| Photos (see all 30 | slideshow) | Videos |
| Marlon Brando | ... | Mark Antony | |
| James Mason | ... | Brutus | |
| John Gielgud | ... | Cassius | |
| Louis Calhern | ... | Julius Caesar | |
| Edmond O'Brien | ... | Casca | |
| Greer Garson | ... | Calpurnia | |
| Deborah Kerr | ... | Portia | |
| George Macready | ... | Marullus | |
| Michael Pate | ... | Flavius | |
| Richard Hale | ... | Soothsayer | |
| Alan Napier | ... | Cicero | |
| John Hoyt | ... | Decius Brutus | |
| Tom Powers | ... | Metellus Cimber | |
| William Cottrell | ... | Cinna | |
| Jack Raine | ... | Trebonius | |
| Ian Wolfe | ... | Ligarius | |
| Morgan Farley | ... | Artemidorus | |
| William Phipps | ... | Servant to Antony (as Bill Phipps) | |
| Douglass Watson | ... | Octavius Caesar (as Douglas Watson) | |
| Douglass Dumbrille | ... | Lepidus | |
| Rhys Williams | ... | Lucilius | |
| Michael Ansara | ... | Pindarus | |
| Dayton Lummis | ... | Messala | |
| Paul Guilfoyle | ... | Citizen of Rome | |
| Edmund Purdom | ... | Strato | |
| Lawrence Dobkin | ... | Citizen of Rome | |
| Jo Gilbert | ... | Citizen of Rome | |
| John Hardy | ... | Lucius | |
| Chet Stratton | ... | Servant to Caesar (as Chester Stratton) | |
| Lumsden Hare | ... | Publius | |
| Preston Hanson | ... | Claudius | |
| Victor Perry | ... | Popilius Lena | |
| Michael Tolan | ... | Officer to Octavius | |
| John Lupton | ... | Varro | |
| Joseph Waring | ... | Clitus (as Joe Waring) | |
| John Parrish | ... | Titinius | |
| Stephen Roberts | ... | Dardanius | |
| Thomas Browne Henry | ... | Volumnius | |
| David Bond | ... | Citizen of Rome | |
| Ann Tyrrell | ... | Citizen of Rome | |
| John O'Malley | ... | Citizen of Rome | |
| John Doucette | ... | Carpenter, Citizen of Rome | |
| Oliver Blake | ... | Citizen of Rome | |
| Donald Elson | ... | Citizen of Rome | |
| Alvin Hurwitz | ... | Citizen of Rome | |
| rest of cast listed alphabetically: | |||
| John Alderson | ... | Citizen of Rome (uncredited) | |
| Henny Backus | ... | Citizen of Rome (uncredited) | |
| John Call | ... | Citizen of Rome (uncredited) | |
| Booth Colman | ... | Citizen of Rome (uncredited) | |
| Darren Dublin | ... | Hoodlum (uncredited) | |
| Michael Frasco | ... | Little Boy (uncredited) | |
| Robert Fuller | ... | Extra (uncredited) | |
| Chief Leonard George | ... | Hoodlum (uncredited) | |
| Ned Glass | ... | Cobbler (uncredited) | |
| Dabbs Greer | ... | Citizen of Rome (uncredited) | |
| Chester Hayes | ... | Roman Soldier (uncredited) | |
| Shep Houghton | ... | Soldier (uncredited) | |
| Neyle Morrow | ... | Citizen of Rome (uncredited) | |
| Robert Nichols | ... | Citizen of Rome (uncredited) | |
| Vic Perrin | ... | Hoodlum (uncredited) | |
| Jack Perry | ... | Citizen of Rome (uncredited) | |
| Barry Regan | ... | Sentry (uncredited) | |
| Norman Rice | ... | Little Man (uncredited) | |
| Irene Tedrow | ... | Bit Role (uncredited) | |
| O.Z. Whitehead | ... | Cinna, the Poet (scenes deleted) (uncredited) | |
Directed by | |||
| Joseph L. Mankiewicz | |||
Writing credits | ||
| William Shakespeare | (play) | |
| Joseph L. Mankiewicz | uncredited | |
Produced by | |||
| John Houseman | .... | producer | |
Original Music by | |||
| Miklós Rózsa | (as Miklos Rozsa) | ||
Cinematography by | |||
| Joseph Ruttenberg | (director of photography) | ||
Film Editing by | |||
| John D. Dunning | (as John Dunning) | ||
Art Direction by | |||
| Edward C. Carfagno | (as Edward Carfagno) | ||
| Cedric Gibbons | |||
Set Decoration by | |||
| Hugh Hunt | |||
| Edwin B. Willis | |||
Costume Design by | |||
| Herschel McCoy | |||
Makeup Department | |||
| Sydney Guilaroff | .... | hair stylist | |
| William Tuttle | .... | makeup designer | |
Second Unit Director or Assistant Director | |||
| Howard W. Koch | .... | assistant director | |
Sound Department | |||
| Douglas Shearer | .... | recording supervisor | |
Special Effects by | |||
| Warren Newcombe | .... | special effects | |
Music Department | |||
| Eugene Zador | .... | orchestrator (uncredited) | |
Other crew | |||
| Pier Maria Pasinetti | .... | technical advisor (as P.M. Pasinetti) | |
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| Julius Caesar | Cleopatra | Spartacus | Cleopatra | Julius Caesar |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
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50 years after the fact, the most interesting angle on Mankiewicz' 'Julius Caesar' is perhaps the blend of acting styles that characterizes it. With Mankiewicz dialogue is all, and it is a source of endless fascination to me how he manages to make this a uniformly brilliantly acted film.
Mankiewicz doesn't strive to open up the play and make it naturalistic, but he does allow his camera to roam freely, creating space around his characters. But it is in his directing of the actors that he excels, the way that he shows the fragile dynamics in the crowd of conspirators before and after their stabbing of Caesar even more than in the famous monologues. Will history frown upon them? Or applaud their act? "That we shall die, we know", all else is uncertain.
Of course the key scene of the film and Shakespeare's play, takes place right after Caesar's assassination. The rabble has gathered at the Capitol to hear Brutus explain himself, and James Mason, in a refreshingly un-actorish way, beautifully defends Brutus the well-intentioned butcher, laying bare the dilemma of the noble assassin. It was "not that I loved Caesar less, but that I loved Rome more", and he sways the crowd with his rhetoric.
Then Brando takes the floor, speaking up for his benefactor, the slain Caesar: "Friend, Romans and countrymen, lend me your ear", he says, having carried the bloodied corpse out in his arms. His speech gradually builds in momentum, and the sheer excitement of watching Brando's performance today is reason enough to watch the film. How elegantly, deftly he speaks treason against Brutus and the new would-be rulers. "They are honourable men", he says, and the discrete colouring of the adjective makes it obvious how Mark Anthony really feels about it. "If you have tears, prepare to shed them now" indeed. There are layers in Brando's performance that warrants more than one viewing, just the tolerant half-smile when he is playing the rabble for suckers. "Ah, how you weep". His unfathomable half-smile turns up again near the end, and it speaks volumes.
Of course, John Gielgud as Cassius is volatile and very rooted in the British thespian tradition which doesn't lend itself easily to film in my opinion. Film actor Edmond O'Brien is great as the ambitious and untrustworthy Casca, but unfortunately the women have little to do. Brutus' wife Portia is played by Deborah Kerr who never looked more stunning than here, and she delivers her few lines with conviction. Greer Garson is Caesar's wife, warning him against making an appearance at the Capitol on the fateful day, but she is hardly given any screen-time.
The film is not the last word in Shakespeare in any sense of the word, but it is entertaining and true to what it sets out to do. And the acting styles blend together wonderfully.