IMDb > The Man from Laramie (1955)
The Man from Laramie
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The Man from Laramie (1955) More at IMDbPro »

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The Man from Laramie (1955) -- A stranger defies the local cattle baron and his sadistic son by working for one of his oldest rivals.

Overview

User Rating:
7.4/10   2,549 votes
MOVIEmeter: ?
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Director:
Anthony Mann
Writers:
Philip Yordan (screenplay) &
Frank Burt (screenplay) ...
(more)
Contact:
View company contact information for The Man from Laramie on IMDbPro.
Release Date:
31 August 1955 (USA) more
Genre:
Mystery | Western more
Tagline:
THE MAN You'll Never Forget! more
Plot:
A stranger defies the local cattle baron and his sadistic son by working for one of his oldest rivals. full summary | add synopsis
Plot Keywords:
more
User Comments:
The Mann from Laramie. more (45 total)

Cast

  (in credits order) (verified as complete)

James Stewart ... Will Lockhart
Arthur Kennedy ... Vic Hansbro
Donald Crisp ... Alec Waggoman
Cathy O'Donnell ... Barbara Waggoman
Alex Nicol ... Dave Waggoman
Aline MacMahon ... Kate Canady
Wallace Ford ... Charley O'Leary

Jack Elam ... Chris Boldt
John War Eagle ... Frank Darrah
James Millican ... Tom Quigby
Gregg Barton ... Fritz
Boyd Stockman ... Spud Oxton
Frank DeKova ... Padre
rest of cast listed alphabetically:
Jack Carry ... Mule driver (uncredited)
Bill Catching ... Mule driver (uncredited)
Frank Cordell ... Mule driver (uncredited)
Frosty Royce ... Mule driver (uncredited)
Eddy Waller ... Dr. Selden (uncredited)
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Directed by
Anthony Mann 
 
Writing credits
Philip Yordan (screenplay) &
Frank Burt (screenplay)

Thomas T. Flynn (Saturday Evening Post story)

Produced by
William Goetz .... producer (uncredited)
 
Original Music by
George Duning 
 
Cinematography by
Charles Lang 
 
Film Editing by
William A. Lyon  (as William Lyon)
 
Art Direction by
Cary Odell 
 
Set Decoration by
James Crowe 
 
Makeup Department
Clay Campbell .... makeup artist
Helen Hunt .... hair stylist
 
Second Unit Director or Assistant Director
William Holland .... assistant director
 
Sound Department
George Cooper .... sound
John P. Livadary .... recording supervisor (as John Livadary)
 
Stunts
Bill Catching .... stunts (uncredited)
Frank Cordell .... stunts (uncredited)
Harry Froboess .... stunts (uncredited)
Ted Mapes .... stunts (uncredited)
Chuck Roberson .... stunts (uncredited)
Boyd Stockman .... stunts (uncredited)
Jack N. Young .... stunts (uncredited)
 
Music Department
Arthur Morton .... orchestrator
Morris Stoloff .... conductor
 
Other crew
Henri Jaffa .... technicolor color consultant
 
Crew verified as complete


Production CompaniesDistributorsOther Companies
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Additional Details

Runtime:
104 min
Country:
USA
Language:
English
Color:
Color (Technicolor)
Aspect Ratio:
2.35 : 1 more
Sound Mix:
4-Track Stereo (RCA Sound Recording)
Certification:
Iceland:16 | Hungary:14 | Norway:16 | West Germany:12 (nf) | Australia:PG | Canada:G (Quebec) | Canada:PG (Ontario) | Finland:K-16 | UK:U | USA:Approved (certificate #17217)

Fun Stuff

Trivia:
The last of James Stewart's Western collaborations with Anthony Mann. more
Goofs:
Continuity: When Lockhart first encounters Dave at the salt flats, Dave fires his gun several times and we hear mules squealing as if in pain; Vic later states that Dave killed twelve of his mules, but even when all the characters exit the scene in long shot, there is not one dead mule visible, much less twelve. more
Quotes:
[first lines]
Will Lockhart: Whoa! Whoa! Whoa. We'll camp here for the night.
Charley O'Leary: We can go a coupla more miles 'fore sundown.
Will Lockhart: We'll camp here!
Charley O'Leary: You're the boss.
more
Movie Connections:
Referenced in La boum (1980) more
Soundtrack:
The Man From Laramie more

FAQ

This FAQ is empty. Add the first question.
7 out of 7 people found the following comment useful.
The Mann from Laramie., 11 February 2004
8/10
Author: dbdumonteil

Another solid western by a man who gave some of the best works of the whole genre (the naked spur, cimarron,etc).This is the story of a double search:Stewart is looking for the man who's responsible for his brother 's death.Crisp is afraid of a man who might possibly kill his son:he has a recurrent dream which frightens him .Little by little the two stories converge and make one in one of the most brilliant western screenplays of the fifties.The dreamlike touch gives a movie another dimension,which only great directors can conjure :Walsh,Ford ,Daves,or of course Mann.

The characters are more complex than we thought at first sight,and the cliché of the old wealthy man with a son -black-sheep-of-the-family and an almost- adoptive- son-good-boy is avoided.Alex Nicol and Arthur Kennedy give strong nervous tortured portrayals which almost outshine star Stewart.Crisp is equally effective in the part of a man who tries not to face the truth -which may be the meaning of his premonitory dream-,and will finally see it when he is blind.The lead female part is the weakest link of the movie ,but Aline MacMahon's colorful Kate more than makes up for Cathy O'Donnell's blandness.

I had seen this movie for the first time when I was 13.I saw it again yesterday.It has not aged a bit.

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