There's No Business Like Show Business (1954)

User Rating:

6.6/10   

Director:

Walter Lang

Writers:

Phoebe Ephron (screenplay) and
Henry Ephron (screenplay) ...
(more)

Release Date:

16 December 1954 (USA)

Genre:

Comedy | Drama | Musical | Romance

Plot:

Molly and Terry Donahue, plus their three children, are The Five Donahues. Son Tim meets hat-check girl Vicky and the family act begins to fall apart.

Plot Keywords:

Hat Check Girl | Father Son Relationship | Automobile | Musical Revue | Reunion

Awards:

Nominated for 3 Oscars. Another 1 nomination

US TV Schedule:

Tue. Nov. 10

4:45 AM

AMC

Cast

Ethel Merman	...	Molly Donahue
Donald O'Connor	...	Tim Donahue
Marilyn Monroe	...	Vicky
Dan Dailey	...	Terence Donahue
Johnnie Ray	...	Steve Donahue
Mitzi Gaynor	...	Katy Donahue
Richard Eastham	...	Lew Harris
Hugh O'Brian	...	Charles Biggs
Frank McHugh	...	Eddie Dugan, Vicky's Agent
Rhys Williams	...	Father Dineen
Lee Patrick	...	Marge
Eve Miller	...	Hat check girl
Robin Raymond	...	Lillian Sawyer
rest of cast listed alphabetically:
Dorothy Abbott	...	Show Girl (uncredited)
Charlotte Austin	...	Lorna (uncredited)
George Chakiris	...	Dancer (uncredited)
John Doucette	...	Stage manager (uncredited)
Elaine DuPont	...	(uncredited)
Isabelle Dwan	...	Sophie Tucker (uncredited)
Mimi Gibson	...	Katy Donahue (age 4) (uncredited)
Donald Kerr	...	Bobby Clark (uncredited)
Jimmie Maddin	...	Bandleader (uncredited)
Matt Mattox	...	Featured Dancer (uncredited)
Buzz Miller	...	Dancer (uncredited)
Ron Nyman	...	Sailor with Tattoos (uncredited)
Mary Stewart	...	Fun House Witch (uncredited)

Directed by
Walter Lang

Writing credits
Phoebe Ephron		(screenplay) and
Henry Ephron		(screenplay)
Lamar Trotti		(story)

Produced by
Sol C. Siegel	....	producer

Original Music by
Earle Hagen		(uncredited)
Bernard Mayers		(uncredited)
Alfred Newman		(uncredited)
Lionel Newman		(uncredited)
Hal Schaefer		(uncredited)
Herbert W. Spencer		(uncredited)

Cinematography by
Leon Shamroy

Film Editing by
Robert L. Simpson		(as Robert Simpson)

Art Direction by
John DeCuir		(as John De Cuir)
Lyle R. Wheeler		(as Lyle Wheeler)

Set Decoration by
Stuart A. Reiss		(as Stuart Reiss)
Walter M. Scott

Costume Design by
Travilla
Miles White

Makeup Department
Ben Nye	....	makeup artist
Helen Turpin	....	hair stylist
Allan Snyder	....	makeup artist: Miss Monroe (uncredited)

Second Unit Director or Assistant Director
Ad Schaumer	....	assistant director

Sound Department
Murray Spivack	....	sound
E. Clayton Ward	....	sound
Donald C. Rogers	....	playback operator (uncredited)

Special Effects by
Ray Kellogg	....	special photographic effects

Camera and Electrical Department
Clyde Taylor	....	gaffer (uncredited)

Costume and Wardrobe Department
Charles Le Maire	....	wardrobe director
Sam Benson	....	wardrobe (uncredited)

Editorial Department
Leonard Doss	....	color consultant

Music Department
Robert Alton	....	dances and musical numbers staged by
Irving Berlin	....	lyricist
Ken Darby	....	music arranger: vocals
Ken Darby	....	vocal supervisor
Earle Hagen	....	orchestrator
Bernard Mayers	....	orchestrator
Alfred Newman	....	conductor
Alfred Newman	....	music supervisor
Lionel Newman	....	conductor
Lionel Newman	....	music supervisor
Edward B. Powell	....	orchestrator (as Edward B.Powell)
Hal Schaefer	....	music arranger: vocals
Herbert W. Spencer	....	orchestrator (as Herbert Spencer)

Other crew
Darryl F. Zanuck	....	presenter
Hal Bell	....	assistant choreographer (uncredited)
Jack Cole	....	choreographer (uncredited)

Production Companies

• Twentieth Century-Fox Film Corporation

Distributors

• Twentieth Century-Fox Film Corporation (1954) (USA) (theatrical)
• National Broadcasting Company (NBC) (1961) (USA) (TV) (original airing) (pan/scan)
• 20th Century Fox Home Entertainment (Brazil) (DVD)
• 20th Century Fox Home Entertainment (2001) (USA) (VHS) (pan/scan)
• Twentieth Century Fox Home Entertainment (2001) (USA) (DVD)

Also Known As:

Irving Berlin's There's No Business Like Show Business (UK) (complete title) (USA) (complete title)

Runtime:

117 min

Country:

USA

Language:

English

Color:

Color

Aspect Ratio:

2.55 : 1

Sound Mix:

Mono (optical prints) | 4-Track Stereo (Western Electric Recording) (magnetic prints)

Certification:

Australia:PG | Iceland:L | Canada:G (video rating) | Finland:S | UK:U | USA:Approved (PCA #17074) | West Germany:12

Company:

Twentieth Century-Fox Film Corporation

Trivia:

During the making of the CD, it was discovered that half the "Play a Simple Melody" duet was deteriorated beyond repair, with the result that Ethel Merman is credited on the CD label with singing with a "temporary vocal double for Dan Dailey". However, the non-stereo version was intact and was added to the CD as well - they are tracks Fourteen and Fifteen.

Goofs:

Continuity: On the billboard on opening night the Donohue daughter's name is spelled "Katie"; on the poster for "34th week" it is spelled "Katy".

Quotes:

Molly Donahue: You start worrying about your kids the day they're born, and you never stop. Even after they bury you, I bet you never stop worrying.

Movie Connections:

Referenced in "Step by Step: No Business Like Show Business (#2.16)" (1993)

Soundtrack:

Simple Melody

Good, Could've Been Great

Contrary to what a lot of people seem to think of this film, my biggest complaint with it is Marilyn Monroe. The studio shoehorned her into this film in their attempt to make the biggest musical extravaganza ever, and she just doesn't fit. She's so out of sync with the other characters that she might as well be from a different planet.

Don't get me wrong. I'm not a huge Marilyn fan, but she was good (and well-cast) in "Some Like It Hot". She's just all wrong for "No Business Like Show Business", and she looks and sounds ridiculous.

To be fair, Johnnie Ray often doesn't hold up well before modern audiences, either, when he sings. It's not that he's bad; it's that his style has come and gone and hardly been seen since. Everything in this movie tends to be at least a little overdone, and asking Johnnie Ray to exaggerate his singing does not produce flattering results.

Still, Donald O'Connor and Mitzi Gaynor are as brilliant and exuberant as you could hope. Ethel Merman is, well, Ethel Merman, and exactly right for her part. Dan Dailey is like a reliable locomotive that never disappoints.

The story is a bit plodding at times, but it only exists to set up one gala musical number after another. It only really bogs down when it gets caught up with Marilyn's character. If the studio had just left Marilyn out of it, perhaps giving Mitzi Gaynor the love interest role, and toned down the general effort level just a hair, this would've been one of the all-time greats.

It's still absolutely worth seeing -- in widescreen format, if you possibly can.