| Richard Attenborough | ... | George Hoskins | |
| George Baker | ... | Bill Randall (skipper of 1087 / narrator | |
| Bill Owen | ... | Birdie (coxswain of 1087) | |
| Virginia McKenna | ... | Helen Randall | |
| Roland Culver | ... | Maj. Fordyce | |
| Bernard Lee | ... | Customs Officer Brewster | |
| Ralph Truman | ... | Sir Richard | |
| John Chandos | ... | Raines (fugitive killer) | |
| Harold Goodwin | ... | Customs officer #2 | |
| John Longden | ... | Detective | |
| rest of cast listed alphabetically: | |||
| Alfie Bass | ... | Sailor on 1087 (uncredited) | |
| John Boxer | ... | Customs man (uncredited) | |
| Stratford Johns | ... | Garage worker (uncredited) | |
| David Langton | ... | Man in Coastal Forces Club bar (uncredited) | |
Directed by | |||
| Basil Dearden | |||
Writing credits(in alphabetical order) | ||
| Basil Dearden | writer | |
| Nicholas Monsarrat | novel | |
| Michael Relph | writer | |
| John Whiting | writer | |
Produced by | |||
| Basil Dearden | .... | co-producer | |
| Michael Relph | .... | producer | |
Original Music by | |||
| William Alwyn | |||
Cinematography by | |||
| Gordon Dines | |||
Film Editing by | |||
| Peter Bezencenet | |||
Art Direction by | |||
| Bernard Robinson | |||
Costume Design by | |||
| Anthony Mendleson | (uncredited) | ||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
Production Management | |||
| David Peers | .... | unit production manager | |
Second Unit Director or Assistant Director | |||
| Julian Mackintosh | .... | third assistant director (uncredited) | |
Art Department | |||
| David Butcher | .... | draughtsman (uncredited) | |
| Bert Davey | .... | assistant art director (uncredited) | |
| Tony Rimmington | .... | draughtsman (uncredited) | |
| Jack Shampan | .... | chief draughtsman (uncredited) | |
Sound Department | |||
| Arthur Bradburn | .... | sound recordist | |
| Stephen Dalby | .... | sound supervisor (uncredited) | |
| Alastair McIntyre | .... | assistant sound editor (uncredited) | |
| Lionel Selwyn | .... | assistant sound editor (uncredited) | |
| Gordon Stone | .... | sound editor (uncredited) | |
| Don Wortham | .... | boom operator (uncredited) | |
Visual Effects by | |||
| Geoffrey Dickinson | .... | special processes | |
Camera and Electrical Department | |||
| Chic Waterson | .... | camera operator | |
| Brian Elvin | .... | clapper loader (uncredited) | |
| Eddie Orton | .... | still photographer (uncredited) | |
| Herbert Smith | .... | focus puller (uncredited) | |
Music Department | |||
| Jack Fishman | .... | composer: source music (uncredited) | |
| Dock Mathieson | .... | conductor (uncredited) | |
Other crew | |||
| Jean Graham | .... | continuity | |
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| Notes on a Scandal | Brandy for the Parson | Buffalo Soldiers | Tora! Tora! Tora! | Millions |
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| Full cast and crew | Company credits | External reviews |
| IMDb Crime section | IMDb UK section | Add this title to MyMovies |
*** This comment may contain spoilers ***
Spoilers. The title pretty much says it all. Ship 1087 is the British equivalent of an American MTB, operating in the English channel as a patrol boat, rescue vessel, escort, and what have you. While similar craft occasionally break down or are hard on the wheel, old 1087 is fast and reliable and gets its crew out of bad scrapes, as if it were a sentient and benificent force. The end of the war sees its crew dispersed and a bit disgruntled, and the boat itself winds up in a graveyard. One of the hands, Attenborough, runs into two of the former crew in a pub and persuades them to buy the old 1087, spruce her up, and use her to engage in a bit of minor smuggling, a few crates of choice wine now and then, just to keep the old boat going and its peacetime crew in cash. No harm to anybody, don't you know. But Sir Dickie, now more or less skipper of the boat, is sucked into running stuff rather murkier than Chateau neuf du Pape. He begins working in cahoots with a more dangerous ex-army man, and finds himself now transporting guns and then fugitive child murderers. Challenged by the two other hands, he replies, "I'll take care of business. You take care of the boat." Well, things just go rotten after that. Hunted down by the authorities, the Major plugs the coastguard officer. When the third hand, Raines, who maintains the engines, tries to leave, the Major plugs him as well. The protagonist, Randall, a basically good guy, plugs the Major. Sir Dickie and Randall have it out on the deck of old 1087, now heaving up and down in a heavy sea. Dickie tumbles overboard but manages to catch hold of a stanchion. Randall reaches down to pull him back aboard but old 1087 gives a sudden lurch and yanks Dickie into the sea before apparently dropping its still spinning screws on him. The boat then dies of shame. The boat of course is a symbol of the moral status of its crew. During the war it looks spiffy and performs superbly. Engaged in smuggling, its engines begin to fail more and more often, and it developes other quirks. It's all a bit on the heavy handed side, but it's not an uninteresting movie. Some nice shots of the boat, long and sleek, at sea, and some engaging scenes of combat near the beginning. Overall, this sort of story isn't surprising coming from Nicholas Monseratt, but it isn't the kind of movie we usually associate with Ealing Studios. It's worth catching if it's on, and it's not on TV very often.