Oklahoma! (1955)

User Rating:

7.2/10   

Director:

Fred Zinnemann

Writers:

Lynn Riggs (play)
Oscar Hammerstein II (play)
(more)

Release Date:

9 January 1956 (Brazil)

Genre:

Musical | Romance | Western

Tagline:

Now a motion picture as big as all outdoors! (first run Todd-AO version)

Plot:

A couple of young cowboys win the hearts of their sweethearts in the Oklahoma territory at the turn of the century...

Plot Keywords:

Cowboy | Oklahoma | Peddler | Love | Ranch Hand

Awards:

Won 2 Oscars. Another 1 win & 3 nominations

Cast

Gordon MacRae	...	Curly McLain
Gloria Grahame	...	Ado Annie Carnes
Gene Nelson	...	Will Parker
Charlotte Greenwood	...	Aunt Eller Murphy
Shirley Jones	...	Laurey Williams
Eddie Albert	...	Ali Hakim
James Whitmore	...	Andrew Carnes
Rod Steiger	...	Jud Fry
Barbara Lawrence	...	Gertie Cummings
Jay C. Flippen	...	Ike Skidmore
Roy Barcroft	...	Marshal Cord Elam
James Mitchell	...	Dream Curly
Bambi Linn	...	Dream Laurey
Jennie Workman	...	Dancer
Virginia Bosler	...	Dancer
Kelly Brown	...	Dancer
Evelyn Taylor	...	Dancer
Lizanne Truex	...	Dancer
Jane Fischer	...	Dancer
Marc Platt	...	Dancer
rest of cast listed alphabetically:
Jerry Dealey	...	Dancer (uncredited)
Al Ferguson	...	Cowboy at auction (uncredited)
Ben Johnson	...	Wrangler (uncredited)
Donald Kerr	...	Farmer at dance (uncredited)
Nancy Kilgas	...	Dancer (uncredited)
Rory Mallinson	...	Young cowboy at box lunch auction (uncredited)
Buddy Roosevelt	...	Cowboy at Auction (uncredited)
Russell Simpson	...	The minister (uncredited)

Directed by
Fred Zinnemann

Writing credits
Lynn Riggs		(play "Green Grow the Lilacs")
Oscar Hammerstein II		(play)
Sonya Levien		(writer) and
William Ludwig		(writer)

Produced by
Arthur Hornblow Jr.	....	producer
Oscar Hammerstein II	....	executive producer (uncredited)
Richard Rodgers	....	executive producer (uncredited)

Original Music by
Richard Rodgers

Cinematography by
Robert Surtees
Floyd Crosby		(uncredited)

Film Editing by
George Boemler
Gene Ruggiero

Production Design by
Oliver Smith

Art Direction by
Joseph C. Wright

Set Decoration by
F. Keogh Gleason

Costume Design by
Charles Arrico
Sophie Devine		(as Motley)
Orry-Kelly

Makeup Department
Ben Lane	....	makeup artist (uncredited)
Anna Malin	....	hair stylist (uncredited)
Ben Nye	....	makeup artist (uncredited)

Production Management
Samuel Lambert	....	unit manager

Second Unit Director or Assistant Director
Arthur S. Black Jr.	....	assistant director
Jack Voglin	....	assistant director
Robert E. Relyea	....	second assistant director (uncredited)

Sound Department
Fred Hynes	....	sound
Joseph I. Kane	....	dubbing (uncredited)
Milo B. Lory	....	sound editor (uncredited)

Stunts
Ben Johnson	....	stunt double (uncredited)

Camera and Electrical Department
Schuyler Crail	....	still photographer (uncredited)
Bob Gilbreath	....	helicopter pilot: aerial camera helicopter (uncredited)
Bobby Moreno	....	camera operator (uncredited)

Costume and Wardrobe Department
Frank Beetson Jr.	....	wardrobe
Ann Peck	....	wardrobe

Editorial Department
Alvord Eiseman	....	color consultant

Music Department
Robert Russell Bennett	....	orchestrator
Jay Blackton	....	conductor
Adolph Deutsch	....	composer: incidental music
Robert Helfer	....	music coordinator
Alexander Courage	....	orchestrator (uncredited)
Ralph Ives	....	music editor (uncredited)
Richard Melfer	....	music coordinator (uncredited)

Other crew
Barney Briskin	....	production executive
Agnes de Mille	....	choreographer
John Fearnley	....	production aide
Schuyler A. Sanford	....	technician: Todd-AO
Jus Addiss	....	dialogue coach (uncredited)
John Emerson	....	production assistant (uncredited)
H. Thomas Wood	....	unit publicist (uncredited)

Production Companies

• Magna Theatre Corporation
• Rodgers & Hammerstein Productions

Distributors

• Magna Theatre Corporation (1955) (USA) (theatrical) (Todd-AO version)
• RKO Radio Pictures (1955) (USA) (theatrical) (35mm CinemaScope version)
• Twentieth Century-Fox Film Corporation (1956) (USA) (theatrical) (35mm CinemaScope version)
• RKO Radio Pictures (1957) (West Germany) (theatrical)
• Columbia Broadcasting System (CBS) (1970) (USA) (TV) (broadcast premiere) (pan/scan)
• Samuel Goldwyn Company, The (19??) (USA) (TV) (pan/scan)
• Samuel Goldwyn Company, The (199?) (USA) (VHS) (pan/scan)
• Park Circus (2006) (UK) (theatrical) (re-release)
• 20th Century Fox Home Entertainment (1999) (USA) (DVD)
• CBS/Fox (1994) (USA) (video) (laserdisc)
• Twentieth Century Fox Home Entertainment (2008) (Netherlands) (DVD)

Other Companies

• Angel Records  soundtrack released by (1990's CD edition) (uncredited)
• Angel Records  soundtrack released by (2001 expanded CD edition) (uncredited)
• Capitol Records  soundtrack released by (1955 LP and first CD version) (uncredited)
• Theatre Guild  original stage production

Runtime:

145 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

2.20 : 1

Sound Mix:

4-Track Stereo (Western Electric Sound System) (CinemaScope version) (35 mm magnetic prints) | 70 mm 6-Track (70 mm prints) | Mono (Western Electric Sound System) (35 mm optical prints)

Certification:

Canada:F (Ontario) | Canada:G (Nova Scotia/Quebec) | Canada:PG (Manitoba) | West Germany:12 | Australia:G | New Zealand:G | Finland:K-12 | UK:U | USA:G (1982)

Filming Locations:

Amado, Arizona, USA

Company:

Magna Theatre Corporation

Trivia:

The original Broadway production of "Oklahoma!" opened at the St. James Theater in New York City on May 31, 1943 and ran for 2,212 performances, setting a record for a musical.

Goofs:

Continuity: When Jud wakes Laurey from her dream sequence, to tell her it's time to go to the party, night has fallen and it's dark. She goes inside to change. In the next scene, they're heading off to the party with everyone else, in broad daylight.

Quotes:

[first lines]
Curly: [singing] There's a bright golden haze on the meadow, There's a bright golden haze on the meadow. The corn is as high as a elephant's eye, And it looks like it's climbin' clear up to the sky. Oh, what a beautiful mornin', Oh, what a beautiful day! I got a beautiful feelin' Everything's goin' my way.

Movie Connections:

Referenced in "3rd Rock from the Sun: Frozen Dick (#1.12)" (1996)

Soundtrack:

The Surrey With the Fringe On Top

The sexiest film of the 1950's

`Oklahoma' is the sexiest film of the 1950s. The film is all about sex, (well, it's about romance, as well, but what does that lead to?). Curley keeps finding different ways to woo Laurie. Jud, who lives in a dug-out surrounded by pictures of naked women, has plans for her, too. Will and Ado Annie have plans of their own, if they can ever stop both their wandering eyes. Annie's father knows what they are up to and figures to use his shot gun to set things right. Those spyglasses with the interesting pictures keep showing up. Women dance around in their underwear and we visit a dance hall where they are similarly dressed except for the colors. Finally there is Laurie's skinny dipping sequence. I assume Shirley Jones had a flash-colored bathing suit, but who knows? Deep Throat isn't any more about sex than this film is. Yet it's Rogers and Hammerstein so it's shown constantly as a family film. Well, I guess that's how families get made!

Other comments: I see nothing in the choreography that Gordon McRae and Shirley Jones couldn't have done, at least in the close-ups. We see Rod Steiger in the dream sequence and to see two other faces as Laurie and Curly kind of shatter the illusion.

While many sequences are clearly shot on a sound stage, the beautiful outdoors photography in Todd-AO adds so much to the spectacle. When I saw the recent tape of a British stage play of this, it had no where near the impact and this was one of the reasons.

Another was the casting, which was dead-on perfect. Gordon McRae is the picture of the singing cowboy, (which was not a Hollywood invention). He more than holds his own with Rod Steiger, a year after Steiger was holding his won with Brando. Shirley Jones is the image of Laurie. She has all the physical endowments of a Marilyn Monroe but with the added qualities of sweetness and intelligence that make her marvelously sexy and appealing. Steiger gives the piece dramatic weight. He also shows surprising singing ability, (this site says he had an operatic voice but no sense of key), Gloria Grahame is the ideal Ado Annie. I saw a clip of Celeste Holm, of whom I am a big fan, doing `I Can't Say No' on the Ed Sullivan show. She doesn't hold a candle to Grahame, who underplays the lines but has the sex coming out of her eyes, right along with the innocence. Gene Nelson is a wonderfully easy going dancing cowpoke and his songs with Ado Annie have unending charm. Charlotte Greenwood is a wonder as Aunt Eller, all arms and legs and home spun philosophy. James Whitmore makes a meal of shotgun toting Dad. Eddie Albert has one of his best roles as Ali Hakim. It's hard to imagine anyone being better in these roles.

Of course, Roger's and Hammerstein's music and lyrics are timeless. The title tune, `Oh What Beautiful Morning `, `Surrey With the Fringe on Top', `People Will Say We're in Love', `Everything's Up-to-Date in Kansas City', `I can't Say No', and the others keep playing in your memory long after you've heard them.

But that story, (you can't really call it a plot). Have you ever seen a musical like it?