IMDb > The Man from Laramie (1955)
The Man from Laramie
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The Man from Laramie (1955) More at IMDbPro »

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The Man from Laramie (1955) -- A stranger defies the local cattle baron and his sadistic son by working for one of his oldest rivals.

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Overview

User Rating:
7.4/10   2,607 votes
MOVIEmeter: ?
Down 27% in popularity this week. See why on IMDbPro.
Director:
Writers:
Philip Yordan (screenplay) &
Frank Burt (screenplay) ...
(more)
Contact:
View company contact information for The Man from Laramie on IMDbPro.
Release Date:
31 August 1955 (USA) more
Genre:
Tagline:
THE MAN You'll Never Forget! more
Plot:
A stranger defies the local cattle baron and his sadistic son by working for one of his oldest rivals. full summary | add synopsis
Plot Keywords:
User Reviews:
Great Western more (46 total)
US TV Schedule:

Cast

  (in credits order) (verified as complete)

James Stewart ... Will Lockhart
Arthur Kennedy ... Vic Hansbro
Donald Crisp ... Alec Waggoman
Cathy O'Donnell ... Barbara Waggoman
Alex Nicol ... Dave Waggoman
Aline MacMahon ... Kate Canady
Wallace Ford ... Charley O'Leary

Jack Elam ... Chris Boldt
John War Eagle ... Frank Darrah
James Millican ... Tom Quigby
Gregg Barton ... Fritz
Boyd Stockman ... Spud Oxton
Frank DeKova ... Padre
rest of cast listed alphabetically:
Jack Carry ... Mule driver (uncredited)
Bill Catching ... Mule driver (uncredited)
Frank Cordell ... Mule driver (uncredited)
Frosty Royce ... Mule driver (uncredited)
Eddy Waller ... Dr. Selden (uncredited)
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Directed by
Anthony Mann 
 
Writing credits
Philip Yordan (screenplay) &
Frank Burt (screenplay)

Thomas T. Flynn (Saturday Evening Post story)

Produced by
William Goetz .... producer (uncredited)
 
Original Music by
George Duning 
 
Cinematography by
Charles Lang 
 
Film Editing by
William A. Lyon  (as William Lyon)
 
Art Direction by
Cary Odell 
 
Set Decoration by
James Crowe 
 
Makeup Department
Clay Campbell .... makeup artist
Helen Hunt .... hair stylist
 
Second Unit Director or Assistant Director
William Holland .... assistant director
 
Sound Department
George Cooper .... sound
John P. Livadary .... recording supervisor (as John Livadary)
 
Stunts
Bill Catching .... stunts (uncredited)
Frank Cordell .... stunts (uncredited)
Harry Froboess .... stunts (uncredited)
Ted Mapes .... stunts (uncredited)
Chuck Roberson .... stunts (uncredited)
Boyd Stockman .... stunts (uncredited)
Jack N. Young .... stunts (uncredited)
 
Music Department
Arthur Morton .... orchestrator
Morris Stoloff .... conductor
 
Other crew
Henri Jaffa .... technicolor color consultant
 
Crew verified as complete


Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
104 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
4-Track Stereo (RCA Sound Recording)
Certification:

Fun Stuff

Trivia:
The last of James Stewart's Western collaborations with Anthony Mann. more
Goofs:
Factual errors: Two of Dave's men are holding Lockhart as Dave prepares to shoot Lockhart's hand. One of the two men is in the direct line of fire, and since Dave is shooting Lockhart's hand at point blank range, the bullet would have gone through his hand and struck Dave's henchman. more
Quotes:
[first lines]
Will Lockhart: Whoa! Whoa! Whoa. We'll camp here for the night.
Charley O'Leary: We can go a coupla more miles 'fore sundown.
Will Lockhart: We'll camp here!
Charley O'Leary: You're the boss.
more
Movie Connections:
Referenced in La boum (1980) more
Soundtrack:
The Man From Laramie more

FAQ

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4 out of 4 people found the following review useful.
Great Western, 7 November 2005
9/10
Author: panamint from United States

In the western genre, this movie is a "9". A good tale of the old west (Westerns seem to be better if they are plotted strongly, but not over-plotted). Many a western has been ruined by too much plot. Not this one.

The cinematography of New Mexico is perfect, wide-screen and sweeping. It captures the bigness of the western landscape which is a plus in this film based on ranching. Other westerns (Eastwood's mining-based film "Pale Rider" for example) really don't need vast sweeping landscapes.

The acting, direction, production values are all very good. The musical score is dated and not great, but at least it has a western theme.

There is one oddity you might notice about the female characters. The contrast between how the Aline McMahon and the Cathy O'Donnell parts are developed is extreme. McMahon is fortunate to have a great role, but O'Donnell's role is under-developed and kind of empty. Not O'Donnell's fault but it's just how the role is written. I wonder how the same writer can create an interesting, well-written female role but leave the other one so bland?

Action-packed but also the psychological aspects keep you really interested in the story.

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