Gojira (1954)

Director:

Ishirô Honda

Writers:

Ishirô Honda (writer)
Shigeru Kayama (story)
(more)

Release Date:

7 May 2004 (USA)

Genre:

Drama | Horror | Sci-Fi | Thriller

Tagline:

The legend begins....

Plot:

American nuclear weapons testing results in the creation of a seemingly unstoppable, dinosaur-like beast.

Plot Keywords:

Monster | Japan | Nuclear Weapon | Tokusatsu | Part Stop Motion

Awards:

1 win

Cast

Akira Takarada	...	Hideto Ogata
Momoko Kôchi	...	Emiko Yamane
Akihiko Hirata	...	Daisuke Serizawa-hakase
Takashi Shimura	...	Kyohei Yamane-hakase
Fuyuki Murakami	...	Professor Tanabe
Sachio Sakai	...	Newspaper Reporter Hagiwara
Toranosuke Ogawa	...	Nankai Shipping Company Manager
Ren Yamamoto	...	Masaji the Fisherman
Miki Hayashi	...	Chairman of Diet Committee
Takeo Oikawa	...	Chief of Emergency Headquarters
Seijiro Onda	...	Parliamentarian Oyama
Tsuruko Mano	...	Shinkichi's Mother
Toyoaki Suzuki	...	Shinkichi (Masaji's Younger Brother)
Kokuten Kôdô	...	The Old Fisherman
Kin Sugai	...	Ozawa-san
Tadashi Okabe	...	Reporter Killed on Tower
Ren Imaizumi	...	Radio Operator
Junpei Natsuki	...	Power Substation Engineer
Katsumi Tezuka	...	Gojira / Hagiwara's Editor
Haruo Nakajima	...	Gojira / Power Station Worker
Yasuhisa Tsutsumi
Jiro Suzuki
Saburo Iketani	...	News Reporter
rest of cast listed alphabetically:
Shizuko Higashi	...	Partygoer
Kiyoshi Kamata	...	Partygoer's Escort
Kenji Sahara	...	Young Lover on the sound
Keiji Sakakida	...	Mayor Inada
Tamae Sengo	...	Mother
Ryosaku Takasugi
Ishirô Honda	...	Power Station Worker (The Hand that Throws the Switch) (uncredited)

Directed by
Ishirô Honda

Writing credits (in alphabetical order)
Ishirô Honda		writer
Shigeru Kayama		story
Takeo Murata		writer

Produced by
Tomoyuki Tanaka	....	producer

Original Music by
Akira Ifukube

Cinematography by
Masao Tamai

Film Editing by
Kazuji Taira		(as Yasunobu Taira)

Production Design by
Satoshi Chuko
Takeo Kita

Art Direction by
Satoshi Chuko
Takeo Kita

Production Management
Teruo Maki	....	executive in charge of production

Second Unit Director or Assistant Director
Koji Kajita	....	chief assistant director
Susumu Takebayashi	....	second assistant director

Sound Department
Ichirô Minawa	....	sound effects editor
Hisashi Shimonaga	....	sound recordist
Nobuyuki Tanaka	....	sound assistant
Norio Tone	....	sound assistant

Special Effects by
Sadamasa Arikawa	....	director of photography: special effects
Kuichiro Kishida	....	special effects lighting
Yoichi Manoda	....	assistant camera
Hiroshi Mukoyama	....	matte work
Fumio Nakadai	....	special effects wire work
Yasuaki Sakamoto	....	production manager
Sokei Tomioka	....	assistant camera
Teizo Toshimitsu	....	monster builder
Eiji Tsuburaya	....	special effects director
Hajime Tsuburaya	....	assistant camera
Akira Watanabe	....	art director
Taka Yuki	....	opticals
Fuminori Ohashi	....	special effects technical advisor (uncredited)

Stunts
Haruo Nakajima	....	stunt choreographer

Camera and Electrical Department
Yuzuru Aizawa	....	assistant camera
Choshiro Ishii	....	lighting technician
Shinji Kojima	....	lighting assistant
Shoshichi Kojima	....	lighting assistant

Other crew
Sei Ikeno	....	assistant: Akira Ifukube
Fumio Nakadai	....	tail supervisor
Shôji Okawa	....	tail supervisor

Production Companies

• Toho Film (Eiga) Co. Ltd.

Distributors

• Toho Company (Japan)
• Distributors Corporation of America (DCA) (1956) (USA) (theatrical)
• Vestron Video (1983) (USA) (VHS)
• Zontarian Video (1996) (USA) (VHS)
• Rialto Pictures (2004) (USA) (theatrical)
• British Film Institute (BFI) (2005) (UK) (all media)
• Atlantic Film (2006) (Sweden) (DVD)
• Classic Media (2006) (USA) (DVD)
• Sony BMG Music Entertainment (2006) (USA) (DVD)
• Sony Wonder (2006) (USA) (DVD)
• Nihon Eiga Satellite Broadcasting (2008) (Japan) (TV)
• Kuk Dong (South Korea)

Other Companies

• Toho Studios  sound stages

Also Known As:

Godzilla (International: English title) (USA)
Kaihatsu keikaku G (Japan) (working title)
Kaitei ni-man mairu kara kita daikaijû (Japan) (working title)

Runtime:

98 min

Country:

Japan

Language:

Japanese

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

Australia:PG | USA:Unrated | West Germany:12 (nf) | Sweden:15 | UK:PG (re-rating) (2005) | UK:X (original rating)

Filming Locations:

Toba, Mie, Japan

Company:

Toho Film (Eiga) Co. Ltd.

Trivia:

Knowing that this was going to be a very expensive production, producer Tomoyuki Tanaka tried to build it on a solid foundation by hiring Shigeru Kayama, one of Japan's foremost writers of thrillers of that period (early 1950's) to write the story upon which the later screenplay would be based.

Goofs:

Revealing mistakes: The shot of the fire engine coming to a crashing halt is a pretty badly animated stop-motion shot. The firefighter is clearly a puppet, for example. Then, when the view switches to a real fire engine turned on its side, the transition is painfully jarring.

Quotes:

Dr. Serizawa: If my device can serve a good purpose, i would announce it to everyone in the world! But in its current form, it's just a weapon of horrible destruction. Please understand, Ogata!
Hideto Ogata: I understand. But if we don't use your device against Godzilla, what are we going to do?
Dr. Serizawa: Ogata, if the oxygen destroyer is used even once, politicians from around the world will see it. Of course, they'll want to use it as a weapon. Bombs versus bombs, missiles versus missiles, and now a new superweapon to throw upon us all! As a scientist - no, as a human being - I can't allow that to happen! Am I right?
[...]

Movie Connections:

Referenced in "The Phillip DeFranco Show: Top 5 Reasons I Love Asians (Asian Sized) (#1.7)" (2007)

The first and best of the films.

So this is where it all started!

Of course, as Godzilla is my all-time favorite character, I admit to being raised on the heavily edited US version starring Raymond Burr. But when viewing this film in its original form, it not only looks more like a Golden Age Toho fantasy as we all know it, but it's a very powerful masterpiece, as it stands in the history of world cinema. Here in 2004, 50 years ago today after its release, American audiences finally get to see the film in its entirety, thanks to its long-awaited subtitled theatrical release by Rialto Pictures.

Technically, Japanese monster movies began with the now-lost 1934 period fantasy, KING KONG HAS ARRIVED IN EDO (EDO NI ARAWARETA KINGU KONGU), which was obviously produced upon the success of the 1933 American classic, KING KONG. But it was GODZILLA (or GOJIRA as the Japanese call him) that truly made it over. Clearly inspired by the success of the 1953 hit, THE BEAST FROM 20,000 FATHOMS (released to Japan by Daiei early the same year), with a bit of KONG thrown in, Toho set out to make their own monster movie, not knowing that they would create a phenomenon that would last to this day!

What more can I say? This movie pretty much set the standard for Japanese monster movies as we all know! Watching the Japanese version is an amazing experience, and a hauntingly epic one!

The special effects by Eiji Tsuburaya, as low-tech as they were, had minor flaws (notably visible wires and missiles shooting against a background), but even for a first try in the monster genre, they still looked spectacular, as is the photography! Even though the effects work improved in future films, this is still the landmark of things to come.

The music by Akira Ifukube is memorable. From his stirring main title music, to Godzilla's destructive, ponderous theme music, to the poignant ending. Again, Ifukube's work for this film sets the standard for his work in the fantasy film genre.

The main cast is top-notch, as you'd expect. Akira Takarada (20 at the time) stars as salvage officer Hideto Ogata, the main character. Veteran actor Takashi Shimura plays Dr. Kyouhei Yamane, the eccentric paleontologist, who serves as the Godzilla-expert. Momoko Kouchi plays Yamane's daughter Emiko, who's in love with Ogata. But the best character by far (and my all-time favorite human character in a Godzilla film) is the tormented, eyepatch-clad scientist Dr. Daisuke Serizawa, played by Akihiko Hirata. When watching the Japanese version, other supporting characters share the spotlight, especially the newspaper reporter Hagiwara (Sachio Sakai), radiologist Tanabe (Fuyuki Murakami), the Ooto Island fisherman Masaji (Ren Yamamoto) and his younger brother Shinkichi (Toyoaki Suzuki). They just come off as mere background characters in the US version, but if you watch the Japanese original, you'll be totally surprised. Their performances were really dazzling, just like you'd expect from actors in a Toho fantasy film. Some of these actors would appear in future Godzilla films, as well as other SPFX fantasies from Toho.

Compared to other incarnations, this film (as well as GODZILLA RAIDS AGAIN) had the creepiest Godzilla ever, and that was just the way he was supposed to be! Almost like a black silhouette with bright, white staring eyes. Godzilla was not just a mere animal, he was basically a modern god! A raging, destructive demon with the power of the hydrogen bomb that affected him. Although Godzilla is inspired by the Rhedosaurus from BEAST, he was a completely different entity. He was virtually indestructible, and had an awesome power - a white-hot atomic breath! Godzilla became the archetype for many Japanese giant monsters to follow.

But exactly what is Godzilla? As explained in this film (it's explained better in the Japanese version), he's a huge amphibious bipedal dinosaur that lives in caverns under the sea, feeding off of smaller sea animals. He was feared as a "god" on Ooto Island, and many young virgin women were sacrificed to him to appease his hunger. Hydrogen bomb tests affected his habitat, giving him unbelievable radioactive power & strength (and a towering size of 50 meters, 164 feet). And a sleeping giant was awakened . . .

Makes you think more about those nuclear tests, doesn't it?

Lastly, while the Japanese original played out more smoothly, the American version starring Raymond Burr (of PERRY MASON fame) as the visiting American reporter Steve Martin (not to be confused with the famous comedian!) is still very effective. The epic scale of the original still manages to shine through what the US producers could allow, and Burr (who was hired for a whole day for filming the added scenes) still did a serviceable job. American fans of the original version can at least be thankful for this US version, without which America could not accept Godzilla.

As for the movie's story, I'd rather not go into it in detail. If you haven't seen it, please do so! Be it the original Japanese version (which I recommend the most, especially subtitled), or the edited US version!

Here's to 50 years of a classic movie, and a classic character I will love forever!