| Photos (see all 25 | slideshow) | Videos (see all 2) |
| Doris Day | ... | Calamity Jane | |
| Howard Keel | ... | Wild Bill Hickok | |
| Allyn Ann McLerie | ... | Katie Brown (as Allyn McLerie) | |
| Philip Carey | ... | Lieutenant Danny Gilmartin | |
| Dick Wesson | ... | Francis Fryer | |
| Paul Harvey | ... | Henry Miller | |
| Chubby Johnson | ... | Rattlesnake | |
| Gale Robbins | ... | Adelaid Adams | |
| rest of cast listed alphabetically: | |||
| Billy Bletcher | ... | Prospector (uncredited) | |
| Stanley Blystone | ... | Saloon Patron (uncredited) | |
| Budd Buster | ... | Prospector (uncredited) | |
| Lane Chandler | ... | Prospector (uncredited) | |
| Edmund Cobb | ... | Saloon patron (uncredited) | |
| Kenne Duncan | ... | Ad Lib (uncredited) | |
| Bess Flowers | ... | Officer's Wife in Reception Line (uncredited) | |
| Terry Frost | ... | Prospector (uncredited) | |
| Robert Fuller | ... | Young man with flowers (uncredited) | |
| Bill Hale | ... | Ad Lib (uncredited) | |
| Reed Howes | ... | Angry Saloon Patron (uncredited) | |
| I. Stanford Jolley | ... | Townsman (uncredited) | |
| Donald Kerr | ... | Beau (uncredited) | |
| Tom Landon | ... | Prospector (uncredited) | |
| Rex Lease | ... | Man who gets Adelaide's Picture (uncredited) | |
| Emmett Lynn | ... | Artist (uncredited) | |
| Francis McDonald | ... | Hank (uncredited) | |
| Tom Monroe | ... | Ad Lib (uncredited) | |
| Monte Montague | ... | Pete (uncredited) | |
| Lee Morgan | ... | Ad Lib (uncredited) | |
| Zon Murray | ... | Colorado (uncredited) | |
| Buddy Roosevelt | ... | Barfly (uncredited) | |
| Gene Roth | ... | Saloon Patron (uncredited) | |
| Lee Shumway | ... | Bartender with white sideburns (uncredited) | |
| Glenn Strange | ... | Prospector (uncredited) | |
| Forrest Taylor | ... | MacPherson (uncredited) | |
Directed by | |||
| David Butler | |||
Writing credits | ||
| James O'Hanlon | (written by) | |
Produced by | |||
| William Jacobs | .... | producer | |
Original Music by | |||
| David Buttolph | (uncredited) | ||
| Howard Jackson | (uncredited) | ||
Cinematography by | |||
| Wilfred M. Cline | (director of photography) (as Wilfrid M. Cline) | ||
Film Editing by | |||
| Irene Morra | |||
Art Direction by | |||
| John Beckman | |||
Set Decoration by | |||
| G.W. Berntsen | |||
Makeup Department | |||
| Gordon Bau | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Philip Quinn | .... | assistant director (as Phil Quinn) | |
Sound Department | |||
| Charles David Forrest | .... | sound (as David Forrest) | |
| Stanley Jones | .... | sound | |
Stunts | |||
| Emile Avery | .... | stunts (uncredited) | |
| Clem Fuller | .... | stunts (uncredited) | |
| Donna Hall | .... | stunt double: Doris Day (uncredited) | |
| Ted Mapes | .... | stunts (uncredited) | |
| Chuck Roberson | .... | stunts (uncredited) | |
| Sailor Vincent | .... | stunts (uncredited) | |
Costume and Wardrobe Department | |||
| Howard Shoup | .... | wardrobe | |
Music Department | |||
| Frank Comstock | .... | orchestrator | |
| Jack Donohue | .... | musical numbers staged and directed by | |
| Sammy Fain | .... | music: original songs | |
| Ray Heindorf | .... | musical director | |
| Norman Luboff | .... | vocal arrangements | |
| Paul Francis Webster | .... | lyrics: original songs | |
Other crew | |||
| Emory Horger | .... | dialogue director (as Emory Hoerger) | |
| Mitchell Kovaleski | .... | Technicolor color consultant (as Mitchell G. Kovaleski) | |
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| The Plainsman | Custer's Last Stand | Badlands of Dakota | Dakota | Along Came Jones |
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I think that this film tries to depict strong independent women as masculine and lesbian. It reinforces the idea that women can only win acceptance when they conform to men's stereotypical ideas of what women should do and be; i.e. wear pretty dresses, makeup, and learn the skill of homemaking for men's comforts.
This said, I think the film is very witty, and cleverly accomplished. This is especially so given that as a Warners' production it is more subdued than those musicals made at the MGM studios.
Doris Day is particularly good as Calamity, - albeit performed in a more feminine way than Jane Russel's version of this character in The Paleface (1948) - and her singing is great! This is given more credibility by the fact that the supporting cast of the film give excellent performances.
Excellent light hearted film.