| Photos (see all 3 | slideshow) |
| Kinuyo Tanaka | ... | Tamaki | |
| Yoshiaki Hanayagi | ... | Zushiô | |
| Kyôko Kagawa | ... | Anju | |
| Eitarô Shindô | ... | Sanshô dayû | |
| Akitake Kôno | ... | Taro | |
| Masao Shimizu | ... | Masauji Taira | |
| Ken Mitsuda | ... | Prime Minister Fujiwara | |
| Kazukimi Okuni | ... | Norimura | |
| Yôko Kosono | ... | Kohagi | |
| Noriko Tachibana | ... | Namiji | |
| Ichirô Sugai | ... | Minister of Justice | |
| Teruko Omi | ... | Nakagimi | |
| Masahiko Kato | ... | Young Zushio | |
| Keiko Enami | ... | Young Anju | |
| Bontarô Akemi | ... | Kichiji | |
| Chieko Naniwa | ... | Ubatake | |
| Kikue Môri | ... | Priestess | |
| Ryosuke Kagawa | ... | Ritsushi Kumotake | |
| Kanji Koshiba | ... | Kaikudo Naito | |
| Shinobu Araki | ... | Sadaya | |
| Reiko Kongo | ... | Shiono | |
| Shozo Nanbu | ... | Masasue Taira | |
| Ryonosuke Azuma | ... | Landlord | |
| Saburo Date | ... | Kimpei | |
| Sumao Ishihara | ... | Yakko | |
| Ichirô Amano | ... | Guard | |
| Yukio Horikita | ... | Jiro | |
| Hachiro Okuni | ... | Saburo Miyazaki | |
| Jun Fujikawa | ... | Kanamaru | |
| Akiyoshi Kikuno | ... | Guard | |
| Soji Shibata | ... | Sado Man | |
| Akira Shimizu | ... | Slave Trader | |
| Goro Nakanishi | ... | Guard |
Directed by | |||
| Kenji Mizoguchi | |||
Writing credits(in alphabetical order) | ||
| Ogai Mori | story "Sanshô dayû" | |
| Fuji Yahiro | writer | |
| Yoshikata Yoda | writer | |
Produced by | |||
| Masaichi Nagata | .... | producer | |
Original Music by | |||
| Fumio Hayasaka | |||
| Tamekichi Mochizuki | |||
| Kanahichi Odera | |||
Cinematography by | |||
| Kazuo Miyagawa | |||
Film Editing by | |||
| Mitsuzô Miyata | |||
Production Design by | |||
| Kisaku Ito | |||
| Shozaburo Nakajima | |||
Second Unit Director or Assistant Director | |||
| Tokuzo Tanaka | .... | assistant director | |
Camera and Electrical Department | |||
| Kenichi Okamoto | .... | gaffer | |
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| Ran | Ye yan | Ugetsu monogatari | The Ten Commandments | Water |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Japan section | Add this title to MyMovies |
I don't consider SANSHO DAYU to be the best introduction to the great Kenji Mizoguchi, but - after many viewings, I do consider it to be the best of what I've seen.
In the years after WWII, Mizoguchi's interest in period drama deepened - he ultimately was best known outside of Japan for his period dramas (jidaigeki), though his take on the historical film was highly personalized with the introduction of contemporary thematic elements, and this film is the high water mark in that development, with a detailed story exploring oppression, class structures and societal ethics.
Late in life, Mizoguchi's interest in Buddhism also expanded tremendously, which is reflected to a great degree in this film, with various sacrifices, renunciations of privilege, and familial reconciliations figuring prominently in the intricate story - notably so at SANSHO's magnificent ending.