Guys and Dolls (1955/I)

User Rating:

7.2/10   

Director:

Joseph L. Mankiewicz

Writers:

Jo Swerling (book) and
Abe Burrows (book) ...

Release Date:

16 January 1956 (Brazil)

Genre:

Musical | Comedy | Romance | Crime

Plot:

In New York, a gambler is challenged to take a cold female missionary to Havana, but they fall for each other, and the bet has a hidden motive to finance a crap game.

Plot Keywords:

Gambler | Bet | Craps | Mission | Missionary

Awards:

Nominated for 4 Oscars. Another 2 wins & 3 nominations

Cast

Marlon Brando	...	Sky Masterson
Jean Simmons	...	Sergeant Sarah Brown
Frank Sinatra	...	Nathan Detroit
Vivian Blaine	...	Miss Adelaide
Robert Keith	...	Lt. Brannigan
Stubby Kaye	...	Nicely-Nicely Johnson
B.S. Pully	...	Big Jule
Johnny Silver	...	Benny Southstreet
Sheldon Leonard	...	Harry the Horse
Danny Dayton	...	Rusty Charlie (as Dan Dayton)
George E. Stone	...	Society Max
Regis Toomey	...	Arvide Abernathy
Kathryn Givney	...	General Cartwright
Veda Ann Borg	...	Laverne
Mary Alan Hokanson	...	Agatha

Runtime:

150 min | 152 min (with overture and exit music)

Country:

USA

Language:

English

Color:

Color (Eastmancolor)

Aspect Ratio:

2.55 : 1

Sound Mix:

4-Track Stereo (Western Electric Sound System) (magnetic prints) | Mono (optical prints)

Certification:

Brazil:Livre | West Germany:12 | Australia:G | Finland:K-12 | Sweden:15 | USA:Approved (PCA #17617) | USA:Passed (National Board of Review) | Australia:PG (cable rating)

Filming Locations:

Samuel Goldwyn/Warner Hollywood Studios - 1041 N. Formosa Avenue, Hollywood, Los Angeles, California, USA

Company:

Samuel Goldwyn Company, The

Trivia:

Marilyn Monroe wanted to play Adelaide, but director Joseph L. Mankiewicz didn't want to work with her again (she appeared briefly in All About Eve (1950)) and supposedly pretended he never got her phone messages. Betty Grable was in talks to play Adelaide but when she canceled on the director to be with her sick dog, she was dropped. Judy Holliday was also briefly considered for the role.

Goofs:

Continuity: When Nathan and Adelaide are in the restaurant, Adelaide sneezes and raises her hand to her nose. In the next shot, she is holding a handkerchief in her hand which wasn't there before.

Quotes:

Sky Masterson: You know, I imagine there's only one thing that's been in as many different hotel rooms as I have: the Gideon Bible. Don't tangle with me on the Good Book. I must've read it through at least a dozen times.
Sergeant Sarah Brown: If all that was no help to you...

Movie Connections:

Featured in AFI's 100 Years... 100 Songs (2004) (TV)

Soundtrack:

Exit Music

Times Square according to Damon Runyon

Damon Runyon's world of Times Square, in New York, prior to its Disneyfication, is the basis for this musical. Joseph L. Mankiewicz, a man who knew about movies, directed this nostalgic tribute to the "crossroads of the world" that show us that underside of New York of the past. Frank Loesser's music sounds great. We watch a magnificent cast of characters that were typical of the area. People at the edges of society tended to gravitate toward that area because of the lights, the action, the possibilities in that part of town. This underbelly of the city made a living out of the street life that was so intense.

Some of the songs from the original production were not included in the film. We don't know whether this makes sense, but this is not unusual for a Hollywood musical to change and alter what worked on the stage. That original cast included the wonderful Vivian Blaine and Stubby Kaye, and we wonder about the decision of not letting Robert Alda, Sam Levene, Isabel Bigley repeat their original roles. These were distinguished actors that could have made an amazing contribution.

The film, visually, is amazing. The look follows closely the fashions of the times. As far as the casting of Marlon Brando, otherwise not known for his singing abilities, Frank Sinatra and Jean Simmons, seem to work in the film. Sky Masterson is, after all, a man's man, who would look otherwise sissy if he presented a different 'look'. Frank Sinatra is good as Nathan Detroit. Jean Simmons, as Sarah Brown, does a nice job portraying the woman from the Salvation Army who suddenly finds fulfillment with the same kind of man she is trying to save.

Vivian Blaine is a delight. She never ceases to amaze as Miss Adelaide, a woman with a heart of gold who's Nathan Detroit's love interest. Ms. Blaine makes a fantastic impression as the show girl who is wiser than she lets out to be. Stubby Kaye makes a wonderful job out of reprising his Nicely Nicely Johnson.

The wonderful production owes a lot to the talented Abe Burrows, who made the adaptation to the screen. The costumes by Irene Sharaff set the right tone.