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Hell's Island (1955)
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Overview
User Rating:
Director:
Writers:
Martin Goldsmith (story)
Jack Leonard (story)
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Release Date:
6 May 1955 (USA) more
User Comments:
Pungent John Payne/Phil Karlson duo team up for last time more (1 total)
Cast
(Complete credited cast) | John Payne | ... | Mike Cormack |
| Mary Murphy | ... | Janet Martin |
| Eduardo Noriega | ... | Inspector Peña |
| Francis L. Sullivan | ... | Barzland |
| Arnold Moss | ... | Paul Armand |
| Paul Picerni | ... | Eduardo Martin |
| Walter Reed | ... | Lawrence |
| Pepe Hern | ... | Lalo (the bellhop) |
| Robert Cabal | ... | Miguel (the houseboy) |
| Sándor Szabó | ... | Johann Torbig |
Additional Details
Also Known As:
South Sea Fury (USA) (reissue title)
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Parents Guide:
Runtime:
USA:84 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Mono (Western Electric Recording)
Certification:
Company:
Fun Stuff
Quotes:
Mike Cormack: I've been beaten, badgered, hit over the head, and mixed up in three killings, and believe me, I'm going to find out why. more
Movie Connections:
Referenced in Mau Mau Sex Sex (2001) more
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Related Links
| Full cast and crew | Company credits | IMDb Film-Noir section |
| IMDb USA section | Add this title to MyMovies |
After 99 River Street and Kansas City Confidential, world-weary bruiser John Payne teams up with director Phil Karlson for Hell's Island, this time in VistaVision (Payne apparently had the foresight to see that television would become a profitable market for color films). After being jilted, Payne drank himself out of a job in the L.A. district attorney's office and now serves as bouncer in a Vegas casino. A wheelchair-bound stranger (Francis L. Sullivan) engages him to locate a ruby that disappeared in a Caribbean plane crash; the bait is that it may be in the possession of the woman (Mary Murphy) who jilted him. Payne flies off to Santo Rosario and into a web of duplicity at whose center Murphy waits (she does the "femme" better than she does the "fatale," however). There's a splendid moment when she shuts up her doors and draws the curtains on the memory of her rich busband, now in a penal colony across the subtropical waters for supposedly causing the deadly crash. The movie's texture is spun from Payne's carrying a torch that fails to illuminate the amplitude of clues and warning signals all around him. Professionally done if not especially memorable, Hell's Island remains an enjoyable color noir -- the Payne/Karlson combo rarely disappoints.