I Am a Camera (1955)

User Rating:

6.8/10   

Director:

Henry Cornelius

Writers:

Christopher Isherwood (book)
John Van Druten (play)

Release Date:

2 December 1955 (Belgium)

Genre:

Drama

Tagline:

There are two points of view about SEX and " I Am a Camera" takes both of them!

Plot:

In the early thirties, aspiring writer Christopher Isherwood, living in Berlin, meets the vivacious...

Plot Keywords:

Based On Play | Based On Book

Awards:

Nominated for BAFTA Film Award.

Cast

Julie Harris	...	Sally Bowles
Laurence Harvey	...	Christopher Isherwood
Shelley Winters	...	Natalia Landauer
Ron Randell	...	Clive
Lea Seidl	...	Fräulein Schneider
Anton Diffring	...	Fritz Wendel
Ina De La Haye	...	Herr Landauer
Jean Gargoet	...	Pierre
Stanley Maxted	...	Editor
Alexis Bobrinskoy	...	Proprietor (Troika)
André Mikhelson	...	Head Waiter (Troika)
Frederick Valk	...	Doctor
Tutte Lemkow	...	Electro-Therapist
Patrick McGoohan	...	Swedish Water Therapist
Julia Arnall	...	Model

Runtime:

USA:98 min

Country:

UK

Language:

English

Color:

Black and White

Sound Mix:

Mono

Certification:

Finland:K-16 | Sweden:15

Company:

Romulus Films

Trivia:

Julie Harris won the 1952 Tony Award (New York City) for Actress in a Drama for "I am a Camera" and recreated the role in the movie version.

Goofs:

Anachronisms: While most of film is a flashback set in early Thirties, all of the costumes and hairstyles are straight out of the early Fifties.

Movie Connections:

Referenced in "Mystery Science Theater 3000: Future War (#11.4)" (1999)

Soundtrack:

Ich hab' noch einen Koffer in Berlin

Sally Bowles before Cabaret

This film was inexplicably made in England, and though there is some staginess - noticably in the yelling of some of the actors - director Henry Cornelius provides some clever imagery eg the decadence of the Berlin nightclub by a piglet and two smashing beerglasses, and Christopher standing at a window in the past bringing out us out of the narrative flashback. It also features a remarkable hotel party setpiece.

The infamous role of Sally Bowles is written as a pretentious innocent, and the knowledge that Isherwood was gay feeds into the notion of Sally as a coded drag queen, or at least, an effeminate gay man. The screenplay is full of gay subtext eg Christopher's narcissism demonstrated in his lotions and weights and boufant hairstyle, Sally's descriptions of male musculature, the repeated use of sausages, Sally telling Christopher he doesn't "understand" women, his describing her sex appeal as "inadequate", the rectal thermometer, his massage, his confession that he is "not the marrying type", and fear of being "embroiled" with her. The major difference between this treatment and that of Bob Fosse's Cabaret is the Clive Mortimer character, who here is heterosexual, but would be later turned into the bisexual Max.

Julie Harris performed the role of Sally Bowles on Broadway, and one's opinion of her performance cannot help but be influenced by Liza Minnelli (as is one's opinion of the film as a piece). Harris works against her basic miscasting (she doesn't even use an English accent when we are told Sally is English) because Sally is such an artificial creation. She is like an Actors Studio version of a junior Auntie Mame, and even when her antics become tiresome, she is still far more likeable than Laurence Harvey's starched and basically asexual Christopher. Harris may not have Minnelli's street urchin vulnerability, but she has some inspired moments - posing in front of a mirror wearing a mink coat, her drunken giggling, looking behind a silk scarf, or licking milk with a wild tongue.