| Photos (see all 12 | slideshow) |
| Doris Day | ... | Aimee Alexander | |
| Ronald Reagan | ... | Grover Cleveland Alexander | |
| Frank Lovejoy | ... | Rogers Hornsby | |
| Eve Miller | ... | Margaret Killefer | |
| James Millican | ... | Bill Killefer | |
| Russ Tamblyn | ... | Willie Alexander (as Rusty Tamblyn) | |
| Gordon Jones | ... | George Glasheen | |
| Hugh Sanders | ... | Joe McCarthy | |
| Frank Ferguson | ... | Sam Arrants | |
| Walter Baldwin | ... | Pa Alexander | |
| Dorothy Adams | ... | Ma Alexander | |
| Bob Lemon | ... | Jesse 'Pop' Haines | |
| Jerry Priddy | ... | Ballplayer | |
| Peanuts Lowery | ... | Ballplayer (as Peanuts Lowrey) | |
| George Metkovich | ... | Ballplayer | |
| Irving Noren | ... | Ballplayer | |
| Hank Sauer | ... | Ballplayer | |
| Al Zarilla | ... | Ballplayer | |
| Gene Mauch | ... | Ballplayer | |
| rest of cast listed alphabetically: | |||
| Charles Horvath | ... | Telephone Lineman (unconfirmed) | |
| Richard Bartell | ... | Johnny (uncredited) | |
| Rodney Bell | ... | Reporter (uncredited) | |
| John Beradino | ... | Sherdel, Cardinals Player (uncredited) | |
| Henry Blair | ... | Batboy (uncredited) | |
| Larry J. Blake | ... | Detective Blake (uncredited) | |
| Ralph Brooks | ... | Assistant (uncredited) | |
| Morgan Brown | ... | Clerk (uncredited) | |
| Jack Carr | ... | Angry Fan (uncredited) | |
| Gordon Clark | ... | Pianist (uncredited) | |
| Russ Clark | ... | Umpire (uncredited) | |
| Steve Darrell | ... | Doan, Manager of House of David Baseball Team (uncredited) | |
| Jimmie Dodd | ... | Fred (uncredited) | |
| Tom Dugan | ... | Cigar Stand Owner (uncredited) | |
| Bonnie Kay Eddy | ... | Grover's sister (uncredited) | |
| Pat Flaherty | ... | Bill Klem (major-league umpire) (uncredited) | |
| Alan Foster | ... | Customer (uncredited) | |
| Art Gilmore | ... | Radio sports announcer (voice) (uncredited) | |
| Tom Greenway | ... | Telephone Lineman Foreman (uncredited) | |
| John Hedloe | ... | Reporter (uncredited) | |
| Thomas Browne Henry | ... | Carlton Carlton, Lecturer (uncredited) | |
| William Kalvino | ... | Batter (uncredited) | |
| Fred Kelsey | ... | Baseball Fan (uncredited) | |
| John Kennedy | ... | Announcer (uncredited) | |
| Jack Kenny | ... | Baseball Fan (uncredited) | |
| Donald Kerr | ... | Yankee fan (uncredited) | |
| Jack Lemmon | ... | Jesse Haines, Cardinals Pitcher (uncredited) | |
| Dayton Lummis | ... | Graham McNamee (uncredited) | |
| Herbert Lytton | ... | Opthamologist (uncredited) | |
| Frank Marlowe | ... | Taxi driver (uncredited) | |
| Kathy Marlowe | ... | Box Office Dame (uncredited) | |
| Frank McFarland | ... | Johnson (uncredited) | |
| Joe McGuinn | ... | Doorman (uncredited) | |
| Fred Millican | ... | Central City catcher (uncredited) | |
| Robert Orrell | ... | Catcher (uncredited) | |
| Arthur Page | ... | Preacher (uncredited) | |
| Paul Panzer | ... | Central City fan (uncredited) | |
| Kenneth Patterson | ... | Dr. Johnson Conant (uncredited) | |
| Joe Ploski | ... | Storekeeper (uncredited) | |
| Lee Roberts | ... | Eddie Collins (uncredited) | |
| Babe Ruth | ... | Himself (uncredited) (archive footage) | |
| Dick Ryan | ... | Midway Barker (uncredited) | |
| Frank J. Scannell | ... | Carnival Sideshow Barker (uncredited) | |
| Alex Sharp | ... | First Baseman (uncredited) | |
| Clarence Straight | ... | Sarcastic Reporter (uncredited) | |
| Brick Sullivan | ... | Cop (uncredited) | |
| Charles Sullivan | ... | Listener (uncredited) | |
| Glen Turnbull | ... | Reporter (uncredited) | |
| Ralph Volkie | ... | Umpire (uncredited) | |
| Billy Wayne | ... | Charles 'Red' Doonin, Philadelphia Nationals Manager (uncredited) | |
| Allan Wood | ... | Usher (uncredited) | |
Directed by | |||
| Lewis Seiler | |||
Writing credits | ||
| Ted Sherdeman | (screenplay) and | |
| Seeleg Lester | (screenplay) & | |
| Merwin Gerard | (screenplay) | |
| Seeleg Lester | (story) and | |
| Merwin Gerard | (story) | |
Produced by | |||
| Bryan Foy | .... | producer | |
Original Music by | |||
| David Buttolph | |||
Cinematography by | |||
| Sidney Hickox | (director of photography) (as Sid Hickox) | ||
Film Editing by | |||
| Alan Crosland Jr. | |||
Art Direction by | |||
| Douglas Bacon | |||
Set Decoration by | |||
| William L. Kuehl | (as William Kuehl) | ||
Makeup Department | |||
| Gordon Bau | .... | makeup artist | |
Sound Department | |||
| Stanley Jones | .... | sound | |
Special Effects by | |||
| Hans F. Koenekamp | .... | special effects (as H.F. Koenekamp) | |
Costume and Wardrobe Department | |||
| Leah Rhodes | .... | wardrobe | |
Music Department | |||
| Maurice De Packh | .... | orchestrator (as Maurice de Packh) | |
Other crew | |||
| Aimee Alexander | .... | technical advisor (as Mrs. Grover Cleveland Alexander) | |
| Emory Horger | .... | dialogue director (as Emory Hoerger) | |
| Jerry Priddy | .... | technical advisor | |
| Arnold 'Jigger' Statz | .... | technical advisor (as Arnold Statz) | |
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| Full cast and crew | Company credits | External reviews |
| IMDb Biography section | IMDb USA section | Add this title to MyMovies |
I rated it higher than I normally would because it is a film that deserves to be watched.
Anyone who had the benefit of seeing insider comments from the classic film network I taped it from would know that Grover Cleveland Alexander suffered from seizures do to epilepsy.
Ronald Reagan was quite disappointed at the film company not including that in the film and not naming the disease, though implying some physical problem was involved in Alexander's problems.
The drinking was due to fear (which the film touches on) from NOT UNDERSTANDING EPILEPSY and the seizures that he had.
I think Reagan gave the character life and those who point out his deficiencies as an athlete don't mention that he was an athlete himself, playing football and eventually got a job as a sports announcer. That job helped him land his first role in Hollywood as a sports announcer on screen.
No actor is going to play baseball as well as an actual baseball player. It is a skill that many have tried and few succeed at. 'Knowing' the sport is not the same as being able to play it to the level of a big leaguer.
So, forgiving an actor for not being able to pitch like a real big leaguer is not hard when the main story here is his life, his marriage and his service to his country and to baseball between his very real struggles of epilepsy and drinking.
The film is actually quite ground breaking, covering something from an era where these things were often covered up and if they did make the news, they were public scandals. In this case, Mrs. Alexander (who was played brilliantly by Doris Day here), protected her husband's image at the time by omitting (apparently) some divorces that were designed to help him come to his senses.
Perhaps it was to help protect her as well. She probably felt she made mistakes too in trying to help him the wrong way. It's hard to know how to handle when someone's whole personality changes due to an illness.
The way the media is today, an athlete's whole career could be railroaded with no second chance by an episode of making a bad choice due to pain of getting intoxicated. This doesn't excuse Alexander's bad choices. He should have been honest with his wife and got help (also should have been honest with his baseball team(s)).
But the fact is, Babe Ruth would likely have had a tough time getting in the Hall of Fame in this age when Mark McGuire was overlooked because some people BELIEVE he used illegal steroids. It has yet to be proved and he never admitted it, only to the use of legal vitamin supplements, yet he isn't in the Hall of Fame.
Pete Rose is not forgiven to this day for the gambling which didn't occur as a player, but apparently as a manager.
Yes, baseball as in all of life should have standards. I just see that there have been many double standards as in not giving people a second chance and trying to build up heroes just to knock them down and ruin their lives.
Enough of them do it on their own (i.e. Ken Caminiti, Jose Conseco, etc.) without having to have people who aren't even in the know judging men who have the same weaknesses as us, yet have sought to inspire us to rise above those weaknesses and excel at something to give young people encouragement.
One unguarded moment or comment off the record to a reporter these days is enough to ruin a guy's life and career. Some guys are truly bad characters and deserve it.
Others, like Grover Cleveland Alexander, seem to deserve some understanding and compassion.
Would he have received it in today's journalistic environment?