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Cult of the Cobra (1955)
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Overview
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Release Date:
5 August 1955 (Finland) moreTagline:
Can a woman's beauty be changed to a thing of terror?Plot:
While stationed in Asia, six American G.I.'s witness the secret ritual of Lamians (worshipers of women who can change into serpents)... more | add synopsisUser Comments:
A Reptile Dysfunction/Imperialism Gets Bit! moreCast
(Cast overview, first billed only)| Faith Domergue | ... | Lisa Moya | |
| Richard Long | ... | Paul Able | |
| Marshall Thompson | ... | Tom Markel | |
| Kathleen Hughes | ... | Julia Thompson | |
| William Reynolds | ... | Pete Norton | |
| Jack Kelly | ... | Carl Turner | |
| Myrna Hansen | ... | Marian Sheehan | |
| David Janssen | ... | Rico Nardi | |
| Leonard Strong | ... | Daru | |
| James Dobson | ... | Cpl. Nick Hommel | |
| Walter Coy | ... | Police Inspector | |
| Carlsson | ... | Cult Dancer (as The Carlssons) | |
| Carlsson | ... | Cult Danceuse (as The Carlssons) | |
| Olan Soule | ... | Major Martin Fielding | |
| Helen Wallace | ... | Mrs. Webber |
Additional Details
Parents Guide:
Add content advisory for parentsRuntime:
82 minCountry:
USALanguage:
EnglishColor:
Black and WhiteAspect Ratio:
1.85 : 1 moreSound Mix:
Mono (Western Electric Recording)Fun Stuff
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Mari Blanchard started the film, but was replaced after a few days' shooting by Faith Domergue. moreFAQ
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I and my friends have viewed this film more than a few times since first seeing it about two years ago. We find it fascinating, because - like many "cheap" productions - it has unconscious psychological/cultural elements that make it timelessly significant and - frankly - as entertaining as hell.
One of the large themes coursing through the film is American imperialism, as it manifests itself in the GIs' callous disregard of local religious customs, and the subsequent defilement of a temple by theft. Needless to say, vengeance is forthcoming in the guise of a cobra/woman. These things happen...
Once this avenger has come to the U.S. the boorish behavior of the men continues, their imperialism now rendered down to mere sexual aggressiveness: one of the men finds it perfectly okay to go into a woman's apartment while she's out and camp on the couch.
Men die, and one shouldn't forget they EARNED it. And the very ending is a psycho-sexual gem, which prompts one to rename the film "Omigod, I Screwed A Snake." The man who skulks away will not be showing his face in any society for a long, long time.