Stalag 17 (1953)

Director:

Billy Wilder

Writers:

Donald Bevan (play) and
Edmund Trzcinski (play) ...

Release Date:

10 August 1953 (Brazil)

Genre:

Comedy | Drama | War

Tagline:

Hilarious, heart-tugging! You'll laugh...you'll cry...you'll cheer William Holden in his great Academy Award role! (from reissue print ad)

Plot:

When two escaping American World War II prisoners are killed, the German POW camp barracks black marketeer, J.J. Sefton, is suspected of being an informer.

Plot Keywords:

Spy | Escape | Pow | Barracks | Guard

Awards:

Won Oscar. Another 4 nominations

Cast

  (Cast overview, first billed only)

William Holden	...	Sgt. J.J. Sefton
Don Taylor	...	Lt. James Dunbar
Otto Preminger	...	Col. von Scherbach
Robert Strauss	...	Stanislas Kasava
Harvey Lembeck	...	Harry Shapiro
Richard Erdman	...	Sgt. 'Hoffy' Hoffman
Peter Graves	...	Price
Neville Brand	...	Duke
Sig Ruman	...	Sgt. Johann Schulz
Michael Moore	...	Manfredi
Peter Baldwin	...	Johnson
Robinson Stone	...	Joey
Robert Shawley	...	'Blondie' Peterson
William Pierson	...	Marko the Mailman
Gil Stratton	...	Clarence Harvey 'Cookie' Cook (as Gil Stratton Jr.)

Runtime:

120 min | Germany:116 min

Country:

USA

Language:

English | German

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

West Germany:16 (f) | Australia:G | South Korea:12 (2004) | Finland:K-16 | Norway:12 | UK:PG | USA:Approved (PCA #15866) | Sweden:15

Filming Locations:

John Show Ranch, Woodland Hills, Los Angeles, California, USA

Company:

Paramount Pictures

Trivia:

William Holden's acceptance speech for Best Actor was the shortest in Academy history up until that time. He said only two words: "Thank You." Holden hadn't meant to be so brief, but the televised TV broadcast of the Academy Awards ceremony was running long, and was about to be cut off the air. Holden later took out an ad in the Hollywood trade publications thanking the people he had intended to thank in his speech. The briefness of Holden's speech was later surpassed by Alfred Hitchcock (who accepted his Irving Thalberg Award in 1967 with a simple "Thanks.") and by John Mills, who after playing a mute character in Ryan's Daughter (1970/I), accepted his 1971 Best Supporting Actor award with a simple smile and a thankful nod of the head.

Goofs:

Errors made by characters (possibly deliberate errors by the filmmakers): We learn from the escape plan in the beginning of the movie that the Stalag 17 prison camp is located on the river Danube near Linz, which is on the Austrian and German Border. Later in the movie, when the prisoners are watching the women in the Russian compound, Cookie claims that on a clear day, you could see the Swiss Alps with this telescope. Nobody could see the Swiss Alps with even the best telescope, from this point of view, because the Austrian Alps would definitely be in the way.

Quotes:

Sgt. Schulz: How do you expect to win the war with an army of clowns?
Lt. James Skylar Dunbar: We sort of hope you'd laugh yourselves to death.

Movie Connections:

Referenced in "The Penguins of Madagascar: The Hidden (#1.11)" (2009)

Soundtrack:

When Johnny Comes Marching Home Again

the perennial 'feel-good' American POW movie

Billy Wilder's Stalag 17 relies on folds of comedy and a cynical attitude to elevate a story that seems out of a crime novel. Here we have a cast of characters, and the undercurrent is 'who's the rat?' in a bunker as the secrets shuffled around (i.e. that there's a tunnel for escape) and the Germans know right away. There's fun in that, and in being able to 2nd guess who the informant really is- at one point I thought the old adage "it's the quiet ones you got to watch" would come forward- but Wilder is brilliant at transforming this as some solid suspense and dramatic tension while ALSO making a really snappy (sometimes) dark comedy. It's a movie about personality, despite the plot being somewhat important, and with the actors themselves delivering a lot for the characters' sakes.

William Holden is the first given attribute as the star, playing the sort who, for a conventional movie-goer audience, seems easy to peg: too full of himself, sneaky, has the motive to be the informant. But as the layers come into focus, he's more than meets the eye, and Holden (against his better instincts, as he didn't want the role originally) fills it in with his subtle swagger and great sarcastic touch carried over from Sunset Blvd. Then there's Otto Premminger, a big surprise as he is mostly known as a director, as the Commandant, taking up and stealing every scene he's in (only Erich von Stroheim in Grand Illusion beats him out as tour-de-force Commandants). Then there's supporting work from the desperate 'clowns' (Robert Strauss's Betty Grable obsessed Animal and Harvey Lembeck's Shapiro), and the cool Don Talyer in a turn as Dunbar. They're all at their best.

While it almost appears to be more entertaining than it perhaps should- considering, as Cookie's opening narration says, movies about the army have been glamorized and this story is different- it's kind of like the Hollywood 50s answer to something like A Man Escaped. Bresson's film is cold and detached and immediate in dramatic impact, while Stalag 17 wants to be a big hit. There's a lot of humor, some unexpected, some that are meant to be big laughs (i.e. Animal and Shapiro's scheme to get into the Russian prison), and they all connect. It's simply a really entertaining movie that has transcended its period, thanks to Wilder's faith in (and more than likely proponent of) an ironic, witty sensibility to otherwise dark and gloomy cinematic terrain.