| Photos (see all 4 | slideshow) |
| Randolph Scott | ... | Marshal Calem Ware | |
| Angela Lansbury | ... | Tally Dickenson | |
| Warner Anderson | ... | Hamer Thorne | |
| Jean Parker | ... | Cora Dean | |
| Wallace Ford | ... | Dr. Amos Wynn | |
| John Emery | ... | Cody Clark | |
| James Bell | ... | Asaph Dean | |
| Ruth Donnelly | ... | Molly Higgins | |
| Michael Pate | ... | Harley Baskam | |
| Don Megowan | ... | Dooley Brion | |
| Jeanette Nolan | ... | Mrs. Dingo Brion | |
| rest of cast listed alphabetically: | |||
| Harry Antrim | ... | Mayor Kent (uncredited) | |
| Stanley Blystone | ... | Rancher (uncredited) | |
| Barry Brooks | ... | (uncredited) | |
| Don Carlos | ... | Juan Tobrez (uncredited) | |
| Edwin Chandler | ... | Man (uncredited) | |
| G. Pat Collins | ... | Gambler (uncredited) | |
| Hal K. Dawson | ... | Hotel Clerk (uncredited) | |
| Frank Ferguson | ... | Abe Deland (uncredited) | |
| Frank Hagney | ... | Dingo Brion (uncredited) | |
| Reed Howes | ... | Townsman (uncredited) | |
| Jay Lawrence | ... | Townsman (uncredited) | |
| Kermit Maynard | ... | Townsman at stage coach (uncredited) | |
| Frank O'Connor | ... | Townsman in front row (uncredited) | |
| Peter Ortiz | ... | Hiram Hayes (uncredited) | |
| Frank J. Scannell | ... | Bartender (uncredited) | |
| Guy Teague | ... | Townsman (uncredited) | |
| Harry Tyler | ... | Tony Cabillo, the Barber (uncredited) | |
| Charles Williams | ... | Mr. Willis (uncredited) | |
Directed by | |||
| Joseph H. Lewis | |||
Writing credits | ||
| Kenneth Gamet | (screenplay) | |
| Brad Ward | (story) | |
Produced by | |||
| Harry Joe Brown | .... | producer | |
| Randolph Scott | .... | associate producer | |
Original Music by | |||
| Paul Sawtell | |||
Cinematography by | |||
| Ray Rennahan | (director of photography) | ||
Film Editing by | |||
| Gene Havlick | |||
Art Direction by | |||
| George Brooks | |||
Set Decoration by | |||
| Frank Tuttle | |||
Second Unit Director or Assistant Director | |||
| Abby Singer | .... | assistant director (as Abner E. Singer) | |
Sound Department | |||
| Frank Goodwin | .... | sound | |
| John P. Livadary | .... | recording supervisor (as John Livadary) | |
| John P. Livadary | .... | sound engineer (uncredited) | |
Stunts | |||
| Guy Teague | .... | stunt double: Randolph Scott (uncredited) | |
Music Department | |||
| Paul Sawtell | .... | conductor | |
Other crew | |||
| Jerry Antes | .... | choreographer | |
| David Breen | .... | assistant to producer | |
| Henri Jaffa | .... | technicolor color consultant | |
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| Fighting Man of the Plains | Jesse James Rides Again | The James Brothers of Missouri | Arizona Gang Busters | Last of the Desperados |
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| Full cast and crew | Company credits | External reviews |
| IMDb Western section | IMDb USA section | Add this title to MyMovies |
Sort of an early "Unforgiven" in some ways. Also similar to director Lewis' "Terror in a Texas Town" though thankfully not as goofy or campy. You get a real sense of the wild west slowly being tamed, of it making the uneasy transition from a violent, lawless land to a reasonably civilized place where law and order stand a chance. I liked Randolph Scott's metaphor for the town, that it's like a wild animal that keeps getting kicked, and sooner or later it's going to do more than just snarl and growl miserably; it's going to bite back.
Scott makes a good, twinkle-eyed loner hero and Angela Lansbury is quite attractive as his leggy showgirl love interest, (though she would begin playing mothers of grown children just a few years later) but their romance is rather obligatory and uninspired. Both the villains are effective, Warner Anderson as the unscrupulous (what else?)womanizing businessman and Michael Pate as the sinister gloved gunman (Lewis seems to have a thing about gunman wearing gloves). Anderson's line deliveries are extremely flat and matter of fact, which just makes him that much more detestable somehow. He's like a greed machine, no heart, no emotion whatsoever.
At first glance this may seem like no more than just another passable western, but it's got some meat on its bones. And Lewis really shines when it comes to building the suspense leading up to the inevitable bar room showdown between the bad guy and the good.