| Kathryn Grayson | ... | Lilli Vanessi 'Katharina' | |
| Howard Keel | ... | Fred Graham 'Petruchio' | |
| Ann Miller | ... | Lois Lane 'Bianca' | |
| Keenan Wynn | ... | Lippy | |
| Bobby Van | ... | 'Gremio' | |
| Tommy Rall | ... | Bill Calhoun 'Lucentio' | |
| James Whitmore | ... | Slug | |
| Kurt Kasznar | ... | 'Baptista' | |
| Bob Fosse | ... | 'Hortensio' | |
| Ron Randell | ... | Cole Porter | |
| Willard Parker | ... | Tex Callaway | |
| Dave O'Brien | ... | Ralph | |
| Claud Allister | ... | Paul | |
| Ann Codee | ... | Suzanne | |
| Carol Haney | ... | Specialty Dancer | |
| Jeanne Coyne | ... | Specialty Dancer | |
| rest of cast listed alphabetically: | |||
| David Bair | ... | Gregory (uncredited) | |
| Michael Dugan | ... | Stretcher bearer (uncredited) | |
| Ted Eckelberry | ... | Nathaniel (uncredited) | |
| Mitchell Lewis | ... | Stage doorman (uncredited) | |
| Hermes Pan | ... | Sailor (uncredited) | |
| William Tannen | ... | Taxi driver (uncredited) | |
Directed by | |||
| George Sidney | |||
Writing credits | ||
| Dorothy Kingsley | (screenplay) | |
| Sam Spewack | (play) (as Samuel Spewack) and | |
| Bella Spewack | (play) | |
| William Shakespeare | (play "The Taming of the Shrew") uncredited | |
Produced by | |||
| Jack Cummings | .... | producer | |
Original Music by | |||
| André Previn | (uncredited) | ||
| Conrad Salinger | (uncredited) | ||
Cinematography by | |||
| Charles Rosher | (director of photography) | ||
Film Editing by | |||
| Ralph E. Winters | |||
Art Direction by | |||
| Cedric Gibbons | |||
| Urie McCleary | |||
Set Decoration by | |||
| Richard Pefferle | |||
| Edwin B. Willis | |||
Costume Design by | |||
| Walter Plunkett | |||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
| William Tuttle | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| George Rhein | .... | assistant director | |
Sound Department | |||
| Douglas Shearer | .... | recording supervisor | |
Special Effects by | |||
| Warren Newcombe | .... | special effects | |
Editorial Department | |||
| Alvord Eiseman | .... | color consultant | |
Music Department | |||
| Saul Chaplin | .... | musical director | |
| Skip Martin | .... | orchestrator | |
| André Previn | .... | musical director | |
| Conrad Salinger | .... | orchestrator | |
| Robert Tucker | .... | vocal supervisor | |
| Robert Franklyn | .... | orchestrator (uncredited) | |
| Wally Heglin | .... | orchestrator (uncredited) | |
Other crew | |||
| Lemuel Ayers | .... | stage producer | |
| Hermes Pan | .... | choreographer | |
| Arnold Saint Subber | .... | stage producer | |
| Bob Fosse | .... | choreographer (uncredited) | |
| Alex Romero | .... | assistant choreographer (uncredited) | |
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| Funny Girl | Gone with the Wind | La règle du jeu | The Bad and the Beautiful | It's Always Fair Weather |
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Great adaptation of the Broadway musical with a wonderful Cole Porter score. Yes the plot is just an excuse (though not a flimsy one) to put the numbers together, but so what? Kathryn Grayson and Howard Keel are very good as battling exes who are destined to be together, in the best tradition of Scarlett and Rhett, with a dash of His Girl Friday thrown in. Plus, it's all acted out amidst Shakespeare's Taming of the Shrew, which provides for some great comic moments. Keenan Wynn and James Whitmore as the two gangsters are hilarious in the classic "Brush Up Your Shakespeare." Bob Fosse, who plays Bianca's blond suitor in the "Shrew" play-within-a-play, electrifies the screen with Carol Haney in their short but spectacular dance during the "From This Moment On" number. But it is Ann Miller who steals the show with her tradmark perkiness, charm and dynamite dancing skills, demonstrated memorably in another classic, "Too Darn Hot," and her numbers with Tommy Rall. Definitly recommended if you want a laugh, a tune to hum and a great show to see.