at Crackle

| Photos (see all 13 | slideshow) | Videos |
| James Stewart | ... | Will Lockhart | |
| Arthur Kennedy | ... | Vic Hansbro | |
| Donald Crisp | ... | Alec Waggoman | |
| Cathy O'Donnell | ... | Barbara Waggoman | |
| Alex Nicol | ... | Dave Waggoman | |
| Aline MacMahon | ... | Kate Canady | |
| Wallace Ford | ... | Charley O'Leary | |
| Jack Elam | ... | Chris Boldt | |
| John War Eagle | ... | Frank Darrah | |
| James Millican | ... | Tom Quigby | |
| Gregg Barton | ... | Fritz | |
| Boyd Stockman | ... | Spud Oxton | |
| Frank DeKova | ... | Padre | |
| rest of cast listed alphabetically: | |||
| Jack Carry | ... | Mule driver (uncredited) | |
| Bill Catching | ... | Mule driver (uncredited) | |
| Frank Cordell | ... | Mule driver (uncredited) | |
| Frosty Royce | ... | Mule driver (uncredited) | |
| Eddy Waller | ... | Dr. Selden (uncredited) | |
Directed by | |||
| Anthony Mann | |||
Writing credits | ||
| Philip Yordan | (screenplay) & | |
| Frank Burt | (screenplay) | |
| Thomas T. Flynn | (Saturday Evening Post story) | |
Produced by | |||
| William Goetz | .... | producer (uncredited) | |
Original Music by | |||
| George Duning | |||
Cinematography by | |||
| Charles Lang | |||
Film Editing by | |||
| William A. Lyon | (as William Lyon) | ||
Art Direction by | |||
| Cary Odell | |||
Set Decoration by | |||
| James Crowe | |||
Makeup Department | |||
| Clay Campbell | .... | makeup artist | |
| Helen Hunt | .... | hair stylist | |
Second Unit Director or Assistant Director | |||
| William Holland | .... | assistant director | |
Sound Department | |||
| George Cooper | .... | sound | |
| John P. Livadary | .... | recording supervisor (as John Livadary) | |
Stunts | |||
| Bill Catching | .... | stunts (uncredited) | |
| Frank Cordell | .... | stunts (uncredited) | |
| Harry Froboess | .... | stunts (uncredited) | |
| Ted Mapes | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Boyd Stockman | .... | stunts (uncredited) | |
| Jack N. Young | .... | stunts (uncredited) | |
Music Department | |||
| Arthur Morton | .... | orchestrator | |
| Morris Stoloff | .... | conductor | |
Other crew | |||
| Henri Jaffa | .... | technicolor color consultant | |
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| Billy the Kid Returns | The Phantom Rider | The Three Burials of Melquiades Estrada | Desperadoes of the West | Custer's Last Stand |
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| Full cast and crew | Company credits | External reviews |
| IMDb Mystery section | IMDb USA section | Add this title to MyMovies |
In the western genre, this movie is a "9". A good tale of the old west (Westerns seem to be better if they are plotted strongly, but not over-plotted). Many a western has been ruined by too much plot. Not this one.
The cinematography of New Mexico is perfect, wide-screen and sweeping. It captures the bigness of the western landscape which is a plus in this film based on ranching. Other westerns (Eastwood's mining-based film "Pale Rider" for example) really don't need vast sweeping landscapes.
The acting, direction, production values are all very good. The musical score is dated and not great, but at least it has a western theme.
There is one oddity you might notice about the female characters. The contrast between how the Aline McMahon and the Cathy O'Donnell parts are developed is extreme. McMahon is fortunate to have a great role, but O'Donnell's role is under-developed and kind of empty. Not O'Donnell's fault but it's just how the role is written. I wonder how the same writer can create an interesting, well-written female role but leave the other one so bland?
Action-packed but also the psychological aspects keep you really interested in the story.