| Toshirô Mifune | ... | Kiichi Nakajima | |
| Takashi Shimura | ... | Domestic Court Counselor Dr. Harada | |
| Minoru Chiaki | ... | Jiro Nakajima | |
| Eiko Miyoshi | ... | Toyo Nakajima | |
| Kyôko Aoyama | ... | Sue Nakajima | |
| Haruko Togo | ... | Yoki Nakajima | |
| Noriko Sengoku | ... | Kimie Nakajima | |
| Akemi Negishi | ... | Asako Kuribayashi | |
| Hiroshi Tachikawa | ... | Ryoichi Sayama | |
| Kichijiro Ueda | ... | Mr. Kuribayashi father | |
| Eijirô Tôno | ... | Old man from Brazil | |
| Yutaka Sada | ... | Ichiro Nakajima | |
| Kamatari Fujiwara | ... | Okamoto | |
| Ken Mitsuda | ... | Judge Araki | |
| Masao Shimizu | ... | Yamazaki, Yoshi's husband (as Gen Shimizu) | |
| Atsushi Watanabe | ... | Factory Worker Ishida | |
| Kiyomi Mizunoya | ... | Satoko | |
| Toranosuke Ogawa | ... | Hori, the lawyer | |
| Nobuo Nakamura | ... | Psychologist | |
| Bokuzen Hidari | ... | Landowner | |
| Saoko Yonemura | ... | Taeko | |
| Yoshio Tsuchiya | ... | Factory Worker After Fire | |
| Akira Tani | ... | Chunky Jailbird | |
| Kokuten Kodo | ... | Workers' Older Family Member | |
| Kazuo Kato | ... | Susumu | |
| Senkichi Ômura | ... | Skinny Jailbird | |
| rest of cast listed alphabetically: | |||
| Fumiko Honma | ... | Family member of workers (uncredited) | |
| Kyoro Sakurai | ... | Worker at factory (uncredited) | |
Directed by | |||
| Akira Kurosawa | |||
Writing credits(in alphabetical order) | ||
| Shinobu Hashimoto | writer | |
| Fumio Hayasaka | story | |
| Akira Kurosawa | story | |
| Hideo Oguni | writer | |
Produced by | |||
| Sôjirô Motoki | .... | producer | |
Original Music by | |||
| Masaru Satô | (uncredited) | ||
Cinematography by | |||
| Asakazu Nakai | |||
Production Design by | |||
| Yoshirô Muraki | |||
Costume Design by | |||
| Miyuki Suzuki | |||
Makeup Department | |||
| Sadako Okada | .... | hair stylist | |
| Junjiro Yamada | .... | hair designer | |
Production Management | |||
| Hiroshi Nezu | .... | in charge of production | |
Second Unit Director or Assistant Director | |||
| Hisanobu Marubayashi | .... | chief assistant director | |
| Takeo Nakamura | .... | assistant director | |
| Samaji Nonagase | .... | assistant director | |
| Ken Sano | .... | assistant director | |
| Yasuyoshi Tajitsu | .... | assistant director | |
Art Department | |||
| Oyako Kato | .... | assistant art director | |
| Kiyoshi Toda | .... | property master | |
Sound Department | |||
| Ichirô Minawa | .... | sound effects editor | |
| Fumio Yanoguchi | .... | sound recordist | |
Camera and Electrical Department | |||
| Masao Fukuda | .... | still photographer | |
| Shozo Hada | .... | assistant lighting technician | |
| Kuichiro Kishida | .... | lighting technician | |
| Takao Saitô | .... | assistant camera | |
Editorial Department | |||
| Chozo Kobata | .... | negative cutter | |
Music Department | |||
| Hachiro Matsui | .... | composer: song "Cherry Pink Mambo" | |
| Masaru Satô | .... | conductor (uncredited) | |
| Masaru Satô | .... | orchestrator (uncredited) | |
Other crew | |||
| Teruyo Nogami | .... | script supervisor | |
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| Kaidan | Rashômon | Tora! Tora! Tora! | Kumonosu-jou | Tôkyô monogatari |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
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I felt I had to post because this film, not one of my favorites by Kurosawa but still a one of quality and intelligence, keeps getting bashed by reviewers. The low score (compared to other Kurosawa films) shouldn't discourage potential viewers. Granted, this film takes more patience than some of his other films. However, the subject matter of the atomic bomb and how Japanese society and individuals deal I thought was very seminal. The whole concept of fear is deeply imbued into the film and it questions the sanity of the viewer and the world who live under the constant threat of universal destruction with ignorant self-assurance. The ideas are intelligent and presented with clarity. This film is complete and good in itself and doesn't need to rely on the name of Kurosawa to justify itself. Not a good Kurosawa film to start off with if one is trying to nurse an interest in his fecund movies but a good movie to watch nonetheless particularly if one is at all curious about how Japanese people feel about the horror of the atomic bomb.