| Photos (see all 16 | slideshow) | Videos (see all 2 NEW) |
| William Holden | ... | Hal Carter | |
| Kim Novak | ... | Marjorie 'Madge' Owens | |
| Betty Field | ... | Flo Owens | |
| Susan Strasberg | ... | Millie Owens | |
| Cliff Robertson | ... | Alan Benson | |
| Arthur O'Connell | ... | Howard Bevans | |
| Verna Felton | ... | Helen Potts | |
| Reta Shaw | ... | Irma Kronkite | |
| Nick Adams | ... | Bomber | |
| Raymond Bailey | ... | Mr. Benson | |
| Elizabeth Wilson | ... | Christine Schoenwalder (as Elizabeth W. Wilson) | |
| Rosalind Russell | ... | Rosemary Sidney | |
| rest of cast listed alphabetically: | |||
| Warren Frederick Adams | ... | Stranger (uncredited) | |
| Carle E. Baker | ... | Grain Elevator Worker (uncredited) | |
| George E. Bemis | ... | Neighbor (uncredited) | |
| Steve Benton | ... | Policeman (uncredited) | |
| Harold A. Beyer | ... | Chamber of Commerce Member (uncredited) | |
| Paul R. Cochran | ... | Chamber of Commerce Member (uncredited) | |
| Adlai Zeph Fisher | ... | Chamber of Commerce Member (uncredited) | |
| Don C. Harvey | ... | Policeman (uncredited) | |
| Flomanita Jackson | ... | Committeewoman (uncredited) | |
| Shirley Knight | ... | Bit part (uncredited) | |
| Phyllis Newman | ... | Juanita Badger - Cool Girl (uncredited) | |
| Henry Pagueo | ... | Mayor (uncredited) | |
| Harry Sherman Schall | ... | Chamber of Commerce Member (uncredited) | |
| Floyd Steinbeck | ... | Chamber of Commerce Member (uncredited) | |
| Wayne R. Sullivan | ... | Foreman (uncredited) | |
| Henry P. Watson | ... | Chamber of Commerce President (uncredited) | |
| Abraham Weinlood | ... | Trainman - Before Opening Credits (uncredited) | |
Directed by | |||
| Joshua Logan | |||
Writing credits | ||
| Daniel Taradash | (screenplay) | |
| William Inge | (play "Picnic") | |
Produced by | |||
| Fred Kohlmar | .... | producer | |
Original Music by | |||
| George Duning | |||
Cinematography by | |||
| James Wong Howe | |||
Film Editing by | |||
| William A. Lyon | |||
| Charles Nelson | |||
Production Design by | |||
| Jo Mielziner | |||
Art Direction by | |||
| William Flannery | |||
Set Decoration by | |||
| Robert Priestley | |||
Costume Design by | |||
| Jean Louis | (gowns) | ||
Makeup Department | |||
| Clay Campbell | .... | makeup artist | |
| Helen Hunt | .... | hair stylist | |
| Robert J. Schiffer | .... | makeup artist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Carter De Haven Jr. | .... | assistant director (as Carter DeHaven Jr.) | |
Sound Department | |||
| George Cooper | .... | sound | |
| John P. Livadary | .... | recording supervisor (as John Livadary) | |
Camera and Electrical Department | |||
| Ray Cory | .... | photographer: second unit | |
Editorial Department | |||
| Ralph James Hall | .... | assistant editor (uncredited) | |
Music Department | |||
| Edgar De Lange | .... | composer: song "Moonglow" (as Eddie De Lange) | |
| Chet Forrest | .... | composer: song "It's A Blue World" | |
| Will Hudson | .... | composer: song "Moonglow" | |
| Fred Karger | .... | music advisor | |
| Irving Mills | .... | composer: song "Moonglow" | |
| Arthur Morton | .... | orchestrator | |
| Morris Stoloff | .... | conductor | |
| Bob Wright | .... | composer: song "It's A Blue World" | |
| Milton Ager | .... | composer: song (uncredited) | |
| Annie Fortescue Harrison | .... | composer: song (uncredited) | |
| J.L. Molloy | .... | composer: song (uncredited) | |
| Bob Thompson | .... | music arranger (uncredited) | |
| Jack Yellen | .... | composer: song (uncredited) | |
Other crew | |||
| Henri Jaffa | .... | technicolor color consultant | |
| Miriam Nelson | .... | choreographer (uncredited) | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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William Inge had his finger on the pulse of small town America. He wasn't checking the heartbeats of its inhabitants but his own. I've just said that as if I knew all about it and I don't, but I sense it. I mean, "Splendor In The Grass", "The Dark At The Top Of The Stairs", "Come Back Little Sheeba" That's all the evidence we need to know that he was a male writer with a woman's heart. "Picnic" epitomises that theory. Director Joshua Logan and writer Daniel Taradash trusted Inge's world without questioning it. Everything flows with the irrational sanity of a woman's heart. William Holden was a bit too old for the part but who cares! He is William Holden, capable to provoke passions of Mediterranean intensity at any age. He seems a bit self conscious at times and that helps the character's foibles no end. Kim Novak is breathtaking. Susan Strasberg milks her tomboy with a longing for all its worth. Betty Field, Daisy Buchanan in the original "Great Gatsby", gives a masterful performance without uttering a word that may reveal what she's actually feeling, until the end of course. That scene in which she tries to stop her daughter from going away, is as much Field's as it is Inge's. Rosalind Russell didn't get the Oscar for her superb, time bomb disguised in a school teacher's dress, performance. Her craving for sex and romance and sex and marriage and sex is as bold as anything she had ever done and Rosalind Russell new how to be bold from "His Girl Friday" to "Auntie Mame". The Moonglow sequence has become a classic moment in pictures. Deservedly so. I would suggest, if you haven't done it yet, take a trip through William Inge's territory. Familiar faces, familiar landscapes, familiar feelings, all completely new.