Niagara (1953)

User Rating:

7.1/10   

Director:

Henry Hathaway

Writers:

Charles Brackett (written by) &
Walter Reisch (written by) ...
(more)

Release Date:

February 1953 (USA)

Genre:

Drama | Film-Noir | Thriller

Tagline:

Marilyn Monroe and "Niagara" a raging torrent of emotion that even nature can't control!

Plot:

As two couples are visiting Niagara Falls, tensions between one wife (Marilyn Monroe) and her husband reach the level of murder.

Plot Keywords:

Niagara Falls | Murder | Honeymoon | Couple | Motel

US TV Schedule:

Mon. Nov. 9

6:00 AM

AMC

Cast

Marilyn Monroe	...	Rose Loomis
Joseph Cotten	...	George Loomis
Jean Peters	...	Polly Cutler
Max Showalter	...	Ray Cutler (as Casey Adams)
Denis O'Dea	...	Inspector Starkey
Richard Allan	...	Patrick
Don Wilson	...	Mr. J.C. Kettering
Lurene Tuttle	...	Mrs. Kettering
Russell Collins	...	Mr. Qua
Will Wright	...	Boatman
rest of cast listed alphabetically:
Henry Beckman	...	Motorcycle Cop (uncredited)
Harry Carey Jr.	...	Taxi Driver (uncredited)
Bill Coontz	...	Young Man (uncredited)
Robert Ellis	...	Young Man (uncredited)
Howard Engel	...	Man at bus stop (uncredited)
Neil Fitzgerald	...	Customs Officer (uncredited)
Gloria Gordon	...	Dancer (uncredited)
Winifield Hoeny	...	Straw Boss (uncredited)
George Ives	...	Carillon Tower Guide (uncredited)
Arch Johnson	...	Taxi Driver (uncredited)
Lester Matthews	...	Doctor (uncredited)
Sean McClory	...	Sam (uncredited)
Norman McKay	...	Morris (uncredited)
Audre Monture	...	Woman in gift shop (uncredited)
Patrick O'Moore	...	Detective (uncredited)
Tom Reynolds	...	Husband (uncredited)
Willard Sage	...	Motorcycle Cop (uncredited)
Bert Stevens	...	Doctor (uncredited)
Minerva Urecal	...	Mrs. McGrand, Landlady of McGrand's Boarding House (uncredited)
Nina Varela	...	Wife (uncredited)
Gene Wesson	...	Guide (uncredited)

Directed by
Henry Hathaway

Writing credits
Charles Brackett		(written by) &
Walter Reisch		(written by) and
Richard L. Breen		(written by) (as Richard Breen)

Produced by
Charles Brackett	....	producer

Original Music by
Sol Kaplan

Cinematography by
Joseph MacDonald		(as Joe MacDonald)

Film Editing by
Barbara McLean

Art Direction by
Maurice Ransford
Lyle R. Wheeler		(as Lyle Wheeler)

Set Decoration by
Stuart A. Reiss		(as Stuart Reiss)

Costume Design by
Dorothy Jeakins

Makeup Department
Ben Nye	....	makeup artist
Allan Snyder	....	makeup artist: Miss Monroe (uncredited)

Second Unit Director or Assistant Director
Gerd Oswald	....	assistant director

Sound Department
W.D. Flick	....	sound (as W. D. Flick)
Roger Heman Sr.	....	sound (as Roger Heman)

Special Effects by
Ray Kellogg	....	special photographic effects

Stunts
Polly Burson	....	stunts (uncredited)

Camera and Electrical Department
Felix Trimboli	....	camera operator (uncredited)

Costume and Wardrobe Department
Charles Le Maire	....	wardrobe director
Sam Benson	....	wardrobe supervisor (uncredited)

Music Department
Lionel Newman	....	musical director
Edward B. Powell	....	orchestrator (as Edward Powell)

Other crew
Leonard Doss	....	Technicolor color consultant

Production Companies

• Twentieth Century-Fox Film Corporation (presents) (as Twentieth Century-Fox)

Distributors

• Twentieth Century-Fox Film Corporation (1953) (USA) (theatrical) (released by)
• National Broadcasting Company (NBC) (1963) (USA) (TV)
• 20th Century Fox (1953) (France) (theatrical)
• Centfox (1953) (West Germany) (theatrical)
• Twentieth Century Fox Home Entertainment (2002) (USA) (DVD)

Runtime:

92 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

West Germany:16 (nf) | Canada:PG (video rating) | UK:PG (video rating) | Australia:PG | Finland:K-16 | Sweden:15 | UK:A (original rating) | UK:PG (re-rating) (1987) | USA:Approved (certificate #15990)

Filming Locations:

20th Century Fox Studios - 10201 Pico Blvd., Century City, Los Angeles, California, USA

Company:

Twentieth Century-Fox Film Corporation

Trivia:

During the filming of Niagara (1953), Marilyn Monroe was still under contract as a stock actor, thus, she received less salary than her make-up man.

Goofs:

Continuity: Rose's dead body changes position between shots.

Quotes:

Polly Cutler: Fine thing. I tell him we're on our honeymoon and you drag out a copy of Winston Churchill! He must think I'm a pretty hard article.
Ray Cutler: You should have told him we're on a delayed honeymoon.
Polly Cutler: Delayed or not, we agreed to treat it like a regular one, didn't we?
[quick kiss]
Ray Cutler: I'm game. And it'll be just as good as a regular honeymoon.
Polly Cutler: Well, it should be better. I've got my union card now.
[Lascivious glance]

Movie Connections:

Referenced in Blonde (2001) (TV)

Soundtrack:

Kiss

Excellent, Engaging Hitchcockian Thriller

I rented "Niagara" for two reasons: one, the obvious reason to see Marilyn Monroe in such a unique role for her, and two, I always liked the idea of a side character (in this case, Jean Peters) getting inadvertently swept up in the intrigue of the main characters (Monroe and Joseph Cotten here). It's rare that the supporting characters of a film are integrated so well into the plot. Usually, they disappear or are seen less of as the plot progresses. (eg: the inexorable quirky friend of a leading lady in far too many thrillers) But I digress.

The plot is fairly simple, or so it seems. Polly and Ray Cutler (Peters and Max Showalter) are a young couple heading to Niagara Falls for a delayed honeymoon. Upon their arrival, they meet Rose and George Loomis (Monroe and Cotten), who are over-staying in their time in the Cutlers reserved cabin. Though Polly and Ray agree to stay in a nearby cabin, that is not the last they see of the Loomis's, a strange couple indeed. One day, Polly sees Rose passionately kissing another man (Richard Allan). Then, the sly Rose angers her husband by playing a seemingly reminiscent song on a record player a few other couples are dancing to, pushing George to destroying the record in his hands. It becomes apparent that something far more than infidelity is going on, and without giving away too many of the plot twists, murder ensues.

One of the things I really loved about this movie was how timeless it was. The actors, or at least Monroe and Cotten, may be familiar actors of the time, but this movie could be done at any time, and seem appropriate. And speaking of actors, the acting in this movie, for the most part anyway, is wonderful. Monroe, needless to say, was flawless, and I loved every second she was on the screen. Joseph Cotten, as he did in Hitchcock's "Shadow of a Doubt," has the ability of being very intimidating, almost brooding, and was terrific. Jean Peters gives an Oscar-worthy performance. She's very realistic, and impeccably likable. She manages to almost steal the movie from Monroe. I'm sorry to say Max Showalter was, well, really quite flat. The worst of the lot. Good thing he wasn't in a large role, though he still is one of the stars of the film. In supporting roles, Denis O'Dea gave a typical detective role as Inspector Sharkey, popping in once in a while. Richard Allan had little to do as Rose's lover Patrick. Showing up later in the film were Don Wilson and Lurene Tuttle as Ray's boss and the boss's wife, at Niagara Falls to vacation with the Cutlers. Both were excellent, though their roles were somewhat small. I liked the addition of their characters.

The chemistry between all the characters is terrific, particularly in the scene where Polly is bandaging George's hand after he breaks the record. The two of them have many scenes together, and I loved how Peters and Cotten interacted with one another. Showalter seemed consistently nervous around Monroe, while on the topic of spouse-switching, so to speak.

Overall, "Niagara" is very engaging. There is a good deal of action, especially towards the end. The chase scene through the bell tower was suspenseful, and the climax on the falls was absolutely wonderful. Polly proved herself to be very tough and a quick-thinker, and, throughout the rest of the movie, I liked how she didn't turn to Ray every time a problem arose. (Which made the final confronation between only her and the other character so much fun, because no one could save Polly but herself.) I think that's why I liked her character so much. Though, one thing to note, is the sort of silly-looking moment during the scene towards the end of the movie when George is pursuing Polly along the Falls (muted besides the sound of rushing water) and she slips and breaks through the wooden banister. It was a startling scene (I honestly thought she'd fall) but sort of funny, the way the movie sped up quickly to make it look to sudden. Oh well, blame it on technical abilities.

I definitely recommend this film, not just for Hitchcock fans and Monroe fans, but for anyone, even if you don't like older films. This one is a classic, but at the same time, feels as if it could have been made only twenty years ago, not almost fifty.