | French

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Spain:T | Netherlands:6 | Ireland:PG | USA:Approved (certificate #17226) | Brazil:14 | Argentina:13 | Australia:G | Canada:G (video rating) | Chile:14 | Finland:K-8 | Norway:12 (1955) | Peru:14 | Sweden:15 | UK:PG | West Germany:12

Filming Locations:

Alpes-Maritimes, France

Company:

Paramount Pictures

Trivia:

In this film Jessie Royce Landis plays Cary Grant's potential mother-in-law. In North by Northwest (1959), she would play his actual mother.

Goofs:

Continuity: John says he'll leave his clothes with Danielle, but later, when he is at the flower market, he's in the same clothes.

Quotes:

H. H. Hughson: The pastries are light as air.
John Robie: Germaine has very sensitive hands and an exceedingly light touch. She strangled a German general - without a sound.

Movie Connections:

Referenced in "Family Ties: To Snatch a Keith (#2.10)" (1983)

Great chemistry between the leads

The best thing about this film is the chemistry between leads Grant and Kelly. Grant is as debonair as usual and Kelly was never more glamorous. The costumes she wears are very flattering to her and she is to the clothes. The dialogue between them sparkles throughout and is a pleasure to watch even if the course of their relationship is predictable. Grant's self-deprecating in-jokes are another nice touch. Further pleasantly adding to the fantasy ambience is the spectacular photography of the French riviera. John Williams is also great as the insurance investigator, the type of character he played in Hitchcock's Dial M for Murder (also with Kelly) and in the Doris Day-Rex Harrison film, Midnight Lace. This film is not one of the most psychologically involving in Hitchcock's pantheon but it is not designed to be. It is enjoyed best as what it was produced to be: glossy high production value escapist fare. 8/10.