| Photos (see all 7 | slideshow) |
| Bette Davis | ... | Margaret Elliot | |
| Sterling Hayden | ... | Jim Johannson aka Barry Lester | |
| Natalie Wood | ... | Gretchen | |
| Warner Anderson | ... | Harry Stone | |
| Minor Watson | ... | Joe Morrison | |
| June Travis | ... | Phyllis Stone | |
| Paul Frees | ... | Richard Stanley | |
| Robert Warrick | ... | R.J., Aging Actor at Party | |
| Barbara Lawrence | ... | Herself | |
| Fay Baker | ... | Margaret's sister | |
| Herb Vigran | ... | Roy | |
| rest of cast listed alphabetically: | |||
| David Alpert | ... | Keith Barkley (uncredited) | |
| James Anderson | ... | Actor playing Jed Garfield in The Fatal Winter (uncredited) | |
| Florence Auer | ... | Old Biddy in Store (uncredited) | |
| Marie Blake | ... | Annie, Stones' Maid (uncredited) | |
| Claire Carleton | ... | Jailbird (uncredited) | |
| Byron Foulger | ... | Druggist (uncredited) | |
| Gil Frye | ... | George, Assistant Director (uncredited) | |
| Sam Harris | ... | Party Guest (uncredited) | |
| Al Hill | ... | Cameraman (uncredited) | |
| John Indrisano | ... | Projectionist (uncredited) | |
| Marcia Mae Jones | ... | Waitress (uncredited) | |
| Lorin Raker | ... | Somers (uncredited) | |
| Kay Riehl | ... | Mrs. Adams, Landlady (uncredited) | |
| Frank J. Scannell | ... | Auctioneer (uncredited) | |
| Dorothy Vaughan | ... | Annie's Friend in Department Store (uncredited) | |
| Katherine Warren | ... | Mrs. Ruth Morrison (uncredited) | |
| Barbara Woodell | ... | Peggy Morgan (uncredited) | |
Directed by | |||
| Stuart Heisler | |||
Writing credits | ||
| Dale Eunson | (screenplay) and | |
| Katherine Albert | (screenplay) | |
Produced by | |||
| Bert E. Friedlob | .... | producer | |
Original Music by | |||
| Victor Young | |||
Cinematography by | |||
| Ernest Laszlo | (director of photography) | ||
Set Decoration by | |||
| Edward G. Boyle | (as Edward Boyle) | ||
Makeup Department | |||
| Del Armstrong | .... | makeup supervisor | |
| Jane Romeyn | .... | hair stylist | |
Production Management | |||
| J. Paul | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Robert Vreeland | .... | assistant director | |
Art Department | |||
| Boris Leven | .... | set designer | |
Sound Department | |||
| John R. Carter | .... | sound engineer (as John Carter) | |
Special Effects by | |||
| David Commons | .... | special effects | |
| Jack Rabin | .... | special effects | |
Costume and Wardrobe Department | |||
| Bill Edwards | .... | wardrobe (as William Edwards) | |
| Orry-Kelly | .... | gowns: Miss Davis | |
| Ann Peck | .... | wardrobe | |
| Sam Benson | .... | wardrobe supervisor (uncredited) | |
Editorial Department | |||
| Otto Ludwig | .... | editorial supervisor | |
Music Department | |||
| Sidney Cutner | .... | orchestrator (as Sid Cuttner) | |
| Leo Shuken | .... | orchestrator | |
| Victor Young | .... | conductor | |
Other crew | |||
| Bert E. Friedlob | .... | presenter | |
| Weslie Jones | .... | script supervisor | |
| Leo Taub | .... | assistant to producer | |
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| Valentino | 8½ | Deadly Is the Female | The Bad and the Beautiful | L'argent |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb USA section | Add this title to MyMovies |
I loved this movie! I campaigned 20th Century Fox to bring it out on video because my copy was on BETA and my Betamax has long since broke. What's interesting about this movie is that it was first offered to Joan Crawford who turned it down flat. At the same time, "Sudden Fear" was presented to Davis, who didn't like the script. Davis also turned down "Come Back, Little Sheba". Well, guess what? Davis accepted "The Star", Joan accepted "Sudden Fear" and Shirley Booth got the chance to repeat her stage success in "Sheba" and all three got nominated for the Best Actress Oscar in 1952! Amazing.
Bette Davis did everything but hit the ceiling in "The Star". She was trying her best to give an Academy Award-type performance. And it was. Margaret to her agent: "You can do everything but get me a picture, can't you?! Harry Stone, the big star-maker, the gentleman agent, my friend!" That was one of the early great lines uttered by has-been movie queen, Margaret Elliot. There were many more to come. Davis turned in a realistic performance as the aging star and conveyed the frustrations that many older performers feel when they realize the truth about their failing careers.
Margaret is torn between her fear of age, her devotion to her young daughter and her drive to be "put back where I belong." She is saddled with a family that she had cared for, financially, since she became a star and their inability to understand that she was no longer a rich and famous actress. I loved the scene when she throws out her sister and brother-in-law in a fit of screaming anger, then grabs her Oscar and takes a drunken ride through the streets of Beverly Hills. After her arrest, Margaret pays a visit to her agent's office. He tell her that she's had his office "running around in circles". Margaret retorts, "Well I'VE been 'running around in circles', too! But not MARGARET ELLIOT circles!"
When Margaret gets the chance to tryout for a movie ("The Fatal Winter") she's wanted for years, she's informed that she is not reading for the lead, but the lead's older sister, Sara. Elliot plots to convince the producers that she should play the younger part by botching the screen test, playing the older sister like a young siren.
Sara: "It isn't like you to pay a social visit, Jed Garfield, what are you doing here?" Jed: "You got it fixed up real nice, Sara, real nice". Sara: "I like things nice. What do you want?" Jed: "You used to be quite a girl, you still think you are, don't you?" Sara: "I still know what's right from wrong." Jed: "You think it's right to tell folks you were in the lane the night of the murder?" Sara: "I was there, Jed Garfield, you KNOW I was there..." Jed: "Well, if you was there, what was you doin' there?" Sara: "None of your business what I was doing there." Jed: "Well, it's my business if you're tryin' to ruin my brother." Sara: "Maybe I was thinking what he tried to do to me." Jed: "You don't know Lance, when he's crossed." Sara: "I know Lance Garfield, pretty well! You don't know HOW well, I know your brother."
She played this like a flirting, young teenager and the test was awful. But it was wonderful ACTING by Miss Bette Davis!
For those who expect to see Margo Channing of "All About Eve", they won't see her here. Davis IS Margaret Elliot! When she said to the old women at the department store, "I AM Margaret Elliot, and I intend to STAY 'Margaret Elliot'!" she meant it.
I am crazy about the entire movie. The ending is contrived, but so what? This is what Davis herself described: A GOOD OLD-FASHIONED BETTE DAVIS MOVIE! Pop some corn, get a candy bar and a big soda and watch this on a very rainy day.