The Big Heat (1953)

User Rating:

8.0/10   

Director:

Fritz Lang

Writers:

Sydney Boehm (screenplay)
William P. McGivern (Saturday Evening Post serial)

Release Date:

14 October 1953 (USA)

Genre:

Crime | Drama | Film-Noir | Mystery | Thriller

Tagline:

A hard cop and a soft dame!

Plot:

Tough cop Dave Bannion takes on a politically powerful crime syndicate.

Plot Keywords:

B Girl | Mob | Mob Boss | Police | Suicide

Awards:

1 win

Cast

Glenn Ford	...	Det. Sgt. Dave Bannion
Gloria Grahame	...	Debby Marsh
Jocelyn Brando	...	Katie Bannion
Alexander Scourby	...	Mike Lagana
Lee Marvin	...	Vince Stone
Jeanette Nolan	...	Bertha Duncan
Peter Whitney	...	Tierney
Willis Bouchey	...	Lt. Ted Wilks
Robert Burton	...	Det. Gus Burke
Adam Williams	...	Larry Gordon
Howard Wendell	...	Police Commissioner Higgins
Chris Alcaide	...	George Rose
Michael Granger	...	Hugo (police clerk)
Dorothy Green	...	Lucy Chapman
Carolyn Jones	...	Doris

Runtime:

89 min

Country:

USA

Language:

English

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono (Western Electric Recording)

Certification:

Norway:16 | UK:15 (re-rating) (1988) | UK:X (original rating) | Canada:G (Nova Scotia/Québec) | Germany:16 (nf) (re-rating) | West Germany:18 (nf) (original rating) | South Korea:15 | Finland:(Banned) | Finland:K-16 (re-rating) (1966) | Spain:13 | Sweden:15 | USA:Approved (certificate #16549) | Australia:PG | Germany:BPjM Restricted

Company:

Columbia Pictures Corporation

Trivia:

Bannion's wife Katie is played by Jocelyn Brando, older sister of Marlon.

Goofs:

Continuity: Near the end of the film, Dave Bannion has an altercation with his brother-in-law's old army buddy in the stairwell. When he enters the apartment a second later, the sleeves of his suit are suddenly rolled up.

Quotes:

Debby Marsh: We're sisters under the mink.

Movie Connections:

Featured in My One and Only (2009)

Soundtrack:

Put the Blame on Mame

Taut, gripping, vintage cop thriller

It's doubtful that even Dirty Harry in his most menacing moments could match the smouldering rage that Glenn Ford brings to the screen in this excellent 1953 Fritz Lang flick. From a modern POV there is nothing unfamiliar here, except maybe the dated hardboiled lingo. The maverick cop, the revenge theme, the underworld characters and heroines. It's just that whereas a modern director would make this into a predictable two hour yawn-fest with slow-motion car accidents and ten minute shootouts with shoulder-launched missiles, Lang's movie clocks in at under 90 minutes, and there isn't an ounce of fat on it. It's lean, fast-moving and engrossing. Not a single camera shot is wasted or unnecessary. The script crackles, the cast is uniformly excellent, and Ford and Lee Marvin in particular are unforgettably intense. Ford, just when he's about to go way over the top, reins himself in, adding to the aura of barely suppressed violence in his character.

The movie can also lurch from plot exposition to sudden, economical and unexpected explosions of violence which can still shock today and must have been extremely confronting fifty years ago. And from there it can become suddenly, unexpectedly sensitive and moving.

Nothing is wasted in this movie. Everything is nailed down just right. It's not that they don't make them like this any more; it's more that they've been making them like this ever since, and generally to lesser and lesser effect.

A strong 8 out of 10.