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| William Holden | ... | Sgt. J.J. Sefton | |
| Don Taylor | ... | Lt. James Dunbar | |
| Otto Preminger | ... | Col. von Scherbach | |
| Robert Strauss | ... | Stanislas Kasava | |
| Harvey Lembeck | ... | Harry Shapiro | |
| Richard Erdman | ... | Sgt. 'Hoffy' Hoffman | |
| Peter Graves | ... | Price | |
| Neville Brand | ... | Duke | |
| Sig Ruman | ... | Sgt. Johann Schulz | |
| Michael Moore | ... | Manfredi | |
| Peter Baldwin | ... | Johnson | |
| Robinson Stone | ... | Joey | |
| Robert Shawley | ... | 'Blondie' Peterson | |
| William Pierson | ... | Marko the Mailman | |
| Gil Stratton | ... | Clarence Harvey 'Cookie' Cook (as Gil Stratton Jr.) | |
| Jay Lawrence | ... | Bagradian | |
| Erwin Kalser | ... | Geneva man | |
| Edmund Trzcinski | ... | Triz' Trzcinski | |
| rest of cast listed alphabetically: | |||
| Ross Bagdasarian | ... | Singing soldier (uncredited) | |
| Rodric Beckham | ... | Bit part (uncredited) | |
| Richard P. Beedle | ... | POW (uncredited) | |
| Don Cameron | ... | Bit part (uncredited) | |
| Janice Carroll | ... | Russian woman prisoner (uncredited) | |
| Jarvis Caston | ... | POW (uncredited) | |
| Tommy Cook | ... | POW (uncredited) | |
| James Dabney Jr. | ... | Bit part (uncredited) | |
| Yvette Eaton | ... | Russian woman prisoner (uncredited) | |
| Carl Forcht | ... | German lieutenant (uncredited) | |
| Ralph Gaston | ... | Bit part (uncredited) | |
| Jerry Gerber | ... | Bit part (uncredited) | |
| Ross Gould | ... | Von Scherbach's orderly (uncredited) | |
| Russell Grower | ... | Bit part (uncredited) | |
| Alla Gursky | ... | Russian woman prisoner (uncredited) | |
| Peter Leeds | ... | Barracks #1 POW getting distillery (uncredited) | |
| Wesley Ling | ... | POW (uncredited) | |
| Harald Maresch | ... | German lieutenant (uncredited) | |
| Bill McLean | ... | POW (uncredited) | |
| Svetlana McLe | ... | Woman POW (uncredited) | |
| John Mitchum | ... | POW (uncredited) | |
| Robin Morse | ... | POW (uncredited) | |
| William Mulcahy | ... | Bit part (uncredited) | |
| Joe Ploski | ... | German guard-volleyball player (uncredited) | |
| Harry Reardon | ... | POW (uncredited) | |
| Paul Salata | ... | Prisoner with beard (uncredited) | |
| James R. Scott | ... | Bit part (uncredited) | |
| Bill Sheehan | ... | POW (uncredited) | |
| A. Gerald Singer | ... | Steve aka The Crutch (uncredited) | |
| Mara Sondakoff | ... | Russian woman prisoner (uncredited) | |
| Warren Sortomme | ... | POW (uncredited) | |
| Audrey Strauss | ... | Woman POW (uncredited) | |
| Herbert Street | ... | Bit part (uncredited) | |
| Anthony M. Taylor | ... | Bit part (uncredited) | |
| Bob Templeton | ... | Bearded Prisoner (uncredited) | |
| Lyda Vashkulat | ... | Woman POW (uncredited) | |
| John Veitch | ... | POW (uncredited) | |
| Steve Wayne | ... | Soldier (uncredited) | |
| Alexander J. Wells | ... | Prisoner with beard (uncredited) | |
| Max Willenz | ... | German lieutenant (uncredited) | |
Directed by | |||
| Billy Wilder | |||
Writing credits | ||
| Donald Bevan | (play) and | |
| Edmund Trzcinski | (play) | |
| Billy Wilder | (writer) and | |
| Edwin Blum | (writer) | |
Produced by | |||
| William Schorr | .... | associate producer | |
| Billy Wilder | .... | producer | |
Original Music by | |||
| Leonid Raab | (uncredited) | ||
Cinematography by | |||
| Ernest Laszlo | (director of photography) | ||
Film Editing by | |||
| George Tomasini | |||
Art Direction by | |||
| Franz Bachelin | |||
| Hal Pereira | |||
Set Decoration by | |||
| Sam Comer | |||
| Ray Moyer | |||
Makeup Department | |||
| Wally Westmore | .... | makeup supervisor | |
Sound Department | |||
| Gene Garvin | .... | sound recordist | |
| Harold Lewis | .... | sound recordist | |
Special Effects by | |||
| Gordon Jennings | .... | special photographic effects | |
Editorial Department | |||
| Doane Harrison | .... | editorial advisor | |
Other crew | |||
| Max Kolpé | .... | technical advisor (uncredited) | |
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In defense of this great film "Stalag 17", I would like to say a few things. First of all, William Holden's performance in this film gives this film a very big lead against many other films like it. Holden is a very good actor given a very good role here as Sefton, a soldier that uniquely accepts his situation. The other supporting, and even prominent roles are good but seems "intentionally" underdeveloped for the benefit of not complicating viewers with unnecessary information. The story, consisting of a "whodunit" plot, wartime ordeals, and amusing dialogue between the characters is superb for it's time. All in all, watching "Stalag 17" is at least a fine way to spend your time.
I've read many reviews that say that they were disappointed with this film. Some were annoyed because it wasn't as realistically gritty and tense like "Saving Private Ryan". Well, that's the effect of the Hays Offices (censorship officials of American produced movies during the past). I have to say that although it may have lacked the grittiness of Spielberg's film, it still surpasses "Saving Private Ryan" for it's honest approach to it's characters such as the POW that responds to his wife's letter ("I believe it.") with a certain kind of feeling that can truly be described as honest and the German "Wake up caller" Scherbach's constant joking around with POWs while remaining true to his kommandant's wishes. The 'Animal' and Shapiro characters were obviously created for comic relief but it should only be taken as that, comic relief (Hell, everyone's a comedian and at least they tried). Most anybody that was disappointed with this film were probably disappointed for it's strange association with the TV show "Hogan's Heroes". I must say that I don't care much for that certain show but I do like this film.
I really don't think that any film should ever be compared with another film or a TV show (unless it's a spinoff, then they're just asking for it) no matter how related they are. A movie is a movie on it's own and never with the help of another, no matter the similarities. This is a classic film, worthy of it's praise yet unworthy of it's negative critique. Nobody should let personal opinions be considered flaws. Just watch it, when you have the chance, with an open mind.