| Gregory Peck | ... | Capt. Jonathan Clark | |
| Ann Blyth | ... | Countess Marina Selanova | |
| Anthony Quinn | ... | Portugee | |
| John McIntire | ... | Deacon Greathouse | |
| Carl Esmond | ... | Prince Semyon | |
| Andrea King | ... | Mamie | |
| Eugenie Leontovich | ... | Anna Selanova | |
| Hans Conried | ... | Eustace, Hotel Clerk | |
| Rhys Williams | ... | Eben Cleggett | |
| Sig Ruman | ... | General Ivan Vorashilov | |
| Gregory Gaye | ... | Colonel Paul Shushaldin (as Gregory Gay) | |
| Bill Radovich | ... | Ogeechuk | |
| Bryan Forbes | ... | William Cleggett | |
| Henry Kulky | ... | Peter, Russian Servant | |
| rest of cast listed alphabetically: | |||
| Carl Andre | ... | Seaman (uncredited) | |
| Suzan Ball | ... | (uncredited) | |
| Gregg Barton | ... | Seaman (uncredited) | |
| Frank Chase | ... | Seaman (uncredited) | |
| William 'Wee Willie' Davis | ... | 'Shanghai' Kelley (uncredited) | |
| Carl Harbaugh | ... | Seaman (uncredited) | |
| Syl Lamont | ... | José (uncredited) | |
| Gregg Martell | ... | Seaman (uncredited) | |
| Leo Mostovoy | ... | Nicholas (uncredited) | |
| Paul Newlan | ... | Tough Sailor (uncredited) | |
| Tudor Owen | ... | Old Sailor (uncredited) | |
| Milicent Patrick | ... | Lena (uncredited) | |
| Dick Rich | ... | Tough Sailor (uncredited) | |
| George Scanlan | ... | Seaman (uncredited) | |
| Eve Whitney | ... | Lilly (uncredited) | |
Directed by | |||
| Raoul Walsh | |||
Writing credits(in alphabetical order) | ||
| Rex Beach | novel | |
| Borden Chase | writer | |
| Horace McCoy | additional dialogue | |
Produced by | |||
| Aaron Rosenberg | .... | producer | |
Original Music by | |||
| Frank Skinner | |||
Cinematography by | |||
| Russell Metty | |||
Film Editing by | |||
| Frank Gross | |||
Art Direction by | |||
| Alexander Golitzen | |||
| Bernard Herzbrun | |||
Set Decoration by | |||
| Russell A. Gausman | |||
| Julia Heron | |||
Costume Design by | |||
| Bill Thomas | |||
Makeup Department | |||
| Joan St. Oegger | .... | hair stylist | |
| Bud Westmore | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| James Curtis Havens | .... | second unit director | |
Sound Department | |||
| Leslie I. Carey | .... | sound | |
| Corson Jowett | .... | sound | |
Special Effects by | |||
| David S. Horsley | .... | special effects | |
Stunts | |||
| Fred Carson | .... | stunt double: Anthony Quinn (uncredited) | |
| Fred Graham | .... | fight double: Gregory Peck (uncredited) | |
| Chuck Hayward | .... | stunts (uncredited) | |
Other crew | |||
| Harold Belfer | .... | choreographer | |
| William Fritzsche | .... | technicolor color consultant | |
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| The Great Race | The Secret of Treasure Island | Ben-Hur | The Princess Bride | Captain Horatio Hornblower R.N. |
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| Full cast and crew | Company credits | External reviews |
| IMDb Action section | IMDb USA section | Add this title to MyMovies |
This insufficient movie was made in the fifties when a flamboyant pretty boy famous for tough, staunch, dramatic parts and deep performances decides to go the matinée idol/swashbuckler route. This movie followed Peck's earlier and similar Captain Horatio Hornblower and the Fox big budget muck, David and Bathsheba. Captain Horatio was a big hit in the United States but the fate of this movie domestically was not as good. But as many big budget productions that struggle at home, they make a killing or reduce the losses overseas as this movie was number six at the UK box office and top 10 in 1952 in many other countries. Peck is actually good in the role of the gregarious pirate - way better than in Captain Horatio where I felt he was miscast - he seems to sink his teeth into the role of a lovable scalawag with a gritty mien. He walks the part, lashes the part, and punches the part. One could only wonder why he did not bring this kind of intensity to his role of the "bad seed" in Duel in the sun. The movie sorely needed it. While this kind of movies are supposed to light and flimsy, I must say that I think this movie is way too light. Fights happen for no apparent reason than to fight. Portugee brilliantly played by the great actor Anthony Quinn is loud and lascivious and is a great counterpart to Peck's ravenous appetite for calamity. The plot so to speak involves a Russian girl who does not want to leave the haven of San Francisco to return to the obviously evil and vile fiancée. So she needs to get on a boat to get her out. Enter Peck, romance and love. But alas, Mr. Vile and Evil shows up, twirling mustache in hand and kidnaps her. The rest of this movie is as follows................... You get the point. Raoul Walsh who was one of Hollywood's most successful directors at the box office with very few flops throughout his career directs the action scenes with unusual zest even for him. The score is rousing and gives the sailing sequences a palpating calumny. Blyth is terrible in this role and I don't even think she is very pretty. She does not even try to do a Russian accent but speaks with a clear mid-western undertone. And last of all, the final line in this movie is surely a contender for one of the corniest lines ever delivered on screen. You have hear it and see the shot that follows and try not to laugh out loud.