| Videos (see all 4 NEW) |
| Akira Takarada | ... | Hideto Ogata | |
| Momoko Kôchi | ... | Emiko Yamane | |
| Akihiko Hirata | ... | Daisuke Serizawa-hakase | |
| Takashi Shimura | ... | Kyohei Yamane-hakase | |
| Fuyuki Murakami | ... | Professor Tanabe | |
| Sachio Sakai | ... | Newspaper Reporter Hagiwara | |
| Toranosuke Ogawa | ... | Nankai Shipping Company Manager | |
| Ren Yamamoto | ... | Masaji the Fisherman | |
| Miki Hayashi | ... | Chairman of Diet Committee | |
| Takeo Oikawa | ... | Chief of Emergency Headquarters | |
| Seijiro Onda | ... | Parliamentarian Oyama | |
| Tsuruko Mano | ... | Shinkichi's Mother | |
| Toyoaki Suzuki | ... | Shinkichi (Masaji's Younger Brother) | |
| Kokuten Kodo | ... | The Old Fisherman | |
| Kin Sugai | ... | Ozawa-san | |
| Tadashi Okabe | ... | Reporter Killed on Tower | |
| Ren Imaizumi | ... | Radio Operator | |
| Junpei Natsuki | ... | Power Substation Engineer | |
| Katsumi Tezuka | ... | Gojira / Hagiwara's Editor | |
| Haruo Nakajima | ... | Gojira / Power Station Worker | |
| Yasuhisa Tsutsumi | |||
| Jiro Suzuki | |||
| Saburo Iketani | ... | News Reporter | |
| rest of cast listed alphabetically: | |||
| Shizuko Higashi | ... | Partygoer | |
| Kiyoshi Kamata | ... | Partygoer's Escort | |
| Kenji Sahara | ... | Young Lover on the sound | |
| Keiji Sakakida | ... | Mayor Inada | |
| Tamae Sengo | ... | Mother | |
| Ryosaku Takasugi | |||
| Ishirô Honda | ... | Power Station Worker (The Hand that Throws the Switch) (uncredited) | |
Directed by | |||
| Ishirô Honda | |||
Writing credits(in alphabetical order) | ||
| Ishirô Honda | writer | |
| Shigeru Kayama | story | |
| Takeo Murata | writer | |
Produced by | |||
| Tomoyuki Tanaka | .... | producer | |
Original Music by | |||
| Akira Ifukube | |||
Cinematography by | |||
| Masao Tamai | |||
Film Editing by | |||
| Kazuji Taira | (as Yasunobu Taira) | ||
Production Design by | |||
| Satoshi Chuko | |||
| Takeo Kita | |||
Art Direction by | |||
| Satoshi Chuko | |||
| Takeo Kita | |||
Production Management | |||
| Teruo Maki | .... | executive in charge of production | |
Second Unit Director or Assistant Director | |||
| Koji Kajita | .... | chief assistant director | |
| Susumu Takebayashi | .... | second assistant director | |
Sound Department | |||
| Ichirô Minawa | .... | sound effects editor | |
| Hisashi Shimonaga | .... | sound recordist | |
| Nobuyuki Tanaka | .... | sound assistant | |
| Norio Tone | .... | sound assistant | |
Special Effects by | |||
| Sadamasa Arikawa | .... | director of photography: special effects | |
| Kuichiro Kishida | .... | special effects lighting | |
| Yoichi Manoda | .... | assistant camera | |
| Hiroshi Mukoyama | .... | matte work | |
| Fumio Nakadai | .... | special effects wire work | |
| Yasuaki Sakamoto | .... | production manager | |
| Sokei Tomioka | .... | assistant camera | |
| Teizo Toshimitsu | .... | monster builder | |
| Eiji Tsuburaya | .... | special effects director | |
| Hajime Tsuburaya | .... | assistant camera | |
| Akira Watanabe | .... | art director | |
| Taka Yuki | .... | opticals | |
| Fuminori Ohashi | .... | special effects technical advisor (uncredited) | |
Stunts | |||
| Haruo Nakajima | .... | stunt choreographer | |
Camera and Electrical Department | |||
| Yuzuru Aizawa | .... | assistant camera | |
| Choshiro Ishii | .... | lighting technician | |
| Shinji Kojima | .... | lighting assistant | |
| Shoshichi Kojima | .... | lighting assistant | |
Other crew | |||
| Sei Ikeno | .... | assistant: Akira Ifukube | |
| Fumio Nakadai | .... | tail supervisor | |
| Shôji Okawa | .... | tail supervisor | |
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| Godzilla, King of the Monsters! | Ringu | Gojira vs. Kingu Gidorâ | Gojira | King Kong |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Japan section |
| Add this title to MyMovies |
So this is where it all started!
Of course, as Godzilla is my all-time favorite character, I admit to being raised on the heavily edited US version starring Raymond Burr. But when viewing this film in its original form, it not only looks more like a Golden Age Toho fantasy as we all know it, but it's a very powerful masterpiece, as it stands in the history of world cinema. Here in 2004, 50 years ago today after its release, American audiences finally get to see the film in its entirety, thanks to its long-awaited subtitled theatrical release by Rialto Pictures.
Technically, Japanese monster movies began with the now-lost 1934 period fantasy, KING KONG HAS ARRIVED IN EDO (EDO NI ARAWARETA KINGU KONGU), which was obviously produced upon the success of the 1933 American classic, KING KONG. But it was GODZILLA (or GOJIRA as the Japanese call him) that truly made it over. Clearly inspired by the success of the 1953 hit, THE BEAST FROM 20,000 FATHOMS (released to Japan by Daiei early the same year), with a bit of KONG thrown in, Toho set out to make their own monster movie, not knowing that they would create a phenomenon that would last to this day!
What more can I say? This movie pretty much set the standard for Japanese monster movies as we all know! Watching the Japanese version is an amazing experience, and a hauntingly epic one!
The special effects by Eiji Tsuburaya, as low-tech as they were, had minor flaws (notably visible wires and missiles shooting against a background), but even for a first try in the monster genre, they still looked spectacular, as is the photography! Even though the effects work improved in future films, this is still the landmark of things to come.
The music by Akira Ifukube is memorable. From his stirring main title music, to Godzilla's destructive, ponderous theme music, to the poignant ending. Again, Ifukube's work for this film sets the standard for his work in the fantasy film genre.
The main cast is top-notch, as you'd expect. Akira Takarada (20 at the time) stars as salvage officer Hideto Ogata, the main character. Veteran actor Takashi Shimura plays Dr. Kyouhei Yamane, the eccentric paleontologist, who serves as the Godzilla-expert. Momoko Kouchi plays Yamane's daughter Emiko, who's in love with Ogata. But the best character by far (and my all-time favorite human character in a Godzilla film) is the tormented, eyepatch-clad scientist Dr. Daisuke Serizawa, played by Akihiko Hirata. When watching the Japanese version, other supporting characters share the spotlight, especially the newspaper reporter Hagiwara (Sachio Sakai), radiologist Tanabe (Fuyuki Murakami), the Ooto Island fisherman Masaji (Ren Yamamoto) and his younger brother Shinkichi (Toyoaki Suzuki). They just come off as mere background characters in the US version, but if you watch the Japanese original, you'll be totally surprised. Their performances were really dazzling, just like you'd expect from actors in a Toho fantasy film. Some of these actors would appear in future Godzilla films, as well as other SPFX fantasies from Toho.
Compared to other incarnations, this film (as well as GODZILLA RAIDS AGAIN) had the creepiest Godzilla ever, and that was just the way he was supposed to be! Almost like a black silhouette with bright, white staring eyes. Godzilla was not just a mere animal, he was basically a modern god! A raging, destructive demon with the power of the hydrogen bomb that affected him. Although Godzilla is inspired by the Rhedosaurus from BEAST, he was a completely different entity. He was virtually indestructible, and had an awesome power - a white-hot atomic breath! Godzilla became the archetype for many Japanese giant monsters to follow.
But exactly what is Godzilla? As explained in this film (it's explained better in the Japanese version), he's a huge amphibious bipedal dinosaur that lives in caverns under the sea, feeding off of smaller sea animals. He was feared as a "god" on Ooto Island, and many young virgin women were sacrificed to him to appease his hunger. Hydrogen bomb tests affected his habitat, giving him unbelievable radioactive power & strength (and a towering size of 50 meters, 164 feet). And a sleeping giant was awakened . . .
Makes you think more about those nuclear tests, doesn't it?
Lastly, while the Japanese original played out more smoothly, the American version starring Raymond Burr (of PERRY MASON fame) as the visiting American reporter Steve Martin (not to be confused with the famous comedian!) is still very effective. The epic scale of the original still manages to shine through what the US producers could allow, and Burr (who was hired for a whole day for filming the added scenes) still did a serviceable job. American fans of the original version can at least be thankful for this US version, without which America could not accept Godzilla.
As for the movie's story, I'd rather not go into it in detail. If you haven't seen it, please do so! Be it the original Japanese version (which I recommend the most, especially subtitled), or the edited US version!
Here's to 50 years of a classic movie, and a classic character I will love forever!