Gojira (1954)

User Rating:

7.3/10   

Director:

Ishirô Honda

Writers:

Ishirô Honda (writer)
Shigeru Kayama (story)

Release Date:

7 May 2004 (USA)

Genre:

Drama | Horror | Sci-Fi | Thriller

Tagline:

The legend begins....

Plot:

American nuclear weapons testing results in the creation of a seemingly unstoppable, dinosaur-like beast.

Plot Keywords:

Monster | Japan | Nuclear Weapon | Monster Terrorizes City | Giant Monster

Awards:

1 win

Cast

Akira Takarada	...	Hideto Ogata
Momoko Kôchi	...	Emiko Yamane
Akihiko Hirata	...	Daisuke Serizawa-hakase
Takashi Shimura	...	Kyohei Yamane-hakase
Fuyuki Murakami	...	Professor Tanabe
Sachio Sakai	...	Newspaper Reporter Hagiwara
Toranosuke Ogawa	...	Nankai Shipping Company Manager
Ren Yamamoto	...	Masaji the Fisherman
Miki Hayashi	...	Chairman of Diet Committee
Takeo Oikawa	...	Chief of Emergency Headquarters
Seijiro Onda	...	Parliamentarian Oyama
Tsuruko Mano	...	Shinkichi's Mother
Toyoaki Suzuki	...	Shinkichi (Masaji's Younger Brother)
Kokuten Kodo	...	The Old Fisherman
Kin Sugai	...	Ozawa-san

Also Known As:

Godzilla (International: English title) (USA)
Kaihatsu keikaku G (Japan) (working title)
Kaitei ni-man mairu kara kita daikaijû (Japan) (working title)

Runtime:

98 min

Country:

Japan

Language:

Japanese

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Mirrophonic Recording)

Certification:

Australia:PG | USA:Unrated | West Germany:12 (nf) | Sweden:15 | UK:PG (re-rating) (2005) | UK:X (original rating)

Filming Locations:

Toba, Mie, Japan

Company:

Toho Film (Eiga) Co. Ltd.

Trivia:

In 2004, Rialto Pictures released the original Japanese version of "Gojira" in the U.S. for the first time. The release included a new print in the original Japanese with new English subtitles.

Goofs:

Revealing mistakes: The buildings attacked by Godzilla in the model shots, from the way they "slide" on their bases and explode upwards in one whole piece, do not appear to have any foundations (or, indeed, to be fixed to the ground in any way at all).

Quotes:

[last lines]
Kyohei Yamane-hakase: I can't believe that Godzilla was the only surviving member of its species... But if we continue conducting nuclear tests... it's possible that another Godzilla might appear somewhere in the world again.

Movie Connections:

Referenced in Homestarrunner.com: Everything Else, Volume 1 (2005) (V)

Crushes its sequels like Godzilla crushes Tokyo!

The original, Japanese version of "Gojira" is the best giant monster film I've ever seen. Some fans get carried away and call it one of the best movies ever made; I wouldn't go quite that far, but it's damn good.

This film is quite different from the 20+ sequels that followed. Here, Godzilla is not so much a creature as he is a walking incarnation of the atomic bomb. His death ray, which became a rather amusing cartoon laser blast in later films, is here depicted as a sort of radioactive mist that sets its victims on fire. These "radioactive horror" images still resonate today - and imagine the impact they must've had on Japanese audiences fifty years ago.

From a production standpoint, the film holds up well. Godzilla's costume is much more convincing than the silly monkey suits that featured in the 60s and 70s Toho films, and due to the grayscale photography, the model cityscapes look convincing in most shots - or at least respectable. Ifkube's music score is stirring (you know it has to be good, as they kept recycling it in later movies), and director Honda makes great use of camera angles and imaginative special effects to give Godzilla a genuine aura of menace.

For once, the human characters don't let the side down. There's a compelling love triangle, and a dramatic sacrifice made at the end of the film that adds enormously to its emotional impact. The American version ("Godzilla: King of the Monsters") cut out much of the character development, and is thus clearly inferior; but never fear, Rialto is apparently releasing "Gojira," in all its original glory, sometime this year (2004).

In the later Godzilla films, the destruction he causes is almost incidental. Here, it's the whole point - he's a force of nature. Impressive.