IMDb > The I Don't Care Girl (1953)

The I Don't Care Girl (1953) More at IMDbPro »


Overview

User Rating:
6.8/10   48 votes
MOVIEmeter: ?

Down 23% in popularity this week. See why on IMDbPro.

Director:

Lloyd Bacon

Writer:

Walter Bullock (writer)

Contact:

View company contact information for The I Don't Care Girl on IMDbPro.

Release Date:

20 January 1953 (USA) more

Genre:

Biography | Musical

Tagline:

WILD and WONDERFUL Musical Hit! more

Plot:

This semi-film within a film opens in the office of producer George Jessel, who never saw a camera he couldn't get in front of... more | add synopsis

User Comments:

Rashomon Don't Care Either more (9 total)


Cast

  (Complete credited cast)
Mitzi Gaynor ... Eva Tanguay
David Wayne ... Ed McCoy
Oscar Levant ... Charles Bennett
Bob Graham ... Larry Woods
Craig Hill ... Keene
Warren Stevens ... Lawrence
Hazel Brooks ... Stella Forrest
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Additional Details

Runtime:

78 min

Country:

USA

Language:

English

Color:

Color (Technicolor)

Aspect Ratio:

1.37 : 1 more

Sound Mix:

Mono (Western Electric Recording)

Certification:

USA:Approved (PCA #15612) | Sweden:Btl


Fun Stuff

Soundtrack:

This Is My Favorite City more


FAQ

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1 out of 1 people found the following comment useful.
Rashomon Don't Care Either, 17 May 2008
7/10
Author: boblipton from New York City

The musical comedy biopic gets the Rashomon treatment in this faked-up biopic of Eva Tanguay, one of the great stars of turn-of-the-century vaudeville. Mitzi Gaynor, as always, gives a great performance and it's a pity that, with the exception of the movie version of SOUTH PACIFIC, she was always Fox's B musical star, doing whatever they gave her. The musical numbers are all overdone, as if choreographer Jack Cole is mocking the form; the semi-strip-tease to jazzed up Mozart (I'm not making this up! It's the most out-of-place dance number outside of Sally Forrest's weird one in EXCUSE MY DUST) and other numbers that recall LADY IN THE DARK -- all very modern for the era and absolutely bizarre in context.

Oscar Levant plays the piano magnificently a few times and David Wayne gives a typically graceful performance in support.

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